AN ART SPACE Art and artists Exhibitions and events Artist interview Art Painting ZHAO YINOU ZHAO YINOU'S BIOGRAPHY | 1972生于中國(guó)沈陽(yáng) 1988-1992年 中央美術(shù)學(xué)院附中 1994-2001年 魯迅美術(shù)學(xué)院油畫系 碩士學(xué)位 現(xiàn)任教于北京工業(yè)大學(xué)藝術(shù)設(shè)計(jì)學(xué)院 ◎ 穿引語(yǔ)言的結(jié)痂 在趙銀鷗的繪畫中,,你能直觀的感受到她內(nèi)心深處曾經(jīng)一度被怪異夢(mèng)境和荒誕現(xiàn)實(shí)所繞纏困擾,、撕扯宣泄的文本故事情境,這種情境的呈現(xiàn)在某一空間似如電流般穿擊我們現(xiàn)時(shí)與過往的意識(shí)記憶,,并通過個(gè)體腦力運(yùn)轉(zhuǎn)文字的重置組合和體力對(duì)畫面的持續(xù)推進(jìn)產(chǎn)生一種撲面而來強(qiáng)烈的視覺化力量:恐懼猙獰,、瘋狂憤怒、欲望痛苦、孤獨(dú)矛盾…… 從第二和第三人稱來看,,她畫面本身表現(xiàn)語(yǔ)素的特質(zhì)在此刻變得越來越被外物吞噬削減,,剔除浮華表面的裝飾后只剩下你“我”他純粹坦然面對(duì)個(gè)體自我心靈的拷問及尋究的現(xiàn)象。而描繪的對(duì)象在上下文的從屬關(guān)系中更淡化了物象在其中的語(yǔ)言力量,,這更是她在續(xù)連著生命線揭開獨(dú)立個(gè)體面對(duì)這個(gè)世界認(rèn)知的面紗和自我的重新造塑的踱度印痕,。 她的繪畫語(yǔ)言穿引著我們每個(gè)人身體和心理上遭受內(nèi)外部環(huán)境不同程度的碰撞、敲打,、叮咬殘留的結(jié)痂,,每一處流血過后皮膚上皆會(huì)出現(xiàn)的一層凝結(jié)的深紅色固體,這個(gè)固體的形成在前后左右多方位的狀態(tài)顯現(xiàn)下只屬于她——趙銀鷗,。 文 / 惠書文 ◎ Zhao Yinou Myself forging, shaping myself ,,紙本綜合材料,2014 Paper comprehensive materials,,24 x 30 cm ? I can hardly explain every piece of my work, because I have almost nothing to do with it. These works were conceived in a particular space, and I was just working hard; Keep the space open. My creation method is tried to enter the thinking of the elders, observation method, the method to express the present problems. ,,紙本綜合材料,2014 Paper comprehensive materials,,30 x 24 cm ? Explore the fields development origin of multiple dimensions, and in the many possible for visual trace.Someone asked me, "why is there no beauty and hope in your picture?"I told him that my picture is a virtual world not real, I really hope the real world is so beautiful. Artist Statement ● ZHAO YINOU 藝術(shù)家自述 我一直想接近這個(gè)令人不安的真實(shí) 總是找一些把我?guī)У浇^望中的境地 讓我力不從心的地方 在通往自卑和自苦的內(nèi)心之路 自己鑄造自己 用無法熄滅之物來燃燒 I am always trying to get close to that disturbing reality Always looking for what will take me to a place of no hope A place where I’m helpless On an inner path to feeling inferior, to self torturing Myself forging, shaping myself And for the burning, using a substance that can’t be put out 2018 Zhao Yinou 紙本綜合材料 2014-2016 ? ZHAO YINOU| 2016.8 2016 41 x 32cm Paper comprehensive materials Artist / 趙銀鷗 《2016.8》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.13 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.13》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.3 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.3》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.23 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.23》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.11 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.11》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.7 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.7》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.12 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.12》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.7 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.7》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.8 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.8》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.13 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.13》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.10 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.10》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.3 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.3》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.27 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.27》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.5 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.5》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.11 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.11》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.26 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.26》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.34 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.34》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.29 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.29》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.31 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.31》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.4 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.4》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.2 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.2》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.6 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.6》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.32 2014 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2014.32》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2014.15 2014 30 x 24cm Paper comprehensive materials Artist / 趙銀鷗 《2014.15》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.2 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.2》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.6 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.6》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.1 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.1》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.33 2016 32 x 41cm Paper comprehensive materials Artist / 趙銀鷗 《2016.33》 紙本綜合材料 ART AN SPACE 2018 ? ZHAO YINOU| 2016.30 2016 24 x 30cm Paper comprehensive materials Artist / 趙銀鷗 《2016.30》 紙本綜合材料 ART AN SPACE 2018 ARTISTZHAO YINOUSTUDIO趙銀鷗是一位很特別的畫家,,其特別之處在于她對(duì)個(gè)體感性近乎不加掩飾的表露,即便是感覺噴放與傾泄,,畫面仍能保留值得觀看的行動(dòng)印跡,。她出身于以具象聞名的魯美油畫系,她讀書期間正是魯美繪畫的黃金時(shí)代,,從早年作品中能清楚看到她堅(jiān)實(shí)的造型力量與怪異的形象氣息,。近年來,趙銀鷗更深入地探究自己的心靈空間,,深藏幽暗意識(shí)中的記憶,、欲望、痛苦,、幸福,、騷動(dòng)與掙扎被揭示出來,繪畫在這一時(shí)期更像是她徹底認(rèn)知-解放自己的門徑,。技法走向"無"的狀態(tài),,這對(duì)下一步繪畫實(shí)踐設(shè)置了艱巨無比的前提,但又使繪畫的真正觀看者,,更加期待畫家體內(nèi)更純?nèi)桓行缘捏@人表現(xiàn),,這種危險(xiǎn)而真實(shí)的創(chuàng)作狀態(tài),對(duì)一個(gè)畫家來說有多么珍貴,,恐怕天底下能體會(huì)的人不多,,這是畫家趙銀鷗的不幸,,也是大幸。 ——王鵬杰 Zhao Yin’ou is a very special painter in that she exposes her individual sensibility almost without any disguise, but even if it feels bursting and blowing, her painting is still worth appreciating regarding the traces of action. She was educated in the Oil Department of Luxun Academy of Fine Arts (LAFA), the department renowned for its figurative painting, and it was right at the golden age of LAFA, so her early works still reveal an obvious potency of modeling and give intense touch of strange imageries. In recent years, Zhao Yin’ou has delved deeper into her own mind, and revealed the memories, desires, pains, happiness, impulses and struggles secretly hidden in her dark consciousness, and at this stage painting for her is more like a method of completely understanding and then liberating herself. That she fell into the state of “naught” in technique has made it really tough for her to practice further in painting, but those genuine viewers of painting are more expecting her performance of purer sensibility. I’m afraid that not many in the world can understand how valuable to a painter such a dangerous and real state of creation is. This is both the misery and the luck of painter Zhou Yin’ou. Wang Pengjie ○ 上 下 滑 動(dòng) 查 看 藝 術(shù) 家 展 覽 ○ Slide up and down Artist EI 策展 2013年 我是藝術(shù)家 C5畫廊 北京 2014年 半邊天-中.美女性藝術(shù)家交流展 魯迅美術(shù)學(xué)院美術(shù)館 沈陽(yáng) 參展 2017年 涉險(xiǎn)的快感 N3畫廊 2017年 天天向上 筑中美術(shù)館 2014年 OPEN TO YOU 韓國(guó)釜山 2014年 再一起 C5畫廊 北京 半邊天-中·美女性藝術(shù)家交流展 魯迅美術(shù)學(xué)院美術(shù)館 沈陽(yáng) 2009年 白雪黑土 和靜園藝術(shù)中心 北京 中國(guó)意象·都市旗幟——西安曲江國(guó)際當(dāng)代藝術(shù)季 曲江當(dāng)代藝術(shù)中心 西安 2008年 筆觸 和靜園藝術(shù)中心 北京 正調(diào)與反調(diào) 亞洲藝術(shù)中心 北京 2007年 十年一覺,,1997-2007 比較展 和靜園美術(shù)館 北京 2006年 從極地到鐵西區(qū) -東北當(dāng)代藝術(shù)展1985-2006 廣東美術(shù)館 廣州 2000年 小報(bào)告——七位年輕藝術(shù)家的最新作品展 文件&藝術(shù)倉(cāng)庫(kù) 北京 2000年 中國(guó)北方當(dāng)代藝術(shù)邀請(qǐng)展 東宇美術(shù)館 北京 1999年 給定與超越——七十年代藝術(shù)家架上繪畫作品聯(lián)展 北京 1999年 開啟通道——東宇美術(shù)館首屆收藏展 東宇美術(shù)館 沈陽(yáng) 1997年 全國(guó)走向新世紀(jì)——中國(guó)青年油畫展 中國(guó)美術(shù)館 北京 BIOGRAPHICAL NOTES Zhao Yinou 1972 Born in Shenyang,China 1988-1992 The High School Affiliated to Central Academy of Fine Arts 2001 Graduates from the Oil Department of Luxun Fine Arts Institute with an MFA Currently employed as Lecturer in the Beijing Art Design College Director 2014 Half the sky:Intersections in social practice art Exhibition and cultural exchange Presented by the international caucus of the women's caucus for art in partnership with LuXun Academy of Fine Arts The Museum of LuXun Academy of Fine Arts Shenyang China 2013 I am The Artist C5 Gallery Beijing China Exhibition 2014 OPEN TO YOU Korea Pusan 2014 Half the sky:Intersections in social practice art Exhibition and cultural exchange Presented by the international caucus of the women's caucus for art in partnership with LuXun Academy of Fine Arts The Museum of LuXun Academy of Fine Arts Shenyang China 2013 See again C5 Gallery Beijing China 2009 White Snow and Blackearth He Jingyuan Art Center Beijing 2009 China Revisualized&The Banner of Urban Culture Xi’an Qujiang International Contemporary Art Festival Qujiang Contemporary Art Center Xi’an 2008 Positive&Negative Asia Art Center Beijing 2007 1997-2007 Awakening from a Ten-Year Long Sleep 2006 From Polar Region to West of Tracks,Contemporary Art Exhibition of Northeast China 1985-2006 Guang Dong Museum of Fine Arts Guangzhou 2000 Northern China Contemporary Art Invitational Show Dong Yu Museum of Fine Arts Shenyang 2000 Small Report -an Exhibition of Seven Artists China Art Archives & Warehouse Beijing 1999 Debut Collection Exhibition Dong Yu Museum of Fine Arts Shengyang 1997 As Part of the March Toward New Century Chinese Youth Painting Exhibiton China National Museum of Fine Arts Beijing Beijing ? 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