  藝術家 / Artist 策展人/ Curato 王友江 Wang youjiang 2023年北上北藝術策劃《非A》當代藝術對話國際展覽，為期一年分集系列展,，將邀請國內外具有影響力的當代藝術家參加,，展覽是無主題性多元化的狀態(tài)，需要藝術家個體經(jīng)驗有態(tài)度的表達,，在當下環(huán)境中發(fā)出自己獨特的聲音,。 北上北藝術堅持倡導當代藝術精神，自由靈魂,、獨立思考,、反叛陳腐、追求原創(chuàng),，思考生存空間給予生命的待遇和尊嚴,，藝術家通過自己的藝術作品啟迪人們去思考和覺醒。藝術家需要建立明確的態(tài)度及藝術主張,，態(tài)度決定觀念,，觀念決定語言 ，語言決定力量,，沒有態(tài)度的語言是蒼白的,。 當代藝術必須是具有國際視野下的藝術活動，只有站在人類文明理念去思考問題,，才能認知文化語境獨特性與國際性的關系,，不是一枝獨秀的自我欣賞,，文化語境的跨越與融合是發(fā)展的必然。 In 2023, Beishangbei Art will plan the International Exhibition of Non A Contemporary Art Dialogue, which will be a one-year diversity series exhibition. Influential contemporary artists at home and abroad will be invited to participate in the exhibition. The exhibition is in a state of non thematic diversity, requiring artists to express their own experience and attitude, and make their own unique voice in the current environment. Beishangbei Art insists on advocating the spirit of contemporary art, free soul, independent thinking, rebelling against staleness, pursuing originality, thinking about the treatment and dignity of life given by living space, and artists inspire people to think and awaken through their own art works. Artists need to establish clear attitudes and artistic propositions. Attitude determines ideas, ideas determine language, and language determines power. Language without attitude is pale. Contemporary art must be an art activity with an international perspective. Only by thinking about issues from the perspective of human civilization can we recognize the relationship between uniqueness of cultural context and internationality. It is not a unique self appreciation. The leap and integration of cultural context is inevitable for development.   藝術家 / Artist 張桂林 Zhang Guilin 中國藝術家 1951年生于北京,，1978年畢業(yè)于中央美術學院版畫系,，中央美術學院版畫系教授，中國美術家協(xié)會會員,。 主要展覽 1981年 入選第8屆全國版畫展,； 1982年 入選意大利中國版畫展； 1985年 入選19屆蒙特卡羅藝術大展,； 1986年 入選日本中國現(xiàn)代著名美術家展,； 1987年 第9屆全國版畫展； 1987年入選香港現(xiàn)代美術展,； 1988年入選英國第九屆國際版畫雙年展,； 1989年第十屆全國版畫展； 1992年 入選北京20世紀中國美術大展,； 1994年北京全國第八屆美展,； 1995年第十二屆全國版畫展； 1995年 入選波蘭現(xiàn)代版畫展,； 1998年 入選第十四屆全國版畫展,； 1998年在北京舉辦個展； 1999年入選全國第九屆美術展,； 2001年入選首屆中國絲網(wǎng)版畫展； 2004年第10屆全國美展,； 2007年第十七屆國際版畫雙年展,； 2011年1月 中國美術館5號廳舉辦“心境”張桂林版畫個展； 2015年 參加第二十一屆全國版展,； 2016年 第一回中日現(xiàn)代版畫展,； 2017年 22屆全國版畫展覽。 部分獲獎 2003年《生命NO4》第二屆中國美術金彩獎,； 1999年中國版畫魯迅獎,； 第二十屆全國優(yōu)秀郵票獎； 1999年《澳門回歸祖國》全國最佳郵票設計獎,； 1994年第十四屆全國版畫展銅獎,； 1985年《河夜》北京市慶祝建國三十五周年文藝作品展銀獎； 1984年建國三十五周年美展二等獎,。 Chinese artists Born in Beijing in 1951, graduated from the Printmaking Department of the Central Academy of Fine Arts in 1978, professor of the Printmaking Department of the Central Academy of Fine Arts, and member of the Chinese Artists Association. Major exhibitions In 1981, he was selected in the 8th National Printmaking Exhibition; In 1982, he was selected into the Italian Chinese Printmaking Exhibition; In 1985, he was selected into the 19th Monte Carlo Art Exhibition; In 1986, he was selected into the famous modern Chinese artists exhibition in Japan; The 9th National Printmaking Exhibition in 1987; In 1987, he was selected into the Hong Kong Modern Art Exhibition; In 1988, he was selected into the 9th British International Printmaking Biennale; The 10th National Printmaking Exhibition in 1989; In 1992, he was selected into the 20th Century Chinese Art Exhibition in Beijing; The 8th National Art Exhibition in Beijing in 1994; The 12th National Printmaking Exhibition in 1995; In 1995, he was selected in the Polish Modern Printmaking Exhibition; In 1998, he was selected in the 14th National Printmaking Exhibition; In 1998, he held a solo exhibition in Beijing; In 1999, he was selected into the 9th National Art Exhibition; In 2001, it was selected into the first China Screen Printing Exhibition; The 10th National Art Exhibition in 2004; The 17th International Printmaking Biennale in 2007; In January 2011, the "mood" Zhang Guilin print solo exhibition was held in Hall 5 of the National Art Museum of China; Participated in the 21st National Edition Exhibition in 2015; The first Sino-Japanese modern print exhibition in 2016 The 22nd National Printmaking Exhibition in 2017 Some awards In 2003, "Life NO4" won the second China Fine Arts Gold Award; Lu Xun Award for Chinese Printmaking in 1999; The 20th National Excellent Stamp Award; 1999 "Macao's Return to the Motherland" National Best Stamp Design Award; The bronze medal of the 14th National Printmaking Exhibition in 1994; 1985 "Night of the River" Silver Award of the Beijing Literature and Art Exhibition celebrating the 35th anniversary of the founding of the People's Republic of China; The second prize of the art exhibition on the 35th anniversary of the founding of the People's Republic of China in 1984.  張桂林 / Zhang Guilin 無題 -3 / Untitled-3 30x30cm 水墨 / Ink 2022  張桂林 / Zhang Guilin 無題- 7 / Untitled-7 30x30cm 水墨 / Ink 2022 藝術思考： 我的創(chuàng)作是我生命中的一個重要組成部分,，我的作品不是幻想、空想,，它是我對歷史和生活的理解與詮釋,。雖然藝術品不能解決問題,，但我試圖通過我的作品提出問題，通過藝術創(chuàng)作更好地認識生活,，用我的作品來敘述表達及其普通平凡而簡單的問題,，甚至是最基本的生活現(xiàn)象，用它來揭示人類生存的本質思想,。 Artistic thinking: My creation is an important part of my life. My work is not fantasy and fantasy. It is my understanding and interpretation of history and life. Although works of art can not solve problems, I try to ask questions through my works, better understand life through artistic creation, use my works to describe and express ordinary and simple problems, and even the most basic life phenomena, and use it to reveal the essential thought of human survival.  張桂林 / Zhang Guilin 無題- 8 / Untitled-8 30x30cm 水墨 / Ink 2022  張桂林 / Zhang Guilin 無題- 9 / Untitled-9 30x30cm 水墨 / Ink 2022  張桂林 / Zhang Guilin 無題- 10/ Untitled-10 30x30cm 水墨 / Ink 2022  藝術家 / Artist 劉永剛 Liu Yonggang 中國藝術家 1982－1986年 畢業(yè)于中央美術學院油畫系靳尚誼先生第一工作室 中國當代雕塑藝術研究院研究員,、創(chuàng)作部主任 中國文化促進會藝術顧問 中國美術學院特聘教授 清華美術學院高研班導師 中國美術家協(xié)會會員 現(xiàn)工作、生活在北京,、柏林 主要代表作品： 2017年1月4日,，雕塑作品《歸》獲第六屆“劉開渠獎”國際雕塑大展銀獎,。授獎機構：中國雕塑學會、中國美術學院 2019年 創(chuàng)作《大興》標志雕塑作品 主要個展： 2019年 劉永剛《本相》系列作品展,。中國北京錦都國際藝術中心 2018年 母校中央美術學院百年華誕,。捐贈大型雕塑作品《站立的文字——同升》 2018年中國項目/Nordart獲獎藝術家回顧單元：劉永剛德國北方藝術 2017年 “線相的現(xiàn)象——劉永剛新作展”。北京798藝術區(qū) 蔓藝術空間 2016年6月12日,。德國總理默克爾收藏劉永剛《線相生肖-午馬》繪畫作品,。德國駐中國大使館 2016年3月22日受邀參加德國總統(tǒng)招待會，展覽作品《站立的文字-愛擁》,。德國駐中國大使館 2015年《劉永剛作品展》,，瑞士圣—烏爾班當代藝術館 主要聯(lián)展： 2017年 德國路德維希美術館《對話中國當代藝術展》。德國路德維希美術館 2017《首屆中國公共城市藝術展》,。中國城市雕塑家協(xié)會 今日美術館 2017年 《天工開物》中國當代公共藝術主題展,。北京中華世紀壇 2017年11月28日 科學與藝術委員會成立大會-科學與藝術高峰論壇。中華國際科學交流基金會 2017年9月24日 “德國8”<全球化背景下的德國和中國當代藝術和中國當代藝術發(fā)展>學術論壇,。中央美術學院美術館 2017年6月10日 <天工開物>中國當代公共藝術主題展(聯(lián)展),。北京 中華世紀壇 2017年 首屆中國城市公共藝術展。中國城市雕塑家協(xié)會 今日美術館 2017年5月27日中國城市公共藝術展(聯(lián)展) ,。北京 今日美術館 2016年參加《第五屆中國·青島（即墨）國際雕塑藝術節(jié)》,，山東青島即墨市 2016年參加《劉永剛造型藝術高級研究班結業(yè)展》，清華美院美術館 2015年《形式與色彩——當代藝術展》,，德國隋樂特斯貝特藝術畫廊 2015年《共振——中國當代藝術展》,，瑞士圣—烏爾班當代藝術館 主要收藏： 作品被中國美術館、中央美術學院,、中國美術家協(xié)會,、德國維根斯巴赫市,、德國德意志聯(lián)邦銀行、香港東方藝術基金會,、德國柏林夏達姆畫廊,、北京今日美術館、香港漢雅軒畫廊,、TCL集團,、日本直島美術館、上海市政府收藏及私人收藏,。 Chinese artists 1982-1986 Graduated from the first studio of Mr. Jin Shangyi, Department of Oil Painting, Central Academy of Fine Arts From 1992 to 1997, he graduated from Professor Colditz's studio of free art research at the Nuremberg Academy of Fine Arts in Germany Researcher and director of the creative department of the Chinese Academy of Contemporary Sculpture Art consultant of China Association for the Promotion of Culture Distinguished professor of China Academy of Fine Arts Tutor of senior research class of Tsinghua Academy of Fine Arts Member of China Artists Association Currently working and living in Beijing and Berlin Main representative works: In 1987, the oil painting "The Shepherdess of North Sara" won the first prize of China Oil Painting Exhibition In 1989, the oil painting "White Moon in North Sara" won the bronze medal of the 7th National Art Exhibition In 1997, the oil painting "Cross" won the first prize of "Dana" at the Nuremberg Academy of Fine Arts in Germany, and won the title of master student in the same year 1999-2009 series of 100 pieces of standing text - Love Embrace In June 2016, the beautiful town of Bedersdorf in Germany. Mr. Liu Yonggang won the NordArt International Art Award for his series of works "Standing Text -- Love Embrace". Awarding organization: German Northern Art Organizing Committee On January 4, 2017, the sculpture "Gui" won the silver medal of the 6th "Liu Kaiqu Award" International Sculpture Exhibition. Awarding institutions: China Sculpture Society, China Academy of Fine Arts Created the "Daxing" logo sculpture in 2019 Main solo exhibitions: In 2019, Liu Yonggang's series of works of "This Image" were exhibited. Jindu International Art Center, Beijing, China In 2018, the centennial birthday of the Central Academy of Fine Arts, his alma mater. Donation of large sculpture "Standing Text - Tongsheng" 2018 China Project/Nordart Award-winning Artist Review Unit: Liu Yonggang, Northern German Art In 2017, "The Phenomenon of Line Phase - Liu Yonggang's New Works Exhibition". Man Art Space, 798 Art District, Beijing June 12, 2016. German Chancellor Angela Merkel collected Liu Yonggang's paintings of the Chinese Zodiac - Meridian Horse. German Embassy in China On March 22, 2016, he was invited to participate in the German President's reception and exhibited the work "Standing Text - Love Embrace". German Embassy in China 2015 "Liu Yonggang's Works Exhibition", St. - Urban Contemporary Art Museum, Switzerland Major joint exhibitions: 2017 "Dialogue with Chinese Contemporary Art Exhibition", Ludwig Art Museum, Germany. Ludwig Gallery, Germany 2017 The First China Public City Art Exhibition. Today Art Museum of China Urban Sculptors Association In 2017, the theme exhibition of China's contemporary public art, "Heavenly Creatures". Beijing China Century Monument On November 28, 2017, the inaugural meeting of the Science and Art Commission - the Science and Art Summit Forum. China International Science Exchange Foundation On September 24, 2017, "Germany 8"Academic Forum. Art Museum of the Central Academy of Fine Arts On June 10, 2017, China Contemporary Public Art Theme Exhibition (joint exhibition). Beijing China Century Monument The first China Urban Public Art Exhibition in 2017. Today Art Museum of China Urban Sculptors Association China Urban Public Art Exhibition (joint exhibition) on May 27, 2017. Beijing Today Art Museum In 2016, participated in the Fifth China Qingdao (Jimo) International Sculpture Festival, Jimo City, Qingdao, Shandong Province In 2016, he participated in the Graduation Exhibition of Liu Yonggang's Advanced Research Course in Plastic Arts, Tsinghua Academy of Fine Arts 2015 "Form and Color - Contemporary Art Exhibition", Schlosssbett Art Gallery, Germany 2015 "Resonance - China Contemporary Art Exhibition", St. - Urban Contemporary Art Museum, Switzerland Main collections: The works have been collected and privately by the Chinese Art Museum, the Central Academy of Fine Arts, the Chinese Artists Association, the German city of Wigensbach, the German Federal Bank of Germany, the Hong Kong Oriental Art Foundation, the Schadame Gallery in Berlin, the Beijing Today Art Museum, the Hong Kong Hanyaxuan Gallery, TCL Group, the Japanese Naoshima Art Museum, the Shanghai Municipal Government.  劉永剛 / Liu Yonggang 本相·財鹿 / This photo, Cailu/ 160X190cm 綜合材料 / Comprehensive materials 2019 劉永剛 / Liu Yonggang 本相·傷心 / This image · sad 160X190cm 綜合材料 / Comprehensive materials 2019 藝術思考： 《本相》的出現(xiàn)在震驚世人的同時,，也打破了劉永剛歷來所秉持的遞進創(chuàng)作理路，它像一個徹頭徹尾的外來者,，闖入劉永剛的藝術世界,，打亂已有的格局，讓所有人覺得陌生與新奇,。但如果仔細回顧劉永剛的所有創(chuàng)作歷程,，《本相》的端倪早在惠州創(chuàng)作《有罪無辜》等寓言系列作品時就已顯現(xiàn)，而其人物疊加融合的圖式則可追溯至早期作品《相紅如玉》等,，2019年的《本體》系列作品更是誘發(fā)《本相》出現(xiàn)的藥引,。除了在自身的創(chuàng)作積淀外，如果從“本相”詞源談起,，在佛教中其代表生住異滅之四相,，又曰四有為法，據(jù)《大毗娑沙論·卷三十八》等載：“一切有為法均為無常,，雖由于因緣力,，從未來位生至現(xiàn)在位，然瞬間即滅,，而成為過去位。此種成為過去位之現(xiàn)象,，稱為落謝,、謝滅。此生滅變遷之有為法,，流轉于未來,、現(xiàn)在、過去等三世中,?！备M一步的是劉永剛在《本相》等系列作品中將藝術創(chuàng)作提升到了靈性層次，因為藝術同時也是喚醒靈魂的過程,，憧憬,、欲望,、恐懼、癲狂等不同狀態(tài)在劉永剛的作品中迸發(fā)力量,，觀者的靈魂也因此承受強烈的激蕩,。 ——于蒙群 Artistic thinking: While shocking the world, the appearance of "This Image" has also broken the progressive creative theory that Liu Yonggang has always adhered to. It is like an out-and-out outsider, breaking into Liu Yonggang's art world, disrupting the existing pattern and making everyone feel strange and novel. However, if you carefully review all of Liu Yonggang's creative process, the clue of "This Appearance" has been shown as early as the creation of the allegorical series such as "Guilty and Innocence" in Huizhou, and the pattern of its characters overlapping and merging can be traced back to the early works "Xianghong Ruyu", etc. The 2019 "Noumenon" series works are the drug guide to induce the emergence of "This Appearance". In addition to the accumulation in their own creation, if we start from the etymology of "the original phase", it represents the four phases of life and death in Buddhism, which is also called the Four Haves, According to the Great Visasa Sutra Volume 38, "all the active laws are impermanent. Although due to karma, they are born from the future to the present, and then die instantly, and become the past. This phenomenon of becoming the past is known as falling and disappearing. The active laws of this life and death change, and flow in the future, present, past and other three lifetimes." Further, Liu Yonggang wrote in The Reality Such series of works have raised artistic creation to the spiritual level, because art is also a process of awakening the soul. Different states such as longing, desire, fear, and insanity burst into force in Liu Yonggang's works, and the soul of the audience also suffered from strong shocks. ——Yu Mengqun 劉永剛 / Liu Yonggang 本相·圣壇 / This image · Altar 160X190cm 綜合材料 / Comprehensive materials 2019 劉永剛 / Liu Yonggang 本相·寵物 / This photo · pet 160X190cm 綜合材料 / Comprehensive materials 2019 劉永剛 / Liu Yonggang 本相·走狗 / This photo · running dog 160X190cm 綜合材料 / Comprehensive materials 2019 藝術家 / Artist 宮 林 Gong Lin 中國藝術家 畢業(yè)于北京電影學院，獲博士學位 北京電影學院美術學院教授 韓國世宗大學動畫系客座教授 專業(yè)領域： 當代藝術創(chuàng)作與理論 電影美術歷史與理論 主要著作： 2018年《所在集》中國電影出版社 2017年《虛擬構象——當代藝術中的數(shù)字媒體藝術》人民郵電出版社 2016年《夢中集》中國電影出版社 2014年《新媒體藝術》清華大學出版社 2010年《中國電影美術論》中國電影出版社 2007年《中國電影美術史》山東美術出版社 個人展覽： 2016年 宮林,，保羅·瓦萊里博物館（Museum Paul Valery）,法國,塞特（Sete） 2011年 冰人——宮林作品展,，瑞典，斯特羅姆斯塔德（Stromstad） 2006年 宮林的作品,，法國,，拉羅舍爾（La Rochelle） 群體展覽： 2020年 首屆濟南雙年展，山東美術館,，濟南 2020年“致敬傳統(tǒng)—當代紙藝術作品巡展”北京今日美術館,，山東美術館、江蘇現(xiàn)代美術館,、西安美術學院美術館等 2019年 今日中國美術,，山西，太原 2018年 在東方·新媒體藝術作品展,，北京,，今日美術館 2017年 教學相長：第三屆學院實驗藝術文獻展，北京,，中央美院美術館 2016年 歐洲遺產日藝術展,，法國，圣馬克拉朗德（Saint-Marc-la-Lande） 2016年“無影之影”首屆國際（隆里）新媒體藝術家邀請展,，貴州,，隆里 2014年 第十二屆全國美術展覽實驗藝術展，北京,，今日美術館 2010年 大理國際影會,，云南,，大理 2009年 逃離Escape(s) in/from Beijing,，法國,，里爾（Lille） Chinese Artist Ph.D. from Graduate School of Beijing Film Academy Professor of the Department of Fine Arts in Beijing Film Academy Guest Professor in the Department of Comics and Animation Technology of Sejong University Professional Fields: Practice and theory in contemporary art History and theory in film production design Major Publications: 2018Collections of Ubiquitous Life Publisher: China Film Press 2017Virtual Conformation ---- Digital Media Art in Contemporary Art (Volume I& Ⅱ) Publisher: People Posts & Telecom Press 2016Dream Collections Publisher: China Film Press 2014New Media Art Publisher: Tsinghua University Press 2010On Chinese Film Art Direction Publisher: China Film Press 2007The History of Chinese Film Production Design Publisher: Shandong Fine Arts Publishing House Solo Exhibitions 2016Gong Lin Museum Paul Valery, Sete, France 2014 Face Flowers—— Paper cutting of Gong Lin West & East Gallery, winery Art District, Beijing, China 2011 Ice Man—— Works of Gong Lin Stromstad, Sweden 2006 Works of Gong Lin La Rochelle, France 宮林 / Gong Lin 潮汐 潮汐 / Tidal tide 尺寸可變 / Variable size 影像裝置,，沙土,、2屏影像 / Image device, sand, 2-screen image 2009 宮林 / Gong Lin 冰人-2 / Iceman-2 尺寸可變 / Variable size 裝置,，冰,、海沙,、海草,，斯特羅姆斯塔德,，瑞典 / Installation, ice, sea sand, seaweed, Stromstad, Sweden 2011 藝術思考： 我相信，在這個世界上,，時間有多長,，生命就有多長,。 I believe that how longit isthe time, and how long it isthe life, in the world. 宮林 / Gong Lin 太極圖 / Tai Chi Diagram 直徑12米 / 12m diameter 地景藝術，果園,、蘋果 / Landscape art, orchard, apple 2016／09／15—10／20,，從展出開始到結束的過程，圣馬可 拉朗德,，法國 / From September 15, 2016 to October 20, the process from the beginning to the end of the exhibition, San Marco Lagrand, France 宮林 / Gong Lin 冰人-1 / Iceman -1 尺寸可變 / Variable size 裝置,，冰、花草,、植物,，斯特羅姆斯塔德，瑞典 / Device, ice, flowers and plants, Stromstad, Sweden 2011 宮林 / Gong Lin 土 / Soil 三屏影像截圖 / Three-screen image screenshot 2004 藝術家 / Artist 王志剛 Wang Zhigang 中國藝術家 西安美術學院學術委員會副主任,、中國雕塑藝術研究所所長,、教授、博士生導師,。1961年出生,，1982年畢業(yè)于西安美術學院雕塑系，中國美術家協(xié)會雕塑藝術委員會委員,。 主要作品有：《沙器系列》《單身女子系列》《粉墨人生系列》《無為系列》,。 大型公共藝術作品：《綠色希望》《平沙落雁》和景觀雕塑作品《西部揚帆》《牛》《啟蒙》《人類的朋友》等建立于北京,、西安,、蘭州、福州等地,。 主要參展： 1981“第二屆全國青年美術作品展”（北京） 1997“中國藝術大展——當代雕塑藝術展”（北京） 2001“與歷史對話——景觀雕塑展”（西安） 2002“2002中國北京·國際城市雕塑藝術展”（北京） 2003“中國藝術三年展”（廣州） 2003“西部·西部——巴黎藝術展”（巴黎） 2003“中國長春國際雕塑大會雕塑作品展”（長春） 2005“第二屆中國北京國際美術雙年展”（北京） 2005“中國雕塑百年展”（上海） 2009“中國雕塑百家聯(lián)展”（北京） 2012“中國蕪湖第一屆劉開渠獎國際雕塑大展”（蕪湖） 2013“中國雕塑年鑒展”（北京） 2013“2013·中韓雕塑作品聯(lián)展”（西安） 2017“今日絲綢之路國際美術邀請展”（西安） 2018“不同——2018中國·大同雕塑雙年展”（大同） 主要個展： 1991年舉辦“王志剛雕塑藝術展”（蘭州） 2000年舉辦“王志剛青銅雕塑展暨《素描西北》首發(fā)式”（蘭州） 2001年舉辦“王志剛,、王起躍雕塑作品展”（西安） Chinese artists Deputy director of the Academic Committee of Xi'an Academy of Fine Arts, director, professor and doctoral supervisor of the China Sculpture Art Institute. Born in 1961, graduated from the Sculpture Department of Xi'an Academy of Fine Arts in 1982, and is a member of the Sculpture Art Committee of the Chinese Artists Association. His main works include Sandware Series, Single Women Series, Pink Life Series, and Wuwei Series. Large public art works such as "Green Hope", "Wild Goose Falling in the Flat Sand" and landscape sculpture works such as "Sailing in the West", "Cow", "Enlightenment" and "Friends of Man" have been established in Beijing, Xi'an, Lanzhou, Fuzhou and other places. Main exhibitors: 1981 "The Second National Youth Art Exhibition" (Beijing) 1997 "China Art Exhibition - Contemporary Sculpture Art Exhibition" (Beijing) 2001 "Dialogue with History - Landscape Sculpture Exhibition" (Xi'an) 2002 "2002 Beijing, China · International Urban Sculpture Art Exhibition" (Beijing) 2003 "Triennial Exhibition of Chinese Art" (Guangzhou) 2003 "West, West - Paris Art Exhibition" (Paris) 2003 "China Changchun International Sculpture Conference Sculpture Exhibition" (Changchun) 2005 "The Second China Beijing International Art Biennale" (Beijing) 2005 "China Sculpture Centennial Exhibition" (Shanghai) 2009 "China Sculpture 100 Joint Exhibition" (Beijing) 2012 "The First Liukaiqu Award International Sculpture Exhibition in Wuhu, China" (Wuhu) 2013 "China Sculpture Yearbook Exhibition" (Beijing) 2013 "2013 China-South Korea Sculpture Joint Exhibition" (Xi'an) 2017 "Silk Road International Art Invitational Exhibition" (Xi'an) 2018 "Different - 2018 China Datong Sculpture Biennale" (Datong) Main solo exhibitions: 1991 "Wang Zhigang Sculpture Art Exhibition" (Lanzhou) In 2000, "Wang Zhigang Bronze Sculpture Exhibition and the Opening Ceremony of Sketch Northwest" was held (Lanzhou) "Wang Zhigang and Wang Qiyue Sculpture Exhibition" (Xi'an) was held in 2001 王志剛 / Wang Zhigang 粉墨人生系列-磨刀人 / Ink Life Series - Knife Grinder 160x100x115cm 樹脂彩繪 / Resin painting 2008 王志剛 / Wang Zhigang 粉墨人生系列-東郭先生？ / Ink Life Series - Mr. Dongguo? 200x100x160cm 樹脂彩繪 / Resin painting 2008 藝術思考： 藝術作品不可能脫離社會現(xiàn)實,，它不僅僅關乎到色彩,、構圖、造型這些基本要素,，更重要的是它和社會現(xiàn)實之間通道的建立,。 Artistic thinking: It is impossible for a work of art to be divorced from social reality. It is not only related to the basic elements of color, composition and shape, but also more important is the establishment of a channel between it and social reality. 王志剛 / Wang Zhigang 粉墨人生系列-老虎也是貓 / Pink Life Series - Tiger is also a cat 100x68x110cm 樹脂彩繪 / Resin painting 2007 王志剛 / Wang Zhigang 粉墨人生系列-無題 / Ink Life Series - Untitled 100x68x110cm 樹脂彩繪 / Resin painting 2009 王志剛 / Wang Zhigang 粉墨人生系列-天仙配 /Pink Life Series - Tianxianpi 樹脂彩繪 / Resin painting 2009 藝術家 / Artist 本琦 . 基寧加·穆希拉 Benj KINENGA MUSHILA 剛果藝術家 1989年8月7日出生于剛果民主共和國金沙薩 2016~2019年：南京大學藝術系碩士學位 2007-2013年：金沙薩美術學院學士學位 2020年至2022年：金沙薩美術學院繪畫系主任 2019年：金沙薩美術學院藝術造型科學術秘書 現(xiàn)在美國達拉斯工作。 主要展覽 2021：〈文藝復興〉《火焰世界報》,，金沙薩，剛果博士 2019年：《時間的摧殘與奇跡的永恒》,，蘇州藝術集體,，中國蘇州 2018：第五絲綢之路藝術節(jié)，山西博物院,，西安,，中國 2017：第四絲綢之路藝術節(jié),，山西博物院，西安,，中國 2017年：《生死轉換》,，中國上海同濟博物館 2016年：由溧陽博物館主辦 2016年：由云輝藝術、品成和四季文化創(chuàng)意組織的《千里更近》 2015年：信托商業(yè)銀行主辦的《藝術之旅》 2015年：《和平的藝術》,，由聯(lián)剛穩(wěn)定團和哈納·賈多特工作室制作 2014年：當代藝術雙年展《Yango》的展臺《meécole雜志》 2014年：由安·羅斯女士組織的《第二次利拉藝術展》 2014年：剛果民主共和國“剛果大地藝術家與靈長類動物”協(xié)會主辦的《和平,、正義、勞動》 2012年：《法語國家2012》,，由《藝術交響樂團》與法國大使館合作舉辦 2011年：由德國大使館和“藝術交響樂”畫廊主辦的《準備與集體精神》 2011年：沃羅尼·布魯克勒斯中心的《莫夫·阿金》 2010年：《Dimension plurielle》第二版,；在沃羅尼·布魯克勒斯中心， 個人展覽 2019：1000公里,，南京大學藝術學院,，南京，中國 2018年：《四季酒店》,，昆山廚師,，中國昆山 2016年：《人民之舞》，國家美術館(國藝美術館), 中國南京 固定陳列 2014年：Lilas花園展覽空間 2013年：穆基納展覽館 2011年：《藝術交響樂》展覽廳 2010年：博博托學院展覽廳 作品獲獎 2018：第一藝術獎-藝術繪畫-活繪畫〉由SMADITNY集團,，上海,，西安，Chin 2011年：德國大使館在金沙薩舉辦的“準備與集體精神”競賽獲得一等獎和三等獎 2010年：鞏固和平基金組織的“和平之路”競賽一等獎 Congolese Artist Born in Kinshasa, Democratic Republic of the Congo, on August 7, 1989 2016-2019: Master's degree in the Department of Arts, Nanjing University 2007-2013: Bachelor's degree of Kinshasa Academy of Fine Arts 2020 to 2022: Director of the Department of Painting, Kinshasa Academy of Fine Arts 2019: Secretary of Arts and Plastic Sciences, Kinshasa Academy of Fine Arts Now I work in Dallas, USA. EXHIBITIONS Collective Exhibition 2021 : ? Renaissance ?, Le Monde de Flamboyant, Kinshasa, DR Congo 2019 : ? Ravages of Time and Permanence of wonder ?, Suzhou Art Collective, Suzhou, China 2018 : ? 5th Silk Road Art Festival ?, Shanxi Museum, Xi’an, China 2017 : ? 4th Silk Road Art Festival ?, Shanxi Museum, Xi’an, China 2017 : ? Life-Death-Transition ?, Tonji Museum, Shanghai, China 2016 : ? The first exhibition of painters'paintings in piaoyang? organised by the Liyang museum 2016 : ? Miles Closer?, organised by Yunhui Art, Pincheng and Seasons Culture and Creativity 2016 : ? Born to Create ?, Nanjing International Youth Art Exhibition 2015 : ?Courant d’Art ? organised by the Trust Merchant Bank 2015 : ? Art for peace ?, by the Monusco and the Ateliers Hana Jadot 2014 : ? Issue de la même école ?, as a stand of the contemporary art biennial ? Yango ? 2014 : ? L’art au jardin de Lilas n°2 ?, organised by Mrs An Ros 2014 : ? Paix, Justice, Travail ?, by the association ? Congo terre d’Artiste et Primature ? of Congo democratic republic 2012 : ? Francophonie 2012 ?, organised by the ? Symphonie des Arts ? in collaboration with the French Embassy 2011 : ? 50 ans d’indépendance ? by Trust Merchant Bank 2011 : ? Séparation et esprit communautaire ?, organised by the German embassy and the gallery ? Symphonie des Arts ? 2011 : ? Mouv a Kin ?, by the centre Wallonie Bruxelles 2011 : ? Evolution ?, par the group 6è sens 2010 : ? Dimension plurielle ?, 2nd edition; by the centre Wallonie Bruxelles, 2010 : ? Exhibition of Congolese Arts with talented students ?, MONUC Solo Exhibition 2019 : ? 1000KM ?, Nanjing University of The Arts, Nanjing, China 2018 : ? 4 seasons ?, KunChef, Kunshan, China 2016 : ? Dance of People ?, National Art of Gallery (國藝美術館), Nankin, Chine Permanent Exhibition 2014 : Exhibition Space, Lilas Garden 2013 : Exhibition hall, MUKINA 2011 : Exhibition hall, ? Symphonie des arts ? 2010 : Exhibition hall, Boboto College PRIZES 2018 : 1st prize of ? Art Battle – Live Painting ? by SHMADNESS group, Shanghai, Xi’an, China 2011 : 1st and 3rd prize of the competition ? Séparation et esprit communautaire ?, in Kinshasa, organised by the German embassy 2010 : 1st prize of the competition ?couleurs de la paix ?, organised by the Fund for Peace Consolidation 本琦 . 基寧加·穆希拉 / Benj KINENGA MUSHILA No 09 80cm x 80cm 布面油畫 / oil on canvas 2021 本琦 . 基寧加·穆希拉 / Benj KINENGA MUSHILA No 07 80cm x 80cm 布面油畫 / oil on canvas 2021 藝術思考： 在殖民之前,，非洲可以教我,。在這種著色材料中發(fā)現(xiàn)的效果，顏料的沖擊力,，把我?guī)нM了一個充滿神話的夢幻世界,，傳說就像生活在現(xiàn)實世界一樣。繪畫,、攝影,、圖形軟件是我作為一名藝術家存在的不可分割的元素。 在我的繪畫中,，它是關于通過形式和色彩在所有維度上創(chuàng)造一個幻覺世界,。從那里我們可以看到消失的人物。對過去事件的重新審視在我的生活中,，或者在我的社會中,，對我來說，是一種與過去聯(lián)系的方式,，是一種向現(xiàn)在和未來一代表達自我的方式,。正如我曾經(jīng)說過的，我們在對自己身體的感知中被斬首。今天,，我發(fā)現(xiàn)我們被逐出了家譜,，甚至是文化家譜。 歷史文獻,、對經(jīng)歷過殖民統(tǒng)治的人們的采訪,，以及我所在社會的神話和傳說，為我的藝術創(chuàng)作奠定了基礎尋找一種與我們的祖先重新建立文化聯(lián)系的方式,。我的作品有時會成為時間機器或窗口,，在過去、現(xiàn)在和未來之間交流經(jīng)驗,。 Artistic thinking: Art is a need that pushes me to raise issues that concern not only me but also my society. The choice of oil painting remains the best way for me to write and read an unknown language that Africa could teach me before colonization. The effects found in this pigmented material, the impastos of paint, lift me into a world of dreams where myths and legends live like in a real world. Drawing, photography, graphic software are inseparable elements for my existence as an artist. In my painting, it is about creating a world of illusion through form and color in all its dimensions. From where we can meet characters disappeared in time. The rehashing of past events in my life or that of my society is for me a way to connect to the past and address myself to the present and the future generation. As I said once, We are decapitated in the perception of our own body. Today, I find that we are uprooted from our genealogical or even cultural family tree. Historical documentation, interviews with people who lived through colonization, as well as the myths and legends of my society give me the fundamental bases for my artistic creation in order to find a way of cultural reconnection with our ancestors. My works sometimes become time machines or windows to exchange experiences between past, present and future. 本琦 . 基寧加·穆希拉 / Benj KINENGA MUSHILA No 06 80cm x 80cm 布面油畫 / oil on canvas 2021 本琦 . 基寧加·穆希拉 / Benj KINENGA MUSHILA No 03 80cm x 80cm 布面油畫 / oil on canvas 2021 本琦 . 基寧加·穆希拉 / Benj KINENGA MUSHILA No 05 80cm x 80cm 布面油畫 / oil on canvas 2021 藝術家 / Artist 王風華 Wang Fenghua 中國藝術家 生于陜西,，畢業(yè)于西安美術學院油畫系，現(xiàn)任西安美術學院副教授,，生活工作于西安,。 個人展覽 2021年 漠視的風景 （三三畫廊 天津） 2018年 夢空間 （西安當代美術館 西安） 2018年 安全地帶 （Foyer Gallery，利茲大學 英國） 2016年 像真的一樣（復星藝術中心 上海） 2013年 城市的繪畫--2012--2013王風華個展 （北京現(xiàn)在畫廊 北京） 2012年 生活在表面---王風華個展 （空間站畫廊 北京） 2011年 王風華個展 （CIGE 北京） 2010年 藍色隔離—王風華個展 (Gallery J.Chen 臺北 ) 2010年 王風華個展（CIGE 北京） 2008年 城市巴赫—王風華個展 (Gallery J.Chen 臺北 ) 參加展覽 2021年云鏡（上空間 貴陽） 2020年未來歷史學（南京師范大學美術館 南京） 2019年異動---中國當代藝術展（Gallery Elite 舊金山） 2019年 “形/影無關 ” 學術邀請展（同普藝術空間 上海） 2019年新藝術史：2000-2018年中國當代藝術展（銀川當代美術館 銀川） 2018年與我們所知的世界有關（OCAT西安館 西安） 2018年 后視鏡（Art Exchange藝術空間 英國艾塞克斯大學） 2018年當代中國紙本作品觀察（伊普斯維奇美術館 伊普斯維奇 英國） 2017年冷熱交換器--王風華 張小濤聯(lián)展（田地藝術中心 北京） 2017年 聚焦亞洲（林立美術館 公州 韓國） Chinese artists 1971 Born in Shaanxi 1994 Graduated from Oil Painting Department of Xi’an Academy of Fine Arts.Associate Professor Xi’an Academy of Fine Arts. Solo exhibitions: 2021The Neglected Landscape (Sun sun Art Gallery,Tianjin) 2018 Dream Space (Xi’an Contemporary Art Museum,Xi’an) 2018 Safety Zone (Foyer Gallery,University of Leeds,UK) 2016 Like the real (Fosun Foundation, Shanghai) 2013 Wang Fenghua 2012-2013 City’s painting (Beijing Art now,Beijing) 2011 Living on the surface-Wang Fenghua Solo Exhibition (Space Station,Beijing) 2011 MAPPIN ASIA Wang Fenghua (CIGE,Beijing) 2010 Blue Isolation-Wang Fenghua (Gallery J.Chen,Taipei) 2010 MAPPIN ASIA Wang Fenghua (CIGE,Beijing) 2008 Urban Bach-Wang Fenghua (Gallery J.Chen,Taipei) Group Exhibitions: 2021 Cloud Mirror (Up Art First Exhibition,Guiyang) 2020 Future History (Art Museum Of Nanjing Normal University,Nanjing) 2019 “Aliens”-An Exhibition of Contemporary Chinese in the Art San Francisco Bay Area (Gallery Elite, San Francisco Bay Area,US) 2019 Shadow Independent Academic Invitation Exhibition (Tong Pu Art Space,Shanghai) 2019 New Art History:2000-2018Chinese Contemporary Art (MOCA Yinchuan , Yinchuan) 2018 About the Worlds We Know (OCAT, Xi’an) 2018 Rear view mirror (Art exchange,University of Essex,UK) 2018 Contemporary Chinese Works on Paper:A Review (Ipswich Art Gallery,Ipswich,UK) 2017 Cool-heat Exchanger-Wang Fenghua & Zhang Xiaotao Joint Exhibition (Field Center,Beijing) 2017 Focus on Asian (Limlip Art museum,kongju,Korea) 王風華 / Wang Fenghua 明天會是什么樣子NO.16 / What will tomorrow look like NO.16 120x230cm 布面油畫 / Oil painting on canvas 2019 王風華 / Wang Fenghua 明天會是什么樣子NO.19 / What will tomorrow look like NO.19 120x230cm 布面油畫 / Oil painting on canvas 2019 藝術思考： 遠離都市,，喜歡住在鄉(xiāng)下,，有種擁抱自然的愿望，在這里可以看一草一木在四季變化中輪回,，聞泥土與腐葉的氣味,，聽雞犬和夏蟲的鳴叫........，當仔細看郊野的景觀,，那些荒地,、雜草亂石、建筑垃圾,、被翻挖又被掩埋,，但只要給它一個夏天和幾場雨水，便幾乎能恢復到原始的狀態(tài),。我會被大自然強大的再生能力所震撼,。我在想，那些常常被漠視的草芥和生命,，比我們想象的更深沉而博大,、更會應對世界的變化與無常。 Artistic thinking: Far away from the city, like to live in the countryside, and have a desire to embrace nature. Here you can see the reincarnation of plants and plants in the changes of the four seasons, smell the smell of soil and rotten leaves, listen to the chirp of chicken dogs and summer insects, When you look carefully at the landscape of the countryside, the wasteland, weeds and rocks, construction waste, are dug and buried, but as long as you give it a summer and a few rains, it can almost return to its original state. I will be shocked by the powerful regeneration ability of nature. I am thinking that the grass mustard and life that are often ignored are more profound and broad than we think, and more able to cope with the changes and impermanence of the world. 王風華 / Wang Fenghua 明天會是什么樣子NO.27 / What will tomorrow look like NO.27 150x200cm 布面油畫 / Oil painting on canvas 2021 王風華 / Wang Fenghua 明天會是什么樣子NO.32 / What will tomorrow look like NO.32 65x80cm 布面油畫 / Oil painting on canvas 2022 王風華 / Wang Fenghua 明天會是什么樣子NO.22 / What will tomorrow look like NO.22 50x61cm 布面油畫 / Oil painting on canvas 2020 藝術家 / Artist 陳劍鋒 Chen Jianfeng 中國藝術家 1970 出生于四川簡陽 1991 畢業(yè)于四川內江藝體師范學校美術專業(yè) 1993 辭職到北京從事職業(yè)繪畫 1994-1995在圓明園福緣門村開始現(xiàn)當代藝術實踐 2001入駐北京宋莊,，一直持續(xù)到今天... 個人展覽 2015 陳劍鋒個展 上藝術空間 北京 2021.5 與雕塑家Hong Wai 的雙個展 阿姆斯特丹索斯特：Galerie Kunstbroeders 荷蘭 聯(lián)合展覽 2011 第二屆新星星藝術節(jié) 多倫美術館 上海 2013 反轉基音當代藝術聯(lián)展 唐人畫廊 北京 2014 首屆南京國際美術展 南京國際博覽中心 南京 2016 德國北部藝術展 卡爾舒特藝術工廠 德國碧德爾斯多夫市 2016 韓國慶尚南道職業(yè)藝術家展-中國藝術家特別邀請展》 慶尚南道美術館 韓國 2016 藝術青島時代臉書 青島美術館 傳漢堂藝術館 青島 2018 35x35藝術項目 雅典Copelouzos家庭藝術博物館 希臘 2018年 《恐懼折疊》 中央美術學院5號樓一層展廳 北京 2018年 《沒展》當代藝術聯(lián)展 上海喜馬拉雅美術館 上海 2019 《2019維也納-第二屆中歐國際藝術雙年展*相交的平行線》 維也納聯(lián)合國城 奧地利 2020 < Naarden artfair> Galerie Kunstbroeders 荷蘭 2020 Galerie Kunstbroeders德國 2020.9Galerie Kunstbroeders 荷蘭 2021.4 一家非盈利機構（CIC, a network of artists with disabilities）關于"Life and Post-Traumatic Stress Disorder"的藝術項目 Tesco Bulwell Extra（Nottingham） 英國 2021.4 一個關于冠狀病毒的藝術項目“COV-ART PROJECT” Copelouzos Family Art Museum（Athens） 希臘 2021.10 阿姆斯特丹AAF藝術博覽會 Galerie Kunstbroeders 荷蘭 2021.11-2022.1 五彩中國-當代中國繪畫和雕塑 HDMZ MUSEUM與Galerie Kunstbroeders 荷蘭 2022.3. The first art fair in Amsterdam,，展位 40，Galerie Kunstbroeders,，荷蘭. 2022.4. Discovery Art Fair Cologne,，科隆展位 D1,，Hubert Kalkman和Galerie Kunstbroeders，德國 2022.5. 由因 Covid-19 大流行而被迫禁閉的藝術家創(chuàng)作的藝術項目,， 羅馬蒙特茲工作室，意大利 Chinese artists 1970 Born in Jianyang, Sichuan 1991 graduated from Sichuan Neijiang Arts and Sports Normal School, majoring in fine arts 1993 resigned to Beijing to engage in professional painting 1994-1995 Started modern and contemporary art practice in Fuyuanmen Village, Yuanmingyuan In 2001, we settled in Songzhuang, Beijing, until today Mailing address: B-3, Art District 1503, Xiaobao Village, Songzhuang Town, Tongzhou District, Beijing WeChat: chenjf812 Solo exhibition 2015 Chen Jianfeng Individual Exhibition Art Space Beijing 2021.5 Double exhibition with Hong Wai, a sculptor, Salter,Amsterdam:Galerie Kunstbroeders, Netherlands joint exhibition The 2nd New Star Art Festival 2011 Duolun Art Museum Shanghai 2013 Reverse Pitch Contemporary Art Joint Exhibition Tang Ren Gallery Beijing 2014 First Nanjing International Art Exhibition Nanjing International Expo Center Nanjing 2016 North German Art Exhibition Karl Schutter Art Factory, Bidersdorf, Germany 2016 South Gyeongsangdo Professional Artists Exhibition - Special Invitation Exhibition for Chinese Artists South Gyeongsangdo Art Museum South Korea 2016 Art Qingdao Times Facebook Qingdao Art Museum Chuanhantang Art Museum Qingdao 2018 35x35 Art Project Copelouzos Family Art Museum in Athens Greece 2018 Folding of Fear Exhibition Hall on the first floor of Building 5, Central Academy of Fine Arts, Beijing 2018 "No Exhibition" Contemporary Art Joint Exhibition Shanghai Himalayan Art Museum Shanghai 2019 Vienna 2019 - The Second EU China International Art Biennale * Intersecting Parallel Lines Vienna United Nations City Austria 2020Galerie Kunstbroeders Netherlands 2020Galerie Kunstbroeders Germany 2020.9Galerie Kunstbroeders Netherlands 2021.4 Tesco Bulwell Extra (Nottingham), an art project of CIC (a network of artists with disabilities) on "Life and Post Traumatic Stress Disorder", UK 2021.4 An art project about coronavirus "COV-ART PROJECT" Copelouzos Family Art Museum (Athens) Greece 2021.10 Galerie Kunstbroeders Amsterdam AAF Art Fair Netherlands 2021.11-2022.1 Colorful China - Contemporary Chinese Painting and Sculpture HDMZ MUSEUM and Galerie Kunstbroeders Netherlands 2022.3. The first art fair in Amsterdam, Booth 40, Galerie Kunstbroeders, Netherlands 2022.4. Discovery Art Fair Cologne, Cologne Booth D1, Hubert Kalkman and Galerie Kunstbroeders, Germany 2022.5. Art project created by artists forced to be confined by the Covid-19 pandemic, Studio Montez, Rome, Italy 陳劍鋒 / Chen Jianfeng 隱秘的節(jié)奏之異化-阿昌族 / The dissimilation of secret rhythm - Achang nationality 2x 60x50cm 布面油畫 / Oil painting on canvas 2022 陳劍鋒 / Chen Jianfeng 隱秘的節(jié)奏之異化-拉祜族 /The dissimilation of secret rhythm - Lahu nationality 2x 60x50cm 布面油畫 / Oil painting on canvas 2022 藝術思考： 藝術是一種隱秘的意識,，在神性的邊緣討論人性,，解析靈魂，將可能的形式映射成鏡像,，讓一種在未知中生長的潛在意識逐漸浮現(xiàn),，然后消退。天地之間,，大道崩塌,，自廢墟中崛起，從沉寂中恢復,。一個人要確切地知道他需要什么并不容易,。你要越過層層屏障，一次次的蛻變,，再一點點凝聚,，沉淀之后，才能達到神性的領悟,。所有破敗的出現(xiàn)都預示著末日的創(chuàng)傷,。我們在虛假的世界中狂奔，尋找思維邊界的真正出口,。 每個人都是自己的囚徒,，都需要對方的手來解鎖和釋放。放慢思考的節(jié)奏,，面對痛苦,，釋放藝術的彈性，純潔的生長就會呈現(xiàn),。 這組作品在討論一個禁忌話題,，重新思考空間創(chuàng)傷的視覺特征，重新詮釋美,，以及時間,、空間、靈魂在社會演繹中積累的傷害,，就像隱藏在文化根基中的詛咒,，在人們的血液中，等待著下一次爆發(fā)…… Artistic thinking: Art is a kind of secret consciousness. It discusses human nature at the edge of divinity, analyzes the soul, maps possible forms into images, and makes a potential consciousness growing in the unknown emerge gradually and then fade away. Between heaven and earth, the road collapses, rises from the ruins, and recovers from the silence. It is not easy for a man to know exactly what he needs. You have to cross layers of barriers, change again and again, and then a little bit of condensation, precipitation, to achieve divine understanding. All the appearance of dilapidation indicates the wound of the end. We rush in the false world, looking for the real exit of the thinking boundary. Everyone is his own prisoner and needs the other's hand to unlock and release. Slow down the pace of thinking, face pain, release the elasticity of art, and pure growth will appear. This group of works is discussing a taboo topic, rethinking the visual characteristics of space trauma, reinterpreting beauty, and the damage accumulated by time, space, and soul in social interpretation, just like a curse hidden in the cultural foundation, waiting for the next explosion in people's blood 陳劍鋒 / Chen Jianfeng 隱秘的節(jié)奏之異化-苗族 /The dissimilation of secret rhythm - Miao nationality 2x 60x50cm 布面油畫 / Oil painting on canvas 2022 陳劍鋒 / Chen Jianfeng 隱秘的節(jié)奏之異化-普米族 / The dissimilation of the secret rhythm - the pumi nationality 2x 60x50cm 布面油畫 / Oil painting on canvas 2022 陳劍鋒 / Chen Jianfeng 隱秘的節(jié)奏之異化-羌族 / The dissimilation of secret rhythm - Qiang nationality 2x 60x50cm 布面油畫 / Oil painting on canvas 2022 藝術家 / Artist 林勇賢 Lim, Yonghyun 韓國藝術家 1982 出生于韓國光州廣域市 2012 University of the Arts London, Chelsea College of Art & Design 碩士畢業(yè) 新媒體藝術小組'Bigfoot’代表 個展 7回 光州,，首爾,，香港 等 主要群展 2021 親愛的 Big Brother，國立亞洲文化殿堂，光州,，韓國 2021 燃燒的 1982 出生于韓國光州廣域市 2012 University of the Arts London, Chelsea College of Art & Design 碩士畢業(yè) 現(xiàn),，新媒體藝術小組'Bigfoot’代表 個展 7回 光州，首爾,，香港 等 主要群展 2021 親愛的 Big Brother,，國立亞洲文化殿堂，光州,，韓國 2021 燃燒的熱情,，素村藝術工廠，光州,，韓國 2020 第20屆河正雄青年藝術家邀請展: “光2020”,，光州市立美術館河正雄美術館，光州,，韓國 2020 光州市立美術館北京創(chuàng)作中心:北京疾走,，光州市立美術館，光州,，韓國 2019 A Share of Furture,，北京礦業(yè)大學美術館，北京,，中國 2018 新媒體藝術特展 '你心中的樂園-Media Youtopia’,，光州市立美術館，光州,，韓國' 2018 相遇亞洲 - 多元化的青年藝術視角,，四川美院美術館. 坦克倉庫. 重慶現(xiàn)代藝術中心，重慶,，中國 2018 馬晟哲 & 林勇賢雙個展 - 操作現(xiàn)實,，798作者畫廊，北京,，中國 2017 ARENA,，臺北市立美術館，臺北,，臺灣 2017 SIGNAL,，Media338畫廊，光州,，韓國 獲獎及駐地項目 2020 光州市立美術館國際駐地項目 駐地藝術家 2019 上海斯沃琪藝術和平酒店駐地項目 駐地藝術家 2019 光州文化財團Media Art 駐地藝術家 2018 光州市立美術館北京創(chuàng)作中心 駐地藝術家 2016-2017 光州文化財團 Media Art 駐地藝術家 Korean artists 1982 Born in Gwangju, Korea 2012 University of the Arts London, Chelsea College of Art & Design MA Fine Art Present; Media Art Group'BIGFOOT’ Team Leader Solo exhibitions – 7times Gwangju, Seoul, Hongkong, etc. Selected Group Exhibitions 2021 Adorable Big Brother, Asia Culture Center, Gwangju, Korea 2021 Art science, Gwangju Science Museum, Gwangju, Korea 2020 515 Creative Art Village Opening Ceremony, 515 Cave Museum, Dazhou, China 2020 Beijing Blaze, Gwangju Museum of Art, Gwangju, Korea 2019 A Share of Future, China Mining University Museum, Beijing, China 2018 Encounter Asia, Museum of Sichuan Fine Arts Institute, Chongqing, China 2018 Operating Reality, 2people show, 798 Author Gallery, Beijing, China 2018 Loading, Raycom Infotech Park (Rong Art Space), Beijing, China 2017 ARENA, Taipei Fine Art Museum, Taipei, Taiwan 2017 SIGNAL, Media 338Gallery, Gwangju, Korea Awards & Residencies 2020 International Residence of the Gwangju Museum of Art, Korea 2019 Swatch Artpiece Hotel Residence 2019 Gwangju Cultural Foundation Media Art Residence, Korea 2018 Gwangju Museum of Art 8nd Beijing Residency Artists, China 2016-2017 Gwangju Cultural Foundation Media Art Residence, Korea 林勇賢 / Lim, Yonghyun 文化符號C / Culture Code C 4’23’’ 300x205cm/預覽版 / 4’23’’ 300x205cm/ Preview 3D光雕投影(空罐子,木頭） / 3D Projection Mapping (Empty Can, Wood) 2017 林勇賢 / Lim, Yonghyun 想象 / Imagine 4’40’’ 66.5x124x41cm/預覽版 / 4’40’’ 66.5x124x41cm/ Preview 影像（LED屏幕,鏡子,木板）/ Video(LED TV, Mirror, Wood) 2016 藝術思考： 我通過媒體藝術談論媒體的作品,。我認為現(xiàn)代社會是媒體過度飽和的"超媒體世界"。 有人消費媒體,，并和它一起繼續(xù)生產新的媒體的過程中,，形成著循環(huán)鏈,。 在媒體泛濫的環(huán)境中，我們正在反省在現(xiàn)實和虛擬的邊界上被科技支配的現(xiàn)代人應該向往的生活和價值是什么,。 今天的媒體就像是武器一樣,，具有和平與破壞的話題并存，通過高度化的技術力,，在用手指尖引導個人或社會走向滅亡或維持和平方面具有共同點,。 我在描述著，在具有鮮明兩面性的多媒體時代,，對泛濫的超媒體現(xiàn)實帶來的"反烏托邦"未來的警告和烏托邦式的幻想。 Artistic thinking: Media technology gives an impression similar to a nuclear weapon with its strong powers enough to turn a war. Just as a small amount of uranium displays an enormous explosive power, the media at the tip of one’s finger also holds great power. Moreover, media have diversely influenced humankind with conveyance and production of information and people are currently living under their influence. The digital media era has a double-sided nature, which enables the consumer to produce and reproduce information. This means that anyone can cause confusion in society through production of false information and fabrication of information. However, humankind has already familiarized itself with highly developed digital media and it has become difficult for society to live without digital media, much like the real world where a nuclear-weapon state cannot abandon nuclear weapons because of the existence of another nuclear-weapon state. Consequently, the future is irony of each to maintain proper and upright paths while promoting stability and peace as well as co- existing and guarding against each other. 林勇賢 / Lim, Yonghyun 幸福 / Happiness 3D光雕投影新媒體藝術組合'Bigfoot’集體創(chuàng)作/ 作品截圖 / 3D Projection Mapping Media art Team'Bigfoot’ Collective Creation 2016 林勇賢 / Lim, Yonghyun 抖音 / Tic Tok 3’00’’ 200x200cm / 作品截圖 / 3’00’’ 200x200cm / Screenshot of works 3D光雕投影(綜合材料) / 3D Projection Mapping (Mixed Media) 2020 林勇賢 / Lim, Yonghyun 鉛筆=武器 / Pencil = Weapon 1’17’’ 115x45cm /預覽版 / 1’17’’ 115x45cm/ Preview 3D光雕投影 (鉛筆,，不銹鋼) / 3D Projection Mapping (Pencil, Stainless steel) 2017 聯(lián)系我們 /contact us E-mail : [email protected] |
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