2023年北上北藝術(shù)策劃《非A》當(dāng)代藝術(shù)對(duì)話國(guó)際展覽，為期一年分集系列展,，將邀請(qǐng)國(guó)內(nèi)外具有影響力的當(dāng)代藝術(shù)家參加,，展覽是無(wú)主題性多元化的狀態(tài)，需要藝術(shù)家個(gè)體經(jīng)驗(yàn)有態(tài)度的表達(dá),，在當(dāng)下環(huán)境中發(fā)出自己獨(dú)特的聲音,。

   北上北藝術(shù)堅(jiān)持倡導(dǎo)當(dāng)代藝術(shù)精神，自由靈魂,、獨(dú)立思考,、反叛陳腐、追求原創(chuàng),，思考生存空間給予生命的待遇和尊嚴(yán),，藝術(shù)家通過自己的藝術(shù)作品啟迪人們?nèi)ニ伎己陀X醒。藝術(shù)家需要建立明確的態(tài)度及藝術(shù)主張,，態(tài)度決定觀念,，觀念決定語(yǔ)言 ，語(yǔ)言決定力量,，沒有態(tài)度的語(yǔ)言是蒼白的,。

   當(dāng)代藝術(shù)必須是具有國(guó)際視野下的藝術(shù)活動(dòng)，只有站在人類文明理念去思考問題,，才能認(rèn)知文化語(yǔ)境獨(dú)特性與國(guó)際性的關(guān)系,，不是一枝獨(dú)秀的自我欣賞，文化語(yǔ)境的跨越與融合是發(fā)展的必然。

   In 2023, Beishangbei Art will plan the International Exhibition of Non A Contemporary Art Dialogue, which will be a one-year diversity series exhibition. Influential contemporary artists at home and abroad will be invited to participate in the exhibition. The exhibition is in a state of non thematic diversity, requiring artists to express their own experience and attitude, and make their own unique voice in the current environment.

  Beishangbei Art insists on advocating the spirit of contemporary art, free soul, independent thinking, rebelling against staleness, pursuing originality, thinking about the treatment and dignity of life given by living space, and artists inspire people to think and awaken through their own art works. Artists need to establish clear attitudes and artistic propositions. Attitude determines ideas, ideas determine language, and language determines power. Language without attitude is pale.

  Contemporary art must be an art activity with an international perspective. Only by thinking about issues from the perspective of human civilization can we recognize the relationship between uniqueness of cultural context and internationality. It is not a unique self appreciation. The leap and integration of cultural context is inevitable for development.

中國(guó)藝術(shù)家

1988年畢業(yè)于中央美術(shù)學(xué)院版畫系留校任教

曾為中央美術(shù)學(xué)院造型學(xué)院副院長(zhǎng),、中央美術(shù)學(xué)院版畫系系主任

現(xiàn)為中央美術(shù)學(xué)院教授,、博士生導(dǎo)師、博士后導(dǎo)師

國(guó)際學(xué)院版畫聯(lián)盟主席

國(guó)際版畫研究院院長(zhǎng)

中國(guó)傳統(tǒng)文化發(fā)展委員會(huì)副主席

中國(guó)美術(shù)家協(xié)會(huì)版畫藝委會(huì)副主任

中國(guó)藝術(shù)研究院中國(guó)版畫院副院長(zhǎng)

意大利羅馬美術(shù)學(xué)院客座教授

比利時(shí)歐洲版畫大師展評(píng)委

阿根廷ace當(dāng)代藝術(shù)基金會(huì)國(guó)際名譽(yù)顧問委員會(huì)委員（FACE-IHAB）

中國(guó)高等教育出版社終身專家

中國(guó)教育部專家?guī)斐蓡T
中國(guó)民族品牌發(fā)展工程顧問

CCTV【燦爛中國(guó)】詩(shī)書畫名家匯藝術(shù)委員會(huì)名譽(yù)主席

西安美術(shù)學(xué)院客座教授

萬(wàn)圣谷美術(shù)館館長(zhǎng)

江蘇版畫院名譽(yù)院長(zhǎng)

作品獲獎(jiǎng)   

第七屆全國(guó)美術(shù)作品展覽金獎(jiǎng)

魯迅版畫獎(jiǎng)

主要收藏

中國(guó)美術(shù)館,、上海美術(shù)館,、廣東美術(shù)館、德國(guó)路德維希博物館,、中央美術(shù)學(xué)院美術(shù)館,、北京今日美術(shù)館、美國(guó)瑪勃洛畫廊,、四川美術(shù)學(xué)院美術(shù)館,、美國(guó)布法羅大學(xué)美術(shù)學(xué)院,、英國(guó)木版藝術(shù)基金會(huì),、韓國(guó)庫(kù)藝術(shù)中心、華誼兄弟傳媒集團(tuán),、天圖資本,、中華慈善總會(huì)、香港schoeni畫廊,、安思遠(yuǎn)（Robert·Hatfield· Ellsworth）,、南京一山美術(shù)館、北京燦藝術(shù)中心,、玖畫·廊,、北京可兒幼兒教育、貴州商會(huì),、愛慕集團(tuán),、搜獵人藝術(shù)品交易平臺(tái)、清華大學(xué)藝術(shù)博物館,、蘇州博物館,、南京金陵美術(shù)館、石家莊美術(shù)館,、魯迅美術(shù)學(xué)院美術(shù)館,。

Chinese artists 

1988 Graduated from and started working at Central Academy of Fine Arts (CAFA), Beijing

Used as：

Vice President of Schoolof Fine Art, Central Academy of Fine Art (CAFA)

Dean of Printmaking Department, Central Academy of Fine Art (CAFA)

Current as:

Professor, PhD Supervisor and Postdoctoral Co-supervisor of Central Academy of Fine Art (CAFA)

President of the International Academic Printmaking Alliance(IAPA)

Dean of the International Printmaking Institute(IPI)

Vice President of The Committee of Development of Traditional Chinese Culture

Vice Chairman of Printmaking Committee, Chinese Artists Association

Vice President of School of Printmaking, Chinese National Academy of Arts

Visiting Professor of Accademia di Belle Arti di Roma, Italy

Judge of Belgium European Printmaking Masters Exhibition

Member of International Honorary Advisor Committee of ACE Contemporary Art Foundation (FACE-IHAB), Argentina

Lifetime Consultant Expert of Higher Education Press (HEP) 

Member of Expert Pool of Ministry of Education of the People's Republic of China

Consultant of China's national brand development project

Honorary President ofArt Committee of Poetry, Painting and Calligraphy Masters Association, the series of "Can Lan Zhong Guo", China Central Television(CCTV) 

Visiting Professor of Xi'an Academy of Fine Arts

Curator of Wanshenggu Art Museum

Honorary Dean of Jiangsu Printmaking Academy

Award winning works

Gold Medalist in the Seventh National Exhibition of Fine Art,China

Lu Xun Printmaking Award 

Works Collected by:

National Art Museum of China(China), Shanghai Art Museum(China), Guangdong Museum of Art(China), Ludwig Museum(Germany) , CAFA Art Museum(China), Today Art Museum(China), Marlborough Gallery(the United States), Art Museum of Sichuan Fine Arts Institute(China), Academy of Fine Arts of the University at Buffalo(the United States), Muban Foundation(the United Kingdom), Ku Art Center(Korea), Huayi Brothers Media Group(China), Tiantu Capital(China), China Charity Federation(China), Schoeni Gallery(Hong Kong, China), collection of Robert Hatfield Ellworth, Nanjing Yishan Art Museum(China), Beijing Can Art Center(China), Nine Painting Gallery(China), Beijing Ke'er Education(China), Guizhou Chamber of Commerce(China), Aimer Group(China), Soulieren Platform of Business of Art(China), Tsinghua University Art Museum(China), Suzhou Museum(China), Jinling Art Museum(China), Shijiazhuang Art Museum(China), Art Museum of Lu Xun Academy of Fine Arts(China)

王華祥 / Wang Huaxiang

鋦瓷六  / Curium porcelain VI

60X120 

布面油畫 / Oil painting on canvas

2020 

王華祥 / Wang Huaxiang

鋦瓷十二  / Curium porcelain twelve

20X160

布面油畫 / Oil painting on canvas

2020 

藝術(shù)思考：

   針對(duì)全球所面臨的天災(zāi)人禍，社會(huì)分裂,、質(zhì)疑,、顛覆、混亂,，碎片化,、消費(fèi)主義、虛無(wú)主義等等成了主流,。王華祥所創(chuàng)作的“鋦瓷”系列是對(duì)種種問題的回應(yīng),。他意圖以傳統(tǒng)技藝的方式對(duì)支離破碎的現(xiàn)實(shí)加以縫合,。不僅修復(fù)著缺失的神力，也修復(fù)著對(duì)繪畫的信仰,。其將狂躁與克制,、沖動(dòng)與理性等極端的對(duì)立情緒統(tǒng)一在畫面之中，身體力行的從技藝到觀念體現(xiàn)了作為一個(gè)當(dāng)代藝術(shù)家所應(yīng)具備的視野和格局,。

Artistic Thinking:

  In response to the natural and man-made disasters facing the world, social fragmentation, questioning, subversion, chaos, fragmentation, consumerism, nihilism, and so on have become the mainstream. The "curium porcelain" series created by Wang Huaxiang is a response to various issues. He intended to stitch together the fragmented reality in a traditional craftsmanship. It not only repairs the missing divine power, but also repairs the faith in painting. It unifies extreme opposing emotions such as manic and restrained, impulsive and rational emotions in the painting, and embodies the vision and pattern that a contemporary artist should possess from skills to concepts.

王華祥 / Wang Huaxiang

鋦瓷十  / Curium porcelain

100X120

布面油畫 / Oil painting on canvas

2020 

王華祥 / Wang Huaxiang

鋦瓷十一  / Curium porcelain 11

100X120

布面油畫 / Oil painting on canvas

2020 

王華祥 / Wang Huaxiang

鋦瓷十三  / Curium porcelain thirteen

100X120

布面油畫 / Oil painting on canvas

2020 

中國(guó)藝術(shù)家

國(guó)家一級(jí)美術(shù)師,，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員，上海美術(shù)家協(xié)會(huì)常務(wù)理事,、雕塑藝委會(huì)副主任,，第八屆上海文聯(lián)委員，上海油畫雕塑創(chuàng)作研究中心藝委會(huì)秘書長(zhǎng),，上海視覺藝術(shù)學(xué)院教授,，雕塑學(xué)科帶頭人。

1959年生于上海,，

1993-1997 日本東京藝術(shù)大學(xué)雕塑研究科畢業(yè),，獲學(xué)士學(xué)位；

1997-1999  日本東京藝術(shù)大學(xué)研究生院雕塑研究科畢業(yè),，獲碩士學(xué)位,；

2002-2006  任教于日本國(guó)立福井大學(xué)美術(shù)系，擔(dān)任副教授,；

2006-2019  上海油畫雕塑院國(guó)家一級(jí)美術(shù)師,；

2007年至今   任上海視覺藝術(shù)學(xué)院教授、雕塑學(xué)科帶頭人

近5年個(gè)展

2018  過年——楊冬白雕塑展,，大煙囪藝術(shù)中心

2018  高山延綿——楊冬白雕塑藝術(shù)展,，上海劉海粟美術(shù)館

2018 玩·物——楊冬白藝術(shù)展，上海油畫雕塑院美術(shù)館

2018 靜觀——楊冬白藝術(shù)展,，德荷文化藝術(shù)中心

2019 陽(yáng)光下——楊冬白作品展,，上海春美術(shù)館

部分展覽

2021年 第三屆安仁雙年展，

2021年眾妙之間--2021中歐藝術(shù)邀請(qǐng)展2022年 上海世界會(huì)客廳  大型雕塑作品“天地境界”落成

2022年 第二屆上海城市當(dāng)代雕塑與裝置藝術(shù)博覽會(huì)

2023年 第二屆濟(jì)南國(guó)際藝術(shù)雙年展

獲  獎(jiǎng),、收 藏

1984  第６屆全國(guó)美術(shù)作品展上海地區(qū)展　一等獎(jiǎng)   上海美術(shù)家協(xié)會(huì)

          第６屆全國(guó)美術(shù)作品展　金獎(jiǎng)   文化部  中國(guó)美術(shù)家協(xié)會(huì)

1985  第２屆全國(guó)體育美術(shù)展　二等獎(jiǎng)（銀獎(jiǎng)）中國(guó)奧委會(huì)  中國(guó)美術(shù)家協(xié)會(huì)

1988  城市雕塑設(shè)計(jì)方案　一等獎(jiǎng)   上海美術(shù)家協(xié)會(huì)  上海城市雕塑委員會(huì)

1996  第32屆亞洲現(xiàn)代美術(shù)展 　國(guó)際獎(jiǎng)  日本亞洲藝術(shù)交友會(huì)

          第2屆外國(guó)留學(xué)生美術(shù)展　佳作獎(jiǎng) 日本朝日啤酒藝術(shù)文化財(cái)團(tuán)

1998  東京藝術(shù)大學(xué)久米桂一郎獎(jiǎng)   東京藝術(shù)大學(xué)

2001 上海美術(shù)大展　三等獎(jiǎng)   上海美術(shù)家協(xié)會(huì)

2009  徐光啟雕塑《夜觀星象》  合作   上海光啟公園

2010 上海世博會(huì)中國(guó)館序廳《歲月回眸》 設(shè)計(jì)制作,、合作   世博會(huì)中國(guó)館

2012 《督造火炮》、《桑園試種》作品  徐光啟公園

2014 《青山綠水》作品  上海虹橋黃金城道廣場(chǎng)雕塑  中國(guó)城市雕塑優(yōu)秀獎(jiǎng)

2015 《徐光啟》作品,，徐光啟雕像與利瑪竇雕塑互贈(zèng)

徐匯區(qū)政府與意大利利瑪竇神父基金會(huì) （瑪切拉塔市舉行）   

2017《日光聽濤》作品  2017年廈門金磚國(guó)家峰會(huì)會(huì)晤廳收藏

2018《江山臥游境界》,、《山中人》作品， 中國(guó)國(guó)際進(jìn)口博覽會(huì)藝術(shù)品展 ,，上海國(guó)際展覽中心收藏

        《天風(fēng)吹拂-山趣》作品  漳州國(guó)際雕塑藝術(shù)節(jié)收藏

Chinese artists 

1959  Born in Shanghai

Dongbai Yang is a National first-class artist, member of China Artists Association, executive director of Shanghai Artists Association, deputy director of Sculpture Art Association, member of the Eighth Shanghai Federation of Literary and Art Circles, secretary general of Artists Associationat Shanghai Oil Painting and Sculpture Creataion Research Center, professor and academc leader of the sculpture discipline of Shanghai Institute of Visual Arts.

1993-1997 BFA, Sculpture, Tokyo University of the Arts, Tokyo, Japan

1997-1999  MFA, Scupture, Tokyo University of the Arts, Tokyo, Japan

2002-2006 Associate Professor, Art, University of Fukui, Fukui, Japan

2006-2019National first-class artist, Shanghai Oil Painting and Sculpture Institute, Shanghai, China

2007-presentProfessor and Academic leader, Sculpture, Shanghai Institute of Visual Arts,， Shanghai, China

Solo Exhibitions in the last five years

2018 New Year: Dongbai’s Sculpture Exhibition, Chimney Art Gallery

2018 The Mountain: Dongbai’s Sculpture Exhibition, Shanghai Liu Haisu Art Museum

2018 Play and Object: Dongbai’s Art Exhibition, Shanghai Oil Painting & Sculpture Institute Art Museum

2018 Contemplation: Dongbai’s Art Exhibition, DEHEART Center

2018  In the Sun: Dongbai’s Art Exhibition, Shanghai Chun Art Museum

Partial Exhibition

The third Anren Biennale in 2021,

2021 Amidst the Wonders - 2021 China Europe Art Invitational Exhibition 2022 Shanghai World Reception Hall Large Sculpture Works "World Realm" Completed

The Second Shanghai Urban Contemporary Sculpture and Installation Art Expo in 2022

The 2nd Jinan International Art Biennale in 2023

Awards, Collections

First Prize of the 6th National Art Works Exhibition, Shanghai Regional Exhibition, Shanghai Artists Association

Gold Award of the 6th National Art Exhibition Chinese Artists Association of the Ministry of Culture

Second Prize (Silver Award) of the 2nd National Sports Art Exhibition in 1985 China Olympic Committee Chinese Artists Association

1988 First Prize of Urban Sculpture Design Scheme Shanghai Artists Association Shanghai Urban Sculpture Committee

The 32nd Asian Modern Art Exhibition International Award, Japan Asian Art Friendship Association

Japan Asahi Beer Art and Culture Foundation

1998 Tokyo University of the Arts Yoshihiro Kumi Award Tokyo University of the Arts

Third Prize of 2001 Shanghai Fine Arts Exhibition Shanghai Artists Association

2009 Xu Guangqi Sculpture "Night View of the Stars" Cooperation with Shanghai Guangqi Park

Design and production of "Looking Back on the Years" in the preface hall of the China Pavilion of the 2010 Shanghai World Expo, and cooperation with the China Pavilion of the World Expo

2012 "Supervise the Construction of Cannons" and "Sangyuan Trial Planting" works Xu Guangqi Park

2014 "Green Mountains and Green Waters" work Shanghai Hongqiao Golden City Road Square Sculpture China Urban Sculpture Excellence Award

2015 "Xu Guangqi" work, Xu Guangqi statue and Matteo Ricci sculpture donated to each other

Xuhui District Government and Italian Father Matteo Ricci Foundation (held in Macherata City)

The works of "Listening to the Sun" in 2017 were collected in the meeting hall of the 2017 BRICS Summit in Xiamen

2018 "River Mountain Sleeping Horizon" and "Mountain People" works, China International Import Expo Art Exhibition, Shanghai International Exhibition Center collection

Collection of "The Wind Blowing in the Sky - Mountain Interest" Works at the Zhangzhou International Sculpture Festival

楊冬白 / Yang Dongbai

晨煙暮靄系列 / Morning Smoke and Evening Mist Series

300×180×15cm

鋁板、陽(yáng)極處理 / Aluminum plate, anode treatment

2018

楊冬白 / Yang Dongbai

絕景游系列 / Endless Scenery Tour Series

160X144X20cm.

鋁板著色  / Aluminum plate coloring

2006

藝術(shù)思考：

    楊冬白的創(chuàng)作從最早的以極簡(jiǎn)、純粹而抽象的藝術(shù)形式表達(dá)了內(nèi)心的悠遠(yuǎn)意境在到日本的求學(xué)經(jīng)歷促使他的創(chuàng)作轉(zhuǎn)為從藝術(shù)材料實(shí)驗(yàn)的路徑里探索精神整體關(guān)照的方式,。從2015年開始,，楊冬白以“山水”為母題的創(chuàng)作，在中國(guó)傳統(tǒng)文化的滋養(yǎng)下,，吸納了西方藝術(shù)創(chuàng)作思想,，創(chuàng)作出既具國(guó)際性又富東方文化特色的多維度多類型的藝術(shù)作品。創(chuàng)作了一系列雕塑作品,，其中最具代表性的有鋁板金屬漆上色的《晨煙暮靄系列》,、鋁板施以丙烯的《絕境游》系列，琉璃材質(zhì)的《江山臥游》系列,、攝影作品《轉(zhuǎn)山》系列,。作品材料雖歷經(jīng)琉璃、石膏,、鑄鋁鋁板著色,、吹氣鍛造，山水題材始終貫穿其中,，挖掘構(gòu)建材料的文化屬性,，楊冬白的山水創(chuàng)作里埋藏著他求學(xué)經(jīng)歷里培育的對(duì)材料邊界的探索精神和年輕時(shí)的家學(xué)素養(yǎng)。

Artistic thinking:

   Yang Dongbai's creative experience in Japan from the earliest expression of his distant artistic conception in the form of minimalist, pure and abstract art prompted his creation to explore the way of overall spiritual care from the path of art material experiment. Since 2015, Yang Dongbai's creation with the theme of "mountains and waters" has absorbed western artistic creation ideas under the nourishment of Chinese traditional culture and created multi-dimensional and multi type works of art with both international and oriental cultural characteristics. He has created a series of sculpture works, among which the most representative ones are the "Morning Smoke and Evening Mist Series" painted with aluminum metal paint, the "Endless Journey" series of aluminum plates with propylene, the "River and Mountain Sleeping Tour" series of glass materials, and the "Rotating Mountain" series of photography. Although the materials of the works have been colored and blown by colored glass, gypsum and cast aluminum plates, the theme of mountains and waters has always run through them, and the cultural attribute of the construction materials has been excavated. Yang Dongbai's landscape creation is embedded with the exploration spirit of the material boundary and the homeschooling accomplishment in his youth, which he cultivated during his study experience.

楊冬白 / Yang Dongbai

絕景游系列 / Endless Scenery Tour Series

190×600×13cm

鋁板,、丙烯 / Aluminum plate, propylene

2015

楊冬白 / Yang Dongbai

群山疊翠 / Mountains piled with emerald

133X204X23cm

鋁板、丙烯 / Aluminum plate, propylene

2017

楊冬白 / Yang Dongbai

野谷 / Wild Valley

115X1140X26cm

鋁板,、丙烯 / Aluminum plate, propylene

2015

中國(guó)藝術(shù)家

1962年生于撫順  現(xiàn)居北京

主要展覽

2020年 “新寫意主義”第二屆中國(guó)當(dāng)代藝術(shù)名家邀請(qǐng)展（西安崔振寬美術(shù)館）

2017年 武漢水墨雙年展   （武漢美術(shù)館）

2017年 水墨中國(guó)·敘事中國(guó)——香港回歸二十年中國(guó)當(dāng)代藝術(shù)巡回展2016年“形而上下”當(dāng)代水墨邀請(qǐng)展 （ 北京798“悅”美術(shù)館）

2016年'天下.往來(lái)’ 當(dāng)代水墨文獻(xiàn)展 (廣州紅專廠當(dāng)代藝術(shù)館 )

2014年“自一九八零年以來(lái)的水墨藝術(shù)”（ 美國(guó)紐約長(zhǎng)島納邵郡政府）

2014年“現(xiàn)場(chǎng)——跨地域的水墨經(jīng)驗(yàn)”（上海喜馬拉雅美術(shù)館 ）

2014年“魂兮歸來(lái)”研究展（北京798現(xiàn)象藝術(shù)空間）

2013年  水法與墨道——三十年回望. (北京今日美術(shù)館)

2012《歸去來(lái)兮》上湖流動(dòng)美術(shù)館開放展(北京)

2009 中國(guó)當(dāng)代水墨展 Impressions Galerie    （法國(guó)巴黎 ）

2008  水墨-“藝術(shù)慈善中國(guó)-2008中國(guó)當(dāng)代藝術(shù)國(guó)際巡回展”（展地：北京 香港 日 本  主辦機(jī)構(gòu)：中華慈善總會(huì) ）

2008    2008瑞典“中國(guó)藍(lán)”藝術(shù)節(jié)—“卡廷娜托”中國(guó)當(dāng)代水墨邀請(qǐng)展（展地：瑞典馬爾默市 ）

2007    墨緣100-中國(guó).宋莊水墨同盟第二屆名家邀請(qǐng)展（展地：北京宋莊）

1997    水墨-迎香港回歸中國(guó)藝術(shù)大展（中華人民共和國(guó)文化部主辦  展地：上海美術(shù)館）

1989    第四屆全國(guó)書法篆刻展〈三等獎(jiǎng)〉（中國(guó)書法家協(xié)會(huì)主辦 展  地：中國(guó)美術(shù)館）

個(gè)人展覽

2020 “李惠昌.黑色幽默畫展（北京798太和藝術(shù)空間）

2015 “空怨”/ 李惠昌個(gè)展  (廣州紅專廠藝術(shù)區(qū) )

1992 “李惠昌書法篆刻繪畫展”（遼寧撫順）

Chinese Artists

Born in Fushun in 1962, currently residing in Beijing

Major exhibitions

In 2020, the second "New Freehand Painting" Chinese Contemporary Artists Invitation Exhibition (Xi'an Cui Zhenkuan Art Museum)

2017 Wuhan Ink Painting Biennale (Wuhan Art Museum)

2017 Ink and Wash China · Narrative China - Hong Kong's Twenty Year Return to China Contemporary Art Tour Exhibition 2016 "Metaphysical" Contemporary Ink and Wash Invitational Exhibition (Beijing 798 "Yue" Art Museum)

2016 'World. Communication' Contemporary Ink and Ink Literature Exhibition (Guangzhou Redtory Factory Contemporary Art Museum)

2014 "Ink and wash art since 1980" (Nasho County Government, Long Island, New York, USA)

"On the spot - cross regional ink painting experience" (Shanghai Himalayan Art Museum) in 2014

2014 "Soul Returns" Research Exhibition (Beijing 798 Phenomenon Art Space)

Water Law and Mohism in 2013 - Looking Back on Three Decades (Beijing Today Art Museum)

2012 "Returning Home" Shanghu Mobile Art Museum Open Exhibition (Beijing)

Impressions Galerie (Paris, France)

2008 Ink Painting - "Art Charity China - 2008 China Contemporary Art International Tour Exhibition" (Exhibition venue: Beijing, Hong Kong, Japan Host: China Charity Federation)

2008 Swedish "Chinese Blue" Art Festival - "Katina to" Invitational Exhibition of Contemporary Chinese Ink Painting (Exhibition Location: Malmo, Sweden)

2007 Moyuan 100 - China. The Second Famous Artists Invitation Exhibition of Songzhuang Ink and Water Alliance (Exhibition venue: Songzhuang, Beijing)

1997 Ink Painting - Welcome to Hong Kong's Return to China Art Exhibition (hosted by the Ministry of Culture of the People's Republic of China)

"Third Prize" at the Fourth National Calligraphy and Seal Cutting Exhibition in 1989 (hosted by the Chinese Calligraphers Association at the Chinese Art Museum)

Personal Exhibition

2020 "Li Huichang. Black Humor Painting Exhibition (Beijing 798 Taihe Art Space)"

2015 "Empty Complaint"/Li Huichang Solo Exhibition (Guangzhou Redtory Factory Art District)

1992 "Li Huichang Calligraphy, Seal Cutting, Painting Exhibition" (Fushun, Liaoning)

李惠昌 / Li Huichang

魔術(shù)劇目1#  / Magic Drama 1#

200cm x200cm

宣紙水墨  /  Xuan Paper Ink

2019

李惠昌 / Li Huichang

遍尋23#  / Search 23#

200cm x100cm

宣紙水墨  /  Xuan Paper Ink

2019

藝術(shù)思考：

   我把肢體打碎,，把現(xiàn)實(shí)虛擬，把安靜變成驚慌,，把完整變成支離,，把肉體轉(zhuǎn)向靈魂，把外在之缺轉(zhuǎn)向內(nèi)在之滿,，讓外在之動(dòng)轉(zhuǎn)向內(nèi)心之靜,，讓肢體的形態(tài)由有知覺到無(wú)知覺，讓殘缺的肢體化為震撼的力量……

   我將靈魂展現(xiàn),，目的是讓我們的靈魂來(lái)批判我們的靈魂,，不再像中國(guó)傳統(tǒng)文人畫那樣，主觀的游離于界外,。老子假扮了一個(gè)無(wú)為觀來(lái)揭示一個(gè)更大的有為世界,，柏拉圖是虛擬了個(gè)無(wú)知態(tài)來(lái)靠近一個(gè)更美好的理想國(guó)。而圖畫最高之境,，我認(rèn)為不是主觀的世外桃源,，也不是客觀的改造現(xiàn)實(shí)，而是人的靈魂展現(xiàn)。

   靈魂與主觀聯(lián)系與客觀連接,，與生命有關(guān),、與心靈有關(guān)、與現(xiàn)實(shí)有關(guān),，靈魂與宗教有關(guān),，靈魂與現(xiàn)世與來(lái)世有關(guān)，更重要的是與批判有關(guān),。

Artistic Thinking:

  I break up my limbs, virtualize reality, turn silence into panic, turn integrity into detachment, turn the body into the soul, turn the external absence into the internal fullness, turn the external movement into the internal stillness, turn the form of my limbs from conscious to unconscious, and turn the incomplete limbs into shaking power

  The purpose of my presentation of the soul is to allow our soul to criticize our soul, and no longer like traditional Chinese literati paintings, which are subjective and stray from the boundary. Laozi disguised himself as a view of inaction to reveal a larger world of action, while Plato created a virtual state of ignorance to approach a better utopia. "The highest realm of painting, I believe, is not a subjective paradise, nor an objective transformation of reality, but a manifestation of the human soul.".

  The soul is connected with subjectivity and objectivity, with life, with the soul, with reality, with religion, with the present and the afterlife, and more importantly, with criticism.

李惠昌 / Li Huichang

魔術(shù)劇目2# / Magic Drama 2#

200cm x200cm

宣紙水墨  /  Xuan Paper Ink

2019

李惠昌 / Li Huichang

魔術(shù)劇目2# / Magic Drama 6#

200cm x200cm

宣紙水墨  /  Xuan Paper Ink

2015

李惠昌 / Li Huichang

哼者33 # / Hummer 33#

70cm-140cm

宣紙水墨  /  Xuan Paper Ink

2011

中國(guó)藝術(shù)家

1963 年出生

1988 年畢業(yè)于中央民族大學(xué)美術(shù)學(xué)院油畫系

1997 年畢業(yè)于中央美術(shù)學(xué)院油畫系第九屆研究生課程班

現(xiàn)生活工作于北京 職業(yè)藝術(shù)家

個(gè)人展覽 ：

1991  個(gè)人油畫展（中國(guó) 北京 中國(guó)民族畫院）

2009  個(gè)人油畫展（韓國(guó) 首爾 PK 畫廊）

2009  個(gè)人油畫展（韓國(guó) 首爾 松花畫廊）

2010  個(gè)人油畫展（中國(guó) 北京 臺(tái)灣八大畫廊北京當(dāng)代館）

2013“觸感”個(gè)人油畫展（新加坡 楊 · 國(guó)際藝術(shù)中心）

部分展覽 :

1989    “當(dāng)代藝術(shù)展”（中國(guó) 北京）

1992“中國(guó)民族油畫展”（日本 東京 大阪 福岡市美術(shù)館 名古屋）

1992“中華情懷——中國(guó)繪畫展”（中國(guó) 臺(tái)北）

1992“中國(guó)油畫藝術(shù)展”（中國(guó)北京 故宮太廟）

1997“走向新世紀(jì)——中國(guó)青年油畫展”( 中國(guó)美術(shù)館,，深圳美術(shù)館，沈陽(yáng)美術(shù)館）

1999“重新組合——八人油畫展”（中國(guó) 北京 中國(guó)美術(shù)館）

2003“中國(guó)當(dāng)代藝術(shù)百人展”( 中國(guó) 北京 大陸畫廊 )

2005“閣”當(dāng)代藝術(shù)家邀請(qǐng)展（中國(guó) 北京 宋莊藝術(shù)大本營(yíng)）

2005    北京首屆當(dāng)代職業(yè)藝術(shù)家繪畫聯(lián)展（中國(guó) 北京 798 仁畫廊,，雨畫廊）

2006    中國(guó)當(dāng)代五人油畫作品展（新加坡）

2007“宋莊一代”當(dāng)代藝術(shù)展（中國(guó) 北京 宋莊 A 區(qū)美術(shù)館）

2008    中國(guó)當(dāng)代藝術(shù)展（韓國(guó)首爾）

2008“從毛澤東到現(xiàn)在”中國(guó)藝術(shù)展（澳大利亞 悉尼）

2008    韓國(guó)國(guó)際藝術(shù)展覽會(huì)（韓國(guó) 首爾）

2008    倫敦“逆 · 流”藝術(shù)展（英國(guó) 倫敦）

2008    德國(guó)科隆國(guó)際當(dāng)代藝術(shù)博覽會(huì)（德國(guó) 科?。?/p>

2009    美麗新世界——當(dāng)代中國(guó)藝術(shù)展（英國(guó) 紐卡斯?fàn)枺?/p>

2009“氛 · 圍”當(dāng)代藝術(shù)家聯(lián)展（中國(guó) 北京 楊·國(guó)際藝術(shù)中心）

2009“阿里郎花子”作品展（韓國(guó) 首爾 韓國(guó)國(guó)立現(xiàn)代美術(shù)館）

2010“色彩 映像”當(dāng)代藝術(shù)家聯(lián)展（中國(guó) 北京 楊 · 國(guó)際藝術(shù)中心）

2010“仁合”當(dāng)代藝術(shù)七人展（中國(guó) 北京 798 藝術(shù)區(qū) 3818庫(kù)錦都藝術(shù)中心）

2011“殊途同歸”美術(shù)作品展（中國(guó) 北京 今日美術(shù)館）

2014    情境 2014 當(dāng)代藝術(shù)邀請(qǐng)展（中國(guó) 北京 中捷當(dāng)代美術(shù)館）

2016“雙城記”北京香港藝術(shù)家聯(lián)展（中國(guó) 北京 798 藝術(shù)區(qū)橋 · 藝術(shù)空間）

2016    中韓國(guó)際交流展——阿里郎狂想曲（韓國(guó) 濟(jì)州 現(xiàn)代藝術(shù)館，中國(guó) 北京 馬奈 美術(shù)館）

2019 光彩時(shí)代 2019津京油畫家邀請(qǐng)展（中國(guó) 天津 西洋美術(shù)館）

2022 “表里山河—著名當(dāng)代藝術(shù)家作品展”（中國(guó) 太原 釋藝藝術(shù)空間）

Chinese Artists

Born in 1963

Graduated from the Oil Painting Department of the Academy of Fine Arts, Central University for Nationalities in 1988

Graduated from the 9th Postgraduate Course of the Oil Painting Department of the Central Academy of Fine Arts in 1997

Currently living and working as a professional artist in Beijing

Personal Exhibition:

1991 Personal Oil Painting Exhibition (Chinese Ethnic Painting Academy, Beijing, China)

2009 Personal Oil Painting Exhibition (PK Gallery, Seoul, Korea)

2009 Personal Oil Painting Exhibition (Songhua Gallery, Seoul, Korea)

2010 Personal Oil Painting Exhibition (Beijing Contemporary Museum, eight major galleries in Taiwan, Beijing, China)

2013 "Touch" Personal Oil Painting Exhibition (Singapore Yang · International Art Center)

Some exhibitions:

1989 "Contemporary Art Exhibition" (Beijing, China)

1992 "Chinese Ethnic Oil Painting Exhibition" (Nagoya, Fukuoka City Art Museum, Osaka, Tokyo, Japan)

1992 "Chinese Feelings - Chinese Painting Exhibition" (Taipei, China)

1992 "Chinese Oil Painting Art Exhibition" (Imperial Palace, Beijing, China)

1997 "Towards the New Century - China Youth Oil Painting Exhibition" (China Art Museum, Shenzhen Art Museum, Shenyang Art Museum)

1999 "Reorganization - Eight Person Oil Painting Exhibition" (China Art Museum, Beijing, China)

2003 "China Contemporary Art Hundred People Exhibition" (Mainland Gallery, Beijing, China)

2005 "Pavilion" Contemporary Artists Invitation Exhibition (Songzhuang Art Base Camp, Beijing, China)

2005 Beijing First Contemporary Professional Artist Painting Joint Exhibition (798 Ren Gallery, Rain Gallery, Beijing, China)

2006 China Contemporary Five Person Oil Painting Exhibition (Singapore)

2007 "Song Zhuang Generation" Contemporary Art Exhibition (Song Zhuang A District Art Museum, Beijing, China)

2008 China Contemporary Art Exhibition (Korea)

2008 "From Mao Zedong to the Present" Chinese Art Exhibition (Sydney, Australia)

2008 Korea International Art Exhibition (Seoul, Korea)

2008 London "Reverse Flow" Art Exhibition (London, UK)

2008 International Contemporary Art Fair in Cologne, Germany (Cologne, Germany)

2009 Beautiful New World - Contemporary Chinese Art Exhibition (Newcastle, UK)

2009 "Feng Wei" Contemporary Artists Joint Exhibition (Yang International Art Center, Beijing, China)

2009 "Arirang Huazi" Exhibition (Korea National Museum of Modern Art, Seoul, South Korea)

2010 "Color Reflection" Contemporary Artists Joint Exhibition (Yang · International Art Center, Beijing, China)

2010 "Renhe" Contemporary Art Seven-Person Exhibition (3818 Kujindu Art Center, 798 Art District, Beijing, China)

2011 "The Same Way" Art Exhibition (Today Art Museum, Beijing, China)

2014 Context 2014 Contemporary Art Invitational Exhibition (Zoje Contemporary Art Museum, Beijing, China)

"A Tale of Two Cities" Beijing Hong Kong Artists Joint Exhibition 2016 (Bridge · Art Space, 798 Art District, Beijing, China)

2016 "Unbalanced" Contemporary Art Exhibition (Interpretation Art · Art Space, Taiyuan, China)

2019 Glorious Times 2019 Jinjing Oil Painters Invitation Exhibition (Tianjin Western Art Museum, China)

2022 "Mountains and Rivers in the Surface - Exhibition of Works by Famous Contemporary Artists" (Taiyuan Shiyi Art Space, China)

金  宇  /  Jin Yu

觸點(diǎn)-系列302  /  Contacts - Series 302

160cmX190cm

布面油畫  /  Oil painting on canvas

2016

金  宇  /  Jin Yu

觸點(diǎn)-系列236  /  Contacts - Series 236

160cmX190cm

布面油畫  /  Oil painting on canvas

2011

藝術(shù)思考：

   近年來(lái)關(guān)于女性藝術(shù)和女權(quán)主義相關(guān)話題的創(chuàng)作日益增多,，但男性藝術(shù)家在這之中卻無(wú)法找到一個(gè)抒發(fā)的出口,，“觸點(diǎn)”系列便是我對(duì)這一現(xiàn)象的解讀。主體人物呈現(xiàn)在一片灰色虛無(wú)中,，從象征著傳統(tǒng)的元素中逃離,，但同時(shí)觀者與主體人物之間還存在著一面透明的阻礙，隱喻了人與人之間無(wú)法沖破的距離,。它不僅是兩性問題的境遇,，也代表著人與人之間的距離。這種距離并沒有隨著時(shí)代發(fā)展而縮小,，它猶如巨石壓住了每一個(gè)向往自由和平等的靈魂,。女性的困境從未只是單一性別面臨的問題，藝術(shù)表達(dá)不應(yīng)該局限于社會(huì)形態(tài)這一淺顯機(jī)械的層面上,，對(duì)人性的探討才是藝術(shù)恒久的主題之一,。

Artistic Thinking:

  In recent years, there has been an increasing number of creations on topics related to female art and feminism, but male artists cannot find an outlet for expression among them. The "Touch Point" series is my interpretation of this phenomenon. The main character is presented in a gray void, escaping from elements that symbolize tradition, but at the same time there is a transparent barrier between the viewer and the main character, metaphorizing the unbreakable distance between people. It is not only the situation of gender issues, but also represents the distance between people. This distance has not narrowed with the development of the times. It is like a huge stone pressing down on every soul yearning for freedom and equality. The plight of women has never been just a problem faced by a single gender, and artistic expression should not be limited to the superficial mechanical level of social form. The discussion of human nature is one of the enduring themes of art.

金  宇  /  Jin Yu

觸點(diǎn)-系列237  /  Contacts - Series 237

160cmX190cm

布面油畫  /  Oil painting on canvas

2008

金  宇  /  Jin Yu

觸點(diǎn)-系列237  /  Contacts - Series 230

160cmX190cm

布面油畫  /  Oil painting on canvas

2009

金  宇  /  Jin Yu

觸點(diǎn)-系列300  /  Contacts - Series 300

160cmX190cm

布面油畫  /  Oil painting on canvas

2015

中國(guó)藝術(shù)家

1967 年青海省西寧市出生

1989 年青海省師范大學(xué)藝術(shù)系畢業(yè)

1991 年北京圓明園藝術(shù)活動(dòng)開始

2000 年移居日本

2004 年在美國(guó)紐約從事藝術(shù)活動(dòng)

2005 年定居北京

2013 年始工作生活于景德鎮(zhèn)、上海

2019 年 始工作生活于上海

個(gè)人展覽

1993年《．．．１２３．．．》（中央美術(shù)學(xué)院陳列館北京）

1994年《．．．１２３．．．》（加拿大使館北京）

1998年《．．．１２３．．．》（翰墨春秋畫廊北京）

2000年《．．．１２３．．．》（建國(guó)飯店北京）

2001年《．．．１２３．．．》（北野POCKET 畫廊日本神戶）

2001年《．．．１２３．．．》（大阪府立現(xiàn)代藝術(shù)中心日本大阪）

2002年《．．．１２３．．．》（愛知縣立藝術(shù)中心日本名古屋）

2004年《．．．１２３．．．》（久世町藝術(shù)中心畫廊日本岡山）

2005年《．．．１２３．．．》（雨畫廊 798藝術(shù)區(qū)北京）

2006年《．．．１２３．．．》（雨畫廊 798藝術(shù)區(qū)北京）

2007年《．．．１２３．．．》（華藝沙藝術(shù)中心北京）

2011年《．．．１２３．．．》（盛世天空美術(shù)館北京798）

Chinese Artists

Born in Xining City, Qinghai Province in 1967

Graduated from the Art Department of Qinghai Normal University in 1989

1991 Beijing Yuanmingyuan Art Activity Started

Immigrated to Japan in 2000

2004 Engaged in art activities in New York, United States

Settled in Beijing in 2005

Started working and living in Jingdezhen and Shanghai in 2013

Started working and living in Shanghai in 2019

Personal Exhibition

1993 "... 123..." (Exhibition Hall of the Central Academy of Fine Arts, Beijing)

1994 "... 123..." (Canadian Embassy Beijing)

"... 123..." (Hanmo Chunqiu Gallery, Beijing), 1998

"... 123..." (Jianguo Hotel Beijing), 2000

2001 "... 123..." (POCKET Gallery, Kitano, Kobe, Japan)

2001 "... 123..." (Osaka Prefecture Modern Art Center, Osaka, Japan)

2002... 123... (Nagoya, Japan, Aichi Prefecture Art Center)

2004 "... 123..." (Jiushicho Art Center Gallery, Okayama, Japan)

"... 123..." (798 Art District, Rain Gallery, Beijing), 2005

2006 "... 123..." (Rain Gallery 798 Art District, Beijing)

2007 "... 123..." (Warsaw Art Center, Beijing)

2011 "... 123..." (Shengshi Sky Art Museum, Beijing 798)

黑月.季勝利  /  Ji Shengli

無(wú)題  /  Untitled

高77cm  /  Height 77cm

木,、金剛砂,、陶瓷、丙烯  /  Wood, emery, ceramics, acrylic

2021

黑月.季勝利  /  Ji Shengli

無(wú)題  /  Untitled

40*50*150cm

鐵箱,、金剛砂,、陶瓷、丙烯 / Iron box, emery, ceramic, acrylic

2022

藝術(shù)思考：

   這幾件《無(wú)題》藍(lán)色裝置,，也是《黑月山水》的延續(xù),，因?yàn)槲覠o(wú)法用文字闡述，想給觀眾留下很大的想象空間,，觀眾的任何觀感都是成立的,。

Artistic Reflections:

  These "Untitled" blue installations are also a continuation of "Black Moon Landscape", because I can't explain it in words, I want to leave a lot of imagination space for the audience, and any perception of the audience is valid.

黑月.季勝利  /  Ji Shengli

無(wú)題  /  Untitled

100*53*60cm

鐵箱,、金剛砂、陶瓷,、丙烯 / Iron box, emery, ceramic, acrylic

2022

黑月.季勝利  /  Ji Shengli

無(wú)題  /  Untitled

高80cm  /  Height 80cm

木,、金剛砂、丙烯  /  Wood, emery, propylene

2021

黑月.季勝利  /  Ji Shengli

無(wú)題  /  Untitled

30*38*28cm

電視機(jī),、金剛砂,、丙烯  /  TV, emery, acrylic

2022

中國(guó)藝術(shù)家

1970年出生于中國(guó)湖南，深圳大學(xué)現(xiàn)代藝術(shù)學(xué)士（1989-1992）中央美術(shù)學(xué)院第九屆油畫高研班（1994-1997）,，吉林藝術(shù)學(xué)院繪畫碩士（2003-2006）,。湖南省油畫學(xué)會(huì)副主席，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員,，中國(guó)油畫家學(xué)會(huì)會(huì)員,，北京當(dāng)代中國(guó)寫意油畫研究院研究員。參加展覽有：堪圖術(shù)-上海個(gè)展,、Frank Schlag畫廊個(gè)展（德國(guó)）,、流動(dòng)的光影—新加坡個(gè)展、水·波光流影 （泰國(guó)）,、第九屆全國(guó)美展 ,、第十屆全國(guó)美展、中國(guó)油畫大展 ,、首屆中國(guó)寫意油畫雙年展,、第4屆雅加達(dá)國(guó)際當(dāng)代陶瓷雙年展 / 印度尼西亞國(guó)家美術(shù)館 、第6屆西班牙瑪拉特克西國(guó)際陶瓷雙年展,、第36屆拉爾科拉國(guó)際陶瓷展（西班牙）,、世·象——中意藝術(shù)家聯(lián)展（意大利）、南京國(guó)際美術(shù)展,、第二屆中國(guó)油畫雙年展 / 中國(guó)美術(shù)館 、首屆中國(guó)新疆國(guó)際藝術(shù)雙年展,、第九屆佛羅倫薩當(dāng)代藝術(shù)雙年展,、0SEA OF PEASE——中日韓當(dāng)代藝術(shù)展（韓國(guó)）、面孔與人物（德國(guó)）,、東邊——當(dāng)代藝術(shù)展 （德國(guó)）,、Vanhaerent美術(shù)館收藏展 （比利時(shí)）、中國(guó)歡迎您——當(dāng)代藝術(shù)展 / 奧爾登堡市立美術(shù)館 （德國(guó)）,、生命之欲·死亡之舞 / KREMS美術(shù)館（奧地利）,、第24屆亞洲國(guó)際美術(shù)展 / 吉隆坡國(guó)家美術(shù)館、第四屆成都雙年展,、都市中——中國(guó)當(dāng)代藝術(shù)選展 （美國(guó)·華盛頓）,、2008中國(guó)當(dāng)代藝術(shù)展 / 韓國(guó)國(guó)家美術(shù)館,、第七屆上海雙年展 、2008奧林匹克美術(shù)大會(huì) / 國(guó)際展覽中心,、十五位中國(guó)當(dāng)代藝術(shù)家瑞士季節(jié)首展 （瑞士）,、浮游——中國(guó)當(dāng)代藝術(shù)展 / 韓國(guó)國(guó)家美術(shù)館、今日中國(guó)美術(shù)大展 / 中國(guó)美術(shù)館,，中國(guó)當(dāng)代藝術(shù)展 / 歌劇畫廊 / 巴黎&倫敦,。

作品公共收藏

中國(guó)美術(shù)館、中國(guó)華僑博物館,、劉海粟美術(shù)館,、浙江博物館、德國(guó)西門子公司,、馬德里國(guó)家游泳館,、美侖美術(shù)館、譚國(guó)斌當(dāng)代藝術(shù)博物館,、湖南省畫院美術(shù)館,、今日美術(shù)館、上海多倫美術(shù)館昊美術(shù)館,、比利時(shí)Vanhaerent美術(shù)館,、德國(guó)奧布萊特美術(shù)館、

中國(guó)國(guó)際奧林匹克委員會(huì)美術(shù)館,、余德耀美術(shù)館,、廣州大學(xué)城美術(shù)館、長(zhǎng)江當(dāng)代美術(shù)館,、印尼CP基金會(huì),、成都現(xiàn)代藝術(shù)館、廣東美術(shù)館,、中國(guó)駐美大使館,、瑞士 POLEDNA|BOSS|KURER、上海喜瑪拉雅美術(shù)館,、加拿大皇家銀行香港分行、文軒美術(shù)館,、白盒子藝術(shù)館,、僑福當(dāng)代美術(shù)館、石家莊美術(shù)館,、湖南省美術(shù)館 ,、西班牙拉爾克拉陶瓷美術(shù)館、玄之美術(shù)館,、大連美術(shù)館,、威斯國(guó)際藝術(shù)中心,、中央美術(shù)學(xué)院美術(shù)館、四川美術(shù)學(xué)院美術(shù)館,。

Chinese Artists 

He Wenjue1989-1993BA in Modern Art, Shenzhen University

1994-1997    Post Graduate Diploma in Painting, Center Academy of Fine Arts

2003-2006    MA in Painting, Jilin Academy of Fine Arts.Member of Chinese Art Association,Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association.Research Fellow of Beijing Academy of China Xieyi Oil Painting.

He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition,、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore,、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand,、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting,、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA,,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China,、The Xinjiang International Art Biennial 2014,、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea,、Faces and Figures, Germany,、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium,、China Welcomes You, Oldenburger Stadtmuseum, Oldenburger, Germany,、Lebenslust & Totentanz, Kunsthalle Krems, Krems, Austria、The 24th Asian International Art Exhibition, Kuala Lumpur National Art Museum,、The 4th Chengdu Biennial,、In a Cosmopolitan City: Group Exhibition of Contemporary Chinese Art, Meridian International Center, Washington, U.S.A、Chinese Contemporary Art 2008, Korea National Art Museum, Seoul, Korea,、The 7 th Shanghai International Biennial,、Olympic Fine Arts Game 2008, China International Exhibition Center、15 Contemporary Chinese Artists, Art Season, Switzerland,、Floating: Contemporary Chinese Art, Korea National Art Museum,、Today Art Exhibition, China National Art Museum，Contemporary Chinese Art, Opera Gallery Paris, Paris, London, and received widespread praises.

His works are collected by China National Art Museum,、Overseas Chinese Museum,、Liu Haishu Art Museum、Zhejiang Museum,、Siemens Ltd、Madrid National Swimming Center,、Meilun Art Museum,、Tan Guobin Contemporary Art Museum、Hunan Art Academy Museum,、Shanghai Duolun Art Museum,、How artmuseum,、Vanhaerents Art Museum、Thomas Olbricht Museum,、China Olympic Committee Art Museum,、Guangzhou Academy of Fine Art Museum、Yu Deyao Art Museum,、Ucity Art Museum of GAFA,，Guangzhou、Changjiang Museum Of Contemporary Art,、Indonicia CP Foundation,、Today Art Museu、Chengdu Contemporary Art Museum,、Guangdong Art Museum,、Chinese Embassy in the United State of America、Swiss POLEDNA|BOSS|KURE,、Himalayas Art Museum,、Royal Bank of Canada, Hong Kong Branch、Wenshare Art Museum,、Whitebox Art Center,、The Parkview Museum、Shijiazhuang Art Museum,、Hunan Provincial Art Museum,、L’Alcora Ceramic Museum、Dalian Art Museum,、The wyss international art center,，XUANZHI art Museum, The Art Museum of China Central Academy of Fine Arts，Art Museum of Sichuan Fine Arts Institute

何汶玦  /  He Wenjue

美麗人生  /   Beautiful Life

23x16x16cm x 108

瓷  /   Porcelain;

2013-2015 

何汶玦  /  He Wenjue

黛玉葬花  /   Daiyu Buries Fallen Flowers

45 x10cm

瓷  /  porcelain

2010

藝術(shù)思考：

“一朝春盡紅顏老,，花落人亡兩不知,！”《黛玉葬花》是我根據(jù)中國(guó)四大名著而創(chuàng)作的主題作品之一，它傳達(dá)我對(duì)“幻滅”的態(tài)度,。年華易逝,，紅顏易老，盛放的花朵也會(huì)凋零衰亡,，所有美好的事物轉(zhuǎn)瞬即逝,。天地不仁以萬(wàn)物為芻狗，花冢是落花的終點(diǎn),，土地也是人世盡頭無(wú)以回避的歸宿,。我選用純凈的陶瓷進(jìn)行創(chuàng)作，它脆弱易碎的品性也契合這種“幻滅觀”,，通體的白色透露哀傷而冷峻的氣質(zhì),，無(wú)論對(duì)過往如何追憶和哀悼,，終覺“世事一場(chǎng)大夢(mèng)”。

Artistic Reflections:

“The day that spring takes wing and beauty fades, who will care for the fallen blossom or dead maid?” Daiyu Buries Fallen Flowers is a thematic piece inspired by one of Four Great Classical Novels of China, which conveys my attitude towards “disillusionment”. As time goes by, the beauty will fade and the blossom will fall one day. All good things may vanish at a glimpse. Nature is unkind, which treats the creation like sacrificial straw-dogs. The flower mound is where the fallen blossom petals end up with. Likewise, the earth is the inevitable end of human beings in the world. I chose pure ceramics for this piece, of which the fragile nature fits into this “value of disillusionment”. The whole white body delivers a mournful and cold temperament. No matter how hard we try to remember and mourn the past, we will find that all is nothing but “an illusion” in the end.

何汶玦  /  He Wenjue

十二生肖  /   Zodiac

尺寸不一

24K黃金&實(shí)心青銅  / 24K yellow gold & solid bronze

2006-2008,，版數(shù)5

何汶玦  /  He Wenjue

涅槃1  /   Nirvana1

41 x15cm

陶瓷   /  Ceramic

2016

何汶玦  /  He Wenjue

涅槃13  /   Nirvana13

44 x15cm

陶瓷   /  Ceramic

2016

烏拉圭藝術(shù)家

Paz Viola 當(dāng)代藝術(shù)家,，于1985年出生于烏拉圭卡梅羅市。自幼酷愛畫畫,，7歲開始嘗試造型藝術(shù),，并參加國(guó)內(nèi)外各種藝術(shù)大賽。14歲起開始在烏拉圭,、阿根廷,、智利、美國(guó),、意大利等國(guó)博物館和畫廊舉辦畫展（個(gè)展/合展）,，其作品已入編智利、墨西哥,、阿根廷和西班牙高等院校的藝術(shù)博士學(xué)位課程,，見諸藝術(shù)書籍與雜志，包括《拉丁美洲造型藝術(shù)年鑒》,、《High Impact視覺藝術(shù)志》（紐約）以及委內(nèi)瑞拉,、西班牙、阿根廷,、英國(guó),、法國(guó)等國(guó)出版的藝術(shù)書籍，并已為中國(guó),、美國(guó),、智利、哥倫比亞,、阿根廷,、烏拉圭、委內(nèi)瑞拉博物館及私人收藏,。

部分展覽

2022-個(gè)展《洞穴：儀式與造境》,，北京千年時(shí)間畫廊

2022-《色彩與超現(xiàn)實(shí)——烏拉圭藝術(shù)展》，北京千年時(shí)間畫廊

2021-個(gè)展《抽象藝術(shù)嘉年華》,，重慶維岸畫廊

2021-當(dāng)代烏拉圭藝術(shù)合展,，成都維岸畫廊

2020-北京金臺(tái)藝術(shù)館（與館長(zhǎng)袁熙坤合展）

2020-深圳大芬油畫雙年展

2020-中國(guó)美協(xié)/中華藝術(shù)宮《共同的家園：一帶一路國(guó)家美術(shù)作品展》

2020-Cosmovisiones《天地》：中國(guó)、阿根廷,、烏拉圭藝術(shù)家合展

2019- 威海國(guó)際油畫雙年展

2019- 烏拉圭駐北京大使館《融和并置》合展

2019- 第22屆北京藝博會(huì)

2019- 紐約 Van der Plas 畫廊Metamorphosis合展

2017- 美國(guó)舊金山美術(shù)館 Unauthorized SFMOMA Show 合展

2016- 美國(guó)邁阿密 Spectrum Miami 藝博會(huì)“Artbox, Project Miami”

2016- 奧地利Innsbrook當(dāng)代藝術(shù)博覽會(huì)

2015- 美國(guó)弗羅里達(dá)州邁阿密巴塞爾藝術(shù)展 Art Basel Miami

2015- 個(gè)展,，Essentia,智利圣地亞哥 Recoleta 文化中心

2015- 意大利佛羅倫薩 Bottega d'Arte Merlino 畫廊“Image & Light”合展

2015- 英國(guó)倫敦 Le Dame 畫廊合展

2015- 個(gè)展，智利圣地亞哥 N?un?oa 文化中心

2013- 阿根廷 Parana? 美術(shù)館Imagen Joven青年畫家合展

2013- 個(gè)展，智利圣地亞哥 Oops! 畫廊

2005- 個(gè)展,，烏拉圭科洛尼亞阿根廷領(lǐng)館 Torres Garcia 展廳

2005- 個(gè)展，烏拉圭科洛尼亞四季酒店

2004- 個(gè)展,，烏拉圭卡梅羅文化中心

Uruguayan artist

Self-taught artist Mauricio Paz Viola (b 1985; Carmelo, Uruguay) embarked on his artistic journey early in life. Dabbling in plastic art since 7, he has participated in various art competitions in his native Uruguay and abroad. At 14, Paz Viola began to participate in group shows and individual shows nationally and internationally in galleries and museums in Uruguay, Argentina, Chile, United States, Italy, among others. His work have been featured in doctoral studies programs in art in universities in Chile, Mexico, Argentina and Spain, and are frequently featured in magazines and art books, among which are Latin American Plastic Art Annual Review, High Impact: the Art of Visual (New York) as well as books in Venezuela, Spain, Argentina, UK, France, etc.

Exhibitions (partial list)

2022 – Solo exhibition “The Cave as Spiritual Landscape”, Beijing Millenium Gallery

2022 – “Color and Surrealism - Uruguayan Art Exhibition,” Millennium Gallery, Beijing

2021–Solo Exhibition, VA Gallery Chongqing

2021–“Contemporary Uruguayan Art” group show in VA Gallery Chengdu

2020–Beijing Jintai Art Museum (joint exhibition with director Yuan Xikun)

2020–Shenzhen Dafen Oil Painting Biennale

2020–China Artists Association Common Homeland "One Belt One Road National Art

Exhibition", China Art Museum

2020–“Cosmovisiones” Uruguayan, Argentinian and Chinese Artists, Dimensions art center, Huangjueping, Chongqing, China

2019–international Oil Painting Biennale, Weihai, China

2019–Concatenation, group show at Embassy of Uruguay in Beijing,China

2019–No. 22 Beijing Art Expo

2019–“Metamorphosis” group show at Van der Plas Gallery, New York

2017–Unauthorized SFMOMA Shows 2017, San Francisco & New York, US.

2016–“Artbox, Project Miami” in Spectrum Miami

2016–Innsbrook International Contemporary Art Fair. Austria

2015–Art Basel Miami, Florida, USA

2015–Solo exhibition, “Essentia” in Recoleta Cultural Center, Santiago, Chile

2015– Image & Light" at Bottega d'Arte Merlino Gallery, Florence, Italy

2015–Le Dame Gallery, London, UK.

2015–Solo exhibition in Cultural Center of N?un?oa, Chile

2013–“Imagen Joven”, Museum of Fine Arts in Parana?, Argentina

2013–Solo exhibition, Oops! Gallery, Santiago, Chile

2005– Solo exhibition, Torres Garcia Hall of Consulate of Argentina, Colonia

2005– Solo exhibition, Four Seasons Resort, Colonia

2004– Solo exhibition, Cultural Center of Carmelo

毛睿秀  /  Paz Viola

無(wú)題  /  Untitled

80 x 80cm

畫布油畫  /  oil on canvas

2022

毛睿秀  /  Paz Viola

無(wú)題  /  Untitled

90 x 100cm

畫布油畫  /  oil on canvas

2022

藝術(shù)思考：

   藝術(shù)是自我的體現(xiàn),，是藝術(shù)家精神或潛意識(shí)的延伸，觸而不及,，存貯于最純粹的自我空間,。我的畫作中將知性部分減到最小，防止假我的介入,，確保我的作品能反映最真實(shí)的自己(夢(mèng)囈,、感性，有時(shí)黯淡憂傷),。我的作品汲取了南美的色彩和記憶,，源于靈感脈動(dòng):一點(diǎn)一線，萬(wàn)象即生,。我畫,，故我在。

   我的作品中展現(xiàn)的是我想象中的境界：有的虛空,，有的棲有陌生生靈,，有的體現(xiàn)人類內(nèi)心不斷的掙扎求索，善與惡,、明與暗之間的博弈較量......說到底,，我的作品描繪的是自我之居所，向前一步便邁入永恒之光,，后退一步即沉入無(wú)盡之暗：這一心靈之域既是我獨(dú)有的,，也是全人類共有的，更是我希望與每一個(gè)人分享的,。我想通過作品讓觀者能暫時(shí)脫身于塵世,，不帶問題、不帶成見,，跨入我的世界,，和我一起同夢(mèng)幻，共游弋,。說到底,，我的作品中一個(gè)永恒的主題是生命本身，因?yàn)樗w現(xiàn)在自然界,、宇宙（或多元宇宙）和我們一無(wú)所知的無(wú)窮世界和維度中,，也是生物學(xué)、科學(xué)、藝術(shù)都在竭力解讀探索的主題,。

Artist statement

  I would define my artwork as a manifestation of the self, an extension of my spirit or sub-consciousness,which is still beyond my grasp and lies in the deepest sphere of pure self. In particular, I try tominimize intellectual inclinations when I create to prevent the ego– the fictitious self—from intervening,and hence my works are the most loyal reflections of who I am (dreamer, fantasy-prone, sensitive, a bitdark and gloomy at times). I paint, therefore I am.

  My works feature images of imaginary landscapes, empty or inhabited by unknown beings –landscapes that externalize a constant inner struggle of being human, that visualizes conflict betweengood and evil, between light and darkness… hence, the best way to describe my work is – landscapesinhabited by the self, where a step forward is eternal light and a step backwards is total darkness, arealm that is both personal and universal, and something I would like to share with the world.In a nutshell, a constant theme of my work is the common experience of all living things as manifestedin nature, the universe (or universes) and the infinite worlds and dimensions about which we knownothing, which biology, science, art try to grapple… in a word, LIFE.

毛睿秀  /  Paz Viola

無(wú)題  /  Untitled

100 x 90cm

畫布油畫  /  oil on canvas

2022

毛睿秀  /  Paz Viola

無(wú)題   /  Untitled

120 x 120cm

畫布油畫  /  oil on canvas

2021

毛睿秀  /  Paz Viola

無(wú)題  /  Untitled

140 x 150cm

畫布油畫  /  oil on canvas

2021

韓國(guó)藝術(shù)家

1985 出生于韓國(guó)全南海南

2008 湖南大學(xué)美術(shù)系韓國(guó)畫&裝置專業(yè)畢業(yè)

2021 湖南大學(xué)研究生院美術(shù)系雕塑專業(yè)畢業(yè)

個(gè)展 8回光州 等

主要群展

2021 交互媒體藝術(shù),，香淡畫廊，光州,，韓國(guó)

2021 雖小卻光彩照人,，北區(qū)廳畫廊，光州,，韓國(guó)

2021 藝術(shù)散步3,，潭州 Damidam藝術(shù)區(qū)，潭陽(yáng),，韓國(guó)

2021 Upcycle 照亮光明,，光明Upcycle藝術(shù)中心，光明,，韓國(guó)

2020同床異夢(mèng),，忠北文化館Supsok畫廊，清州,，韓國(guó)

2020 光州新媒體藝術(shù)節(jié)青年藝術(shù)家征集獲獎(jiǎng)?wù)?，Eunam美術(shù)館，光州,，韓國(guó)

2020 2018-2019 光州市立美術(shù)館北京創(chuàng)作中心:北京疾走,，光州市立美術(shù)館，光州,，韓國(guó)

2019東方冥想指南- 中韓當(dāng)代藝術(shù)交流展,，遠(yuǎn)洋樂堤港空中美術(shù)館，杭州,，中國(guó)

2019 一張棉花紙,，玖層美術(shù)館，北京,，中國(guó)

2018 光明Upcycle藝術(shù)中心主辦國(guó)際展,，昆士特克弗特貝格，萊比錫,，德國(guó)

獲獎(jiǎng)及駐地項(xiàng)目

2020光州新媒體藝術(shù)節(jié)（青年藝術(shù)家征集展）優(yōu)秀獎(jiǎng)

2019 光州市立美術(shù)館北京創(chuàng)作中心駐地藝術(shù)家

2018光明Upcycle藝術(shù)中心 德國(guó)國(guó)際展評(píng)選藝術(shù)家

2018 Over Lab 'Cycle003-BALANCE' 國(guó)際駐地項(xiàng)目駐地藝術(shù)家

2017光州市立美術(shù)館青年藝術(shù)家支援中心駐地藝術(shù)家

2016光州文化財(cái)團(tuán)公共藝術(shù)青年藝術(shù)家征集 優(yōu)秀獎(jiǎng)

Korean artists

1985 Born in Haenam, Jeonnam, Korea

2008 BFA Fine Arts, Honam University, Gwangju, Korea

2013 Completed MFA Sculpture, Honam University, Gwangju, Korea

Solo Exhibitions - 8times Gwangju, etc.

Selected Group Exhibitions

2021 Interactive Media Art, Hyangdam Gallery, Gwangju, Korea

2021 Small but shining, Buk-gu Gallery, Gwangju, Korea

2021 Art Walk 3, Damidam Art District, Damyang, Korea

2021 Upcycle Gwangmyeong, Gwangmyeong Upcycle Art Center, Gwangmyeong, Korea

2020 To dream differently in the same bed, Chungbuk Cultural Center Forest Gallery, Cheongju, Korea

2020 Gwangju Media Art Festival Youth Artist Competition Award Exhibition, Eunam Art Museum, Gwangju, Korea

2020 Beijing Blaze 2018-2019, Gwangju Museum of Art, Gwangju, Korea

2019 Soul Meditation from the East-Contemporary Art Communicative Exhibition between China and Korea, Sky Line Museum, Hangzhou, China

2019 One Cotton Paper, Jiuceng Museum, Beijing, China

2018 Gwangmyeong Upcycle Art Center hosted Special Exhibition of Korea, Echt Alt/ Original Old, International Upcycling Fair & Exhibition, Kunstkraftwerk, Leipzig, Germany

Awards & Residencies

2020 Gwangju Media Art Festival (Youth Artist Contest) Excellence Award

2019 Beijing Residence of Gwangju Museum of Art

2018 Gwangmyeong Upcycle Art Center Selected Artist of the German International Exhibition

2018 Over Lab 'Cycle003 - BALANCE' International Residence

2017 Gwangju Museum of Art Youth Artist Support Center Residence

2016 Gwangju Cultural Foundation Award for Excellence in the Public Arts Young Writers Contest

金炅蘭  /  Kim,Kyungran

塞翁失馬  / A blessing in disguise 

700x1500cm（可變尺寸）/  (Variable size)

掛鐘, 塑料瓶,，串珠，布  /  Wall clock, plastic bottle, beads, cloth

2021

金炅蘭  /  Kim,Kyungran

自從點(diǎn)   / From a dot 

可變尺寸 /  Variable size

綜合材料裝  /  Comprehensive material packaging

2019

藝術(shù)思考：

   好壞的標(biāo)準(zhǔn)具有根據(jù)時(shí)代或情況而不同的可變性,。沒有好的和壞的,。 根據(jù)分辨的觀點(diǎn)不同，會(huì)有不同的解釋,。 把根據(jù)觀看的觀點(diǎn)不同而解釋的觀點(diǎn)的重要性放在了中心,。講述了從觀點(diǎn)的邊界看的世界故事，講述了似是在一定的條件下變的，但實(shí)際是一樣的,，似是不同但是相同的,，關(guān)于這個(gè)和那個(gè)的故事。-金炅蘭

Artistic Reflections:

  The criteria for good and bad have variability that varies depending on the times and circumstances. There is nothing good or bad. It is interpreted differently depending on the point of view. The importance of a perspective that is interpreted differently depending on the viewing perspective was centered. It contains the story of the world viewed from the boundary of perspective, and the nature that can change under certain conditions is called variability. It contains stories about this and that, which are the same, different, but the same, It contains a story about this and that, which are different but the same. - Kim, Kyungran

金炅蘭  /  Kim,Kyungran

混沌中的秩序   / Order in Chaos

240x336x120cm

綜合材料裝  /  Comprehensive material packaging

2019

金炅蘭  /  Kim,Kyungran

紫色世界   / The Purple World

160x260cm 

廢棄塑料瓶  /  Discarded plastic bottles

2018

金炅蘭  /  Kim,Kyungran

末尾與開始之間   /  Between End and Start

尺寸可變  /  Variable size

廢棄塑料瓶  /  Discarded plastic bottles

2015