  藝術(shù)家 / Artist 策展人/ Curato 王友江 Wang youjiang 2023年北上北藝術(shù)策劃《非A》當代藝術(shù)對話國際展覽,，為期一年分集系列展,，將邀請國內(nèi)外具有影響力的當代藝術(shù)家參加，展覽是無主題性多元化的狀態(tài),，需要藝術(shù)家個體經(jīng)驗有態(tài)度的表達,，在當下環(huán)境中發(fā)出自己獨特的聲音。 北上北藝術(shù)堅持倡導當代藝術(shù)精神,，自由靈魂,、獨立思考、反叛陳腐,、追求原創(chuàng),，思考生存空間給予生命的待遇和尊嚴，藝術(shù)家通過自己的藝術(shù)作品啟迪人們?nèi)ニ伎己陀X醒,。藝術(shù)家需要建立明確的態(tài)度及藝術(shù)主張,，態(tài)度決定觀念，觀念決定語言 ,，語言決定力量,，沒有態(tài)度的語言是蒼白的。 當代藝術(shù)必須是具有國際視野下的藝術(shù)活動,，只有站在人類文明理念去思考問題,，才能認知文化語境獨特性與國際性的關(guān)系，不是一枝獨秀的自我欣賞,，文化語境的跨越與融合是發(fā)展的必然,。 In 2023, Beishangbei Art will plan the International Exhibition of Non A Contemporary Art Dialogue, which will be a one-year diversity series exhibition. Influential contemporary artists at home and abroad will be invited to participate in the exhibition. The exhibition is in a state of non thematic diversity, requiring artists to express their own experience and attitude, and make their own unique voice in the current environment. Beishangbei Art insists on advocating the spirit of contemporary art, free soul, independent thinking, rebelling against staleness, pursuing originality, thinking about the treatment and dignity of life given by living space, and artists inspire people to think and awaken through their own art works. Artists need to establish clear attitudes and artistic propositions. Attitude determines ideas, ideas determine language, and language determines power. Language without attitude is pale. Contemporary art must be an art activity with an international perspective. Only by thinking about issues from the perspective of human civilization can we recognize the relationship between uniqueness of cultural context and internationality. It is not a unique self appreciation. The leap and integration of cultural context is inevitable for development.   藝術(shù)家 / Artist 虞 村 Yu Cun 中國藝術(shù)家 1958年生于上海，藝術(shù)家,，教授 1982年畢業(yè)于南京藝術(shù)學院 近些年來,，虞村一直以人類文明史上的重大事件和重要人物為主題作出自己個人化的解讀，而且 尺幅巨大，人物,、文字處于一種無章法,、無結(jié)構(gòu)、接近童趣的語言狀態(tài),，主題宏大而非“宏大敘 述”,，值得關(guān)注！ —— 賈方舟（中國美術(shù)批評家年會名譽主席,，藝術(shù)評論家） 虞村的畫感覺是寫出來的,！這個我覺得很重要！我覺得是從關(guān)良到新文人畫到虞村,，現(xiàn)在就是虞 村把這個東西畫出來了,！這個就是虞村很大的一個價值！ —— 栗憲庭 （中國著名藝術(shù)評論家） 個人展覽 2022《哥倆：南溪&虞村雙個展》ARTL 畫廊,，上海 2020《另一個世界——虞村東京首展》熏依社東京館,，東京 2019《松動的螺絲：虞村，一了雙個展全國巡展》悅.美術(shù)館/秋水空間/嶺南美術(shù)館,，北京/上海/東莞 2016《戲說人生——虞村作品展》朱屺瞻藝術(shù)館,，上海 2016《虞村藝術(shù)展》雅山畫廊，倫敦 2014《瞧,！這些人——虞村藝術(shù)展》蘇州美術(shù)館,，蘇州 2012《品味眾生——虞村藝術(shù)展》悅·美術(shù)館，北京 2008《虞村作品展》四方當代美術(shù)館,，南京 2005《“圖像演義”虞村油畫作品展》今日美術(shù)館，北京 群體展覽 2022《各境與相望》國際當代藝術(shù)交流展（線上）北上北藝術(shù) 北京 2021《墨相推演——當代水墨藝術(shù)展》覺苒空間,，上海 2021《即時造像——當代水墨作品展》M50厘米空間,，上海 2020《要有書——當代藝術(shù)文獻主題邀請展·上海》上海浦東圖書館&金橋碧云美術(shù)館,，上海 2020《新海派水墨藝術(shù)文獻展》淘藝術(shù)空間,，上海 2019《相交的平行線：2019維也納·第二屆中歐國際藝術(shù)雙年展》維也納 2019《第三屆獨立品格提名展》大河灣美術(shù)館，北京 2018《中國當代藝術(shù)年鑒展2017》民生美術(shù)館,，北京 2018《2018中國寫意油畫學派人物專題研究展》北京萬荷美術(shù)館,，北京 2017《2017擊鼓傳花——關(guān)良，丁立人,，虞村作品展》秋水空間,，上海 《水墨論壇邀請展》南溪工作室，北京 2016《中國當代紙本繪畫》Waterfront Gallery,，倫敦 2016《漫游牡丹亭——紀念湯顯祖逝世400周年2016中國戲曲人物畫年展》上海朱屺瞻藝術(shù),，上海 2016《媽媽們的畫——首屆原生藝術(shù)展》悅.美術(shù)館，北京 2015《2015美術(shù)批評家提名展》北京晉商博物館，北京 2015《中國當代藝術(shù)年鑒展2014》民生美術(shù)館,，北京 2014《情境2014當代藝術(shù)邀請展》中捷當代美術(shù)館,，北京 2013《55屆威尼斯雙年展——未曾呈現(xiàn)的聲音》威尼斯 2013《首屆中國·捷克當代藝術(shù)展》中捷當代美術(shù)館，北京 2012《閎約深美——南京藝術(shù)學院百年校慶美術(shù)作品展》中國美術(shù)館,，北京 2012《2012 當代最具學術(shù)價值與市場潛力的藝術(shù)家邀請展暨高峰論壇》中國國家畫院美術(shù)館,，北京 2009《“中國情境重慶驛站〞當代藝術(shù)大展》黃桷坪 501當代美術(shù)館，重慶 2008《藝術(shù)慈善中國——2008中國當代藝術(shù)國際巡回展》中國北京/日本東京/中國香港 2008《2008奧林匹克美術(shù)大會特邀作品展》中國/希臘/美國/中國展區(qū) ：中國國際展覽中心,，北京 2008《藝術(shù)不是什么,？中國當代藝術(shù)的 45 份問卷》798藝術(shù)區(qū)，北京 2007《后先鋒：中國新藝術(shù)的四個方向 》安亭公司,，香港 2007《2007中國當代藝術(shù)文獻展——主題展:東方》雍和美術(shù)館,，北京 2006《2006中國當代藝術(shù)文獻展 》中華世紀壇美術(shù)館，北京 Chinese artists Born in Shanghai in 1958, artist and professor Graduated from Nanjing Academy of Arts in 1982 In recent years, Yu Village has been making its own personalized interpretation with the theme of major events and important figures in the history of human civilization, and the scale is huge. The characters and characters are in a language state without rules, structure and childlike interest. The theme is grand rather than "grand narration", which is worth paying attention to! ——Jia Fangzhou (Honorary Chairman of the Annual Conference of Chinese Art Critics, art critic) Yu Village's paintings are written! I think this is very important! I think it's from Guan Liang to the new literati to Yu Village. Now it's Yu Village that has painted this thing! This is a great value of Yu Village! ——Li Xianting (a famous Chinese art critic) Individual exhibition 2022 Brothers: Nanxi&Yucun Double Exhibition ARTL Gallery, Shanghai 2020 Another World - Yucun First Exhibition in Tokyo Xunyi Society Tokyo Pavilion, Tokyo 2019 Loose Screws: Yu Village, One Double Exhibition National Tour Yue. Art Museum/Qiushui Space/Lingnan Art Museum, Beijing/Shanghai/Dongguan 2016 Dramatic Life - Yu Village Works Exhibition, Zhu Qizhan Art Museum, Shanghai 2016 Yucun Art Exhibition Yashan Gallery, London 2014 Look! These People - Yucun Art Exhibition, Suzhou Art Museum, Suzhou 2012 Tasting All Beings - Yucun Art Exhibition, Yue · Art Museum, Beijing 2008 Yucun Works Exhibition, Sifang Contemporary Art Museum, Nanjing 2005 "Image Romance" Yucun Oil Painting Exhibition "Today Art Museum, Beijing Group exhibition 2022 International Contemporary Art Exchange Exhibition (Online) "All Scenarios and Facing Each Other" North to North Art Beijing 2021 Moxiang Deduction - Contemporary Ink Art Exhibition 2021 Instant Sculpture - Contemporary Ink Painting Exhibition M50cm space, Shanghai 2020 "To Have Books - Contemporary Art Literature Theme Invitational Exhibition · Shanghai" Shanghai Pudong Library&Jinqiao Biyun Art Museum, Shanghai 2020 "New Shanghai Style Ink Art Literature Exhibition" TaoArt Space, Shanghai 2019 Intersecting Parallel Lines: 2019 Vienna · The Second EU China International Art Biennale Vienna 2019 The Third Independent Character Nomination Exhibition, Dahewan Art Museum, Beijing 2018 China Contemporary Art Yearbook Exhibition 2017 Minsheng Art Museum, Beijing 2018 China Freehand Oil Painting School Character Research Exhibition, Beijing Wanhe Art Museum, Beijing 2017 "2017 Drum Beating to Pass Flowers - Guan Liang, Ding Liren, Yucun Works Exhibition" Autumn Space, Shanghai Invited Exhibition of Ink and Wash Forum Nanxi Studio, Beijing 2016 Chinese Contemporary Paper Painting Waterfront Gallery, London 2016 Wandering the Peony Pavilion - Commemorating the 400th Anniversary of Tang Xianzu's Death 2016 Chinese Opera Figure Painting Annual Exhibition, Shanghai Zhu Qizhan Art, Shanghai 2016 The Paintings of Mothers - The First Native Art Exhibition Yue. Art Museum, Beijing 2015 Art Critics Nomination Exhibition, Beijing Jinshang Museum, Beijing 2015 China Contemporary Art Yearbook Exhibition 2014 Minsheng Art Museum, Beijing 2014 Contextual 2014 Contemporary Art Invitational Exhibition, Zoje Contemporary Art Museum, Beijing 2013 The 55th Venice Biennale - The Voice Never Presented Venice 2013 The First China Czech Contemporary Art Exhibition, Zoje Contemporary Art Museum, Beijing 2012 "Hong Yue Shen Mei - Nanjing Academy of Arts Centennial Anniversary Art Exhibition", China National Art Museum, Beijing 2012 Invited Exhibition and Summit Forum of the Artists with the Most Academic Value and Market Potential in Contemporary China, Art Museum of the National Academy of Painting, Beijing 2009 "China Situations Chongqing Posthouse" Contemporary Art Exhibition Huang Jueping 501 Contemporary Art Museum, Chongqing 2008 Art Charity China - 2008 China Contemporary Art International Tour Exhibition Beijing, China/Tokyo, Japan/Hong Kong, China 2008 Exhibition of Specially Invited Works of the 2008 Olympic Art Conference China/Greece/America/China Exhibition Area: China International Exhibition Center, Beijing 2008 What is Art? 45 Questionnaires of Chinese Contemporary Art 798 Art District, Beijing 2007 "Post Pioneer: Four Directions of Chinese New Art" Anting, Hong Kong 2007 China Contemporary Art Literature Exhibition - Theme Exhibition: The Orient Yonghe Art Museum, Beijing 2006 2006 China Contemporary Art Literature Exhibition, China Century Monument Art Museum, Beijing   虞 村 / Yu Cun 珍珠港事件 / Pearl Harbor Incident 250x750cm 紙本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 紙本水墨 / Paper Ink 2020 藝術(shù)思考： 我的作品涉及到一些政治事件或政治人物或歷史或新聞,，這些是世界的重要組成部分,，我當然感興趣，感興趣的就想畫出來,。 Artistic thinking: My works involve some political events or political figures or history or news. These are important parts of the world. Of course, I am interested in them.  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 紙本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 紙本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 紙本水墨 / Paper Ink 2020  藝術(shù)家 / Artist 江 海 Jiang Hai 中國藝術(shù)家 1986年畢業(yè)于天津美術(shù)學院繪畫系版畫專業(yè),，現(xiàn)居天津。 個人展覽 1991 江海油畫展,，北京音樂廳畫廊,，北京 1992 江海油畫展，北京音樂廳畫廊,，北京 1995 江海油畫展,，國際藝苑，北京 1999 變幻的技術(shù)——江海油畫展,，四合苑畫廊,，北京 2002 魔幻都市的現(xiàn)實與虛望——江海油畫展，上海美術(shù)館,，上海 2006 女虛 女妄——江海油畫作品展,，3+3空間，北京 2011 異托邦——江海作品（1990-2010）,，上海多倫現(xiàn)代美術(shù)館 異托邦——江海作品（2006-2010）,，北京今日美術(shù)館3號館 2014 江海·烏托邦,，路德維希斯堡國立皇宮博物館,，斯圖加特，德國 2016 膨脹的時代-江海油畫展深圳圈子藝術(shù)中心 2019 狼藉藝術(shù)——江海作品廢墟展,，天津城市拆遷現(xiàn)場 2022 鋼筋混凝脂——江海作品“虛擬”映出網(wǎng)絡(luò)展,，天津新港船廠舊址 團體展覽 1987 BT.5畫展，中央美術(shù)學院畫廊，北京 1989 中國現(xiàn)代藝術(shù)展,，中國美館,，北京 1993 中國油畫雙年展（獲提名獎），中國美術(shù)館,，北京 中國油畫年展,，中國美術(shù)館，北京 1994 第二屆中國油畫展,，中國美術(shù)館,，北京 1995 《江蘇畫刊》20周年展（獲該刊作品獎），江蘇美術(shù)館,，南京 1996 第一屆中國油畫學會展,，中國美術(shù)館，北京 1997 中國當代油畫展,，劉海粟美術(shù)館,，上海 2003 第三屆中國油畫展，中國美術(shù)館,，北京 今日中國美術(shù)大展,，中華世紀壇，北京 2004 首屆中國壁畫大展,，中國美術(shù)館,，北京 2005 “世紀”與“天堂”：2005成都雙年展，國際會展中心,，成都 2006 此身·界外油畫展,，前波畫廊, 紐約, 美國 藝術(shù)．北京，農(nóng)展館,，北京 2006 中國當代藝術(shù)文獻展,，中華世紀壇，北京 2009 中國現(xiàn)代藝術(shù)展文獻展,，北京 2011 中國·視覺的記憶,，瑞士伯爾尼 作品收藏 《溺水》 油畫 中國美術(shù)館收藏 《大機器--1》油畫 上海美術(shù)館收藏 《嬉水》 油畫 上海美術(shù)館收藏 《拋物線》 素描（4幅） 上海美術(shù)館收藏 《至尊--1》 油畫 廣東美術(shù)館收藏 《大食品》 素描 中國現(xiàn)代文學館收藏 《印跡》 油畫 中國現(xiàn)代文學館收藏 Chinese Artists Graduated from the painting department of Tianjin Academy of Fine Arts in 1986, majoring in printmaking, and now lives in Tianjin. Personal exhibition 1991 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing 1992 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing 1995 Jianghai oil painting exhibition, international art garden, Beijing 1999 changing technology - Jianghai oil painting exhibition, Siheyuan Gallery, Beijing 2002 reality and illusion of magic city -- Jianghai oil painting exhibition, Shanghai Art Museum, Shanghai 2006 Women's emptiness and arrogance - Jianghai oil painting exhibition, 3+3 space, Beijing 2011 dystopia - Jianghai works (1990-2010), Duolun Modern Art Museum, Shanghai Dystopia - works of Jiang Hai (2006-2010), No. 3 Museum of today art, Beijing 2014 Jianghai Utopia, Ludwigsburg National Palace Museum, Stuttgart, Germany 2016 expanding era - Jianghai oil painting exhibition Shenzhen circle Art Center 2019 messy Art - Jianghai works ruins exhibition, Tianjin urban demolition site 2022 reinforced concrete -- Jianghai work "virtual" reflects the network exhibition, the former site of Tianjin Xingang shipyard Group exhibition 1987 bt.5 painting exhibition, Central Academy of Fine Arts Gallery, Beijing 1989 China modern art exhibition, China Art Museum, Beijing 1993 Chinese oil painting Biennale (nominated), National Art Museum of China, Beijing Chinese oil painting annual exhibition, China Art Museum, Beijing 1994 the second Chinese oil painting exhibition, China Art Museum, Beijing 1995 "Jiangsu pictorial" 20th Anniversary Exhibition (won the work award of the magazine), Jiangsu Art Museum, Nanjing 1996 the first China Oil Painting Society exhibition, China Art Museum, Beijing 1997 China contemporary oil painting exhibition, LiuHaisu Art Museum, Shanghai 2003 the third Chinese oil painting exhibition, China Art Museum, Beijing Today's China Art Exhibition, China Millennium Monument, Beijing 2004 first Chinese mural exhibition, China Art Museum, Beijing 2005 "century" and "paradise": 2005 Chengdu Biennale, International Convention and Exhibition Center, Chengdu 2006 this body · out of bounds oil painting exhibition, Qianbo Gallery, New York, USA Art. Beijing, agricultural exhibition hall, Beijing 2006 Chinese contemporary art literature exhibition, China Millennium Monument, Beijing 2009 China Modern Art Exhibition literature exhibition, Beijing 2011 China, visual memory, Bern, Switzerland Collection Drowning oil painting, collected by China Art Museum Big machine -- 1 oil painting collected by Shanghai Art Museum "Playing in the water" oil painting collected by Shanghai Art Museum Parabola sketch (4 pieces) collected by Shanghai Art Museum Supreme --1 oil painting collected by Guangdong Art Museum The sketch of "big food" is collected by the Museum of modern Chinese literature "Imprint" oil painting collected by China Modern Literature Museum 江 海 / Jiang Hai 根深蒂固-1 / Deeply ingrained - 1 600x480cm 油彩,、丙烯,、亞麻布 / Oil paint, propylene, linen 2008-2022 江 海 / Jiang Hai 根深蒂固-2 / Deeply ingrained - 2 600x480cm 油彩、丙烯,、亞麻布 / Oil paint, propylene, linen 2008-2022 藝術(shù)思考： “現(xiàn)代藝術(shù)”是以開拓藝術(shù)語言形式為目,，它試圖解決藝術(shù)本質(zhì)規(guī)律的問題，它拋棄了形式語言以外的外延功能,，視為藝術(shù)而藝術(shù)為獨尊,。“當代藝術(shù)”應該是在保持“現(xiàn)代藝術(shù)”基本盤的基礎(chǔ)上，增加社會批判屬性,，賦予藝術(shù)家對于社會現(xiàn)實的關(guān)注和對社會現(xiàn)象的敏感反思的能力,，讓這一切都能組成的一個實體。中國當代社會豐富多彩,、結(jié)構(gòu)復雜,，奇葩的極具戲劇性的事件時常發(fā)生、往往超越人們的想象,，這給藝術(shù)家提供了高飽和度的信息和資源,，等待藝術(shù)家去關(guān)注表達。
Artistic thinking: "Modern art" is aimed at developing the form of artistic language. It tries to solve the problem of the essential law of art. It abandons the extension function outside the formal language, and regards art as art and art as exclusive. "Contemporary art" should be an entity that maintains the basic plate of "modern art", increases the attribute of social criticism, and endows artists with the ability to pay attention to social reality and reflect on social phenomena sensitively, so that all these can be formed. China's contemporary society is rich and colorful, with complex structure, and dramatic events often occur, often beyond people's imagination, which provides artists with highly saturated information and resources, waiting for artists to pay attention to expression.
江 海 / Jiang Hai 黃金時代｜脈 / Golden Age | Pulse 1800x440cm 油彩,、丙烯,、亞麻布 / Oil paint, propylene, linen 2016 江 海 / Jiang Hai 黃金時代｜冥顯 / Golden Age | Mingxian 1800x540cm 油彩、丙烯,、亞麻布 / Oil paint, propylene, linen 2016 江 海 / Jiang Hai 遺墻 / Bequeathed wall 1800x500cm 油彩,、丙烯、亞麻布 / Oil paint, propylene, linen 2018 藝術(shù)家 / Artist 王友江 WangYoujiang 中國藝術(shù)家 1986年畢業(yè)于西安美術(shù)學院 1997年畢業(yè)于中央美術(shù)學院油畫系第九屆研修班 現(xiàn)在北京交通大學建筑與藝術(shù)學院 教授 中國美術(shù)家協(xié)會會員 主要展覽： 1985年作品《奧運之火映照五大洲的心》,，入選“首屆體育美展”獲三等獎,，組辦單位：中國奧林匹克委員會，中國美術(shù)家協(xié)會,； 1989年作品《綠的使者,、人類的朋友》入選“全國七屆美術(shù)展”，組辦單位：中華人民共和國文化部,，中國美術(shù)家協(xié)會 1997年作品《敦煌印象》入選“走向新世紀——中國青年油畫展”,， 組辦單位：中國油畫學會 1997年作品《平房》入選“慶祝中華人民共和國成立五十周年寫生展”， 組辦單位：中國美術(shù)家協(xié)會 2001年作品《痕跡16》入選“研究與超越——中國小幅油畫作品大展”,，組辦單位：中國油畫學會 2002年作品《痕跡系列》入選美國沃蒙特藝術(shù)中心“國際交流展”獲“全額獎” 2003年作品《痕跡20》入選“第三屆全國油畫大展”獲“精品”獎,，組辦單位：中國美術(shù)家協(xié)會，文化部藝術(shù)司,，中國油畫學會 2005年作品《痕跡22》入選“自然與人——第二屆當代中國山水畫展”,，組辦單位：中國油畫學會，中國畫研究院 2011年8月12日三木畫廊承辦《一路行隨筆——王友江油畫寫生作品展》,，組辦單位：甘肅省美術(shù)家協(xié)會 2012年《寫生作品》參加臺灣繪畫交流展 2013年6月《王友江繪畫作品展——零界》在北京798感嘆號畫廊舉辦 2014年12月《中法水墨交流展》在北京798感嘆號畫廊舉辦 2016年作品參加《中國印象—當代藝術(shù)家聯(lián)展》在美國休士頓美術(shù)館 2017年作品參加《久別回聲——中央美術(shù)學院油畫系第九屆研修班作品展》中央美術(shù)學院油畫系主辦 2019年作品參加《時代光彩》2019津京油畫家邀請展,，西洋美術(shù)館舉辦 2021年10月作品《虛幻與錯位》參加在蘭州舉辦的《北緯36°藝術(shù)展》 2022年參加《各境與相望》國際當代藝術(shù)交流展（線上），主辦單位：北上北藝術(shù),，北京 作品收藏：中國,、美國、印尼,、中國臺灣,、丹麥 Chinese Artists Graduated from Xi'an Academy of Fine Arts in 1986 1997 Graduated from the 9th workshop of Oil Painting Department of Central Academy of Fine Arts Currently Professor at the School of Architecture and Art, Beijing Jiaotong University Member of China Artists Association Major Exhibitions. In 1985, the work "Olympic Fire Reflects the Hearts of Five Continents" was selected to win the third prize in the "First Sports Art Exhibition", organized by the China Olympic Committee and the China Artists Association. In 1989, the work "Green Messenger, Friend of Humanity" was selected for the " 7th National Art Exhibition", organized by the Ministry of Culture of the People's Republic of China and the China Artists Association. 1997 "Dunhuang Impression" was selected in "Towards the New Century - Chinese Youth Oil Painting Exhibition", organized by China Oil Painting Society. In 1997, the work " The Cottage" was selected in the "Celebration of the 50th Anniversary of the Founding of the People's Republic of China Sketching Exhibition", organized by the China Artists' Association. In 2001, the work "Traces 16" was selected in the "Research and Transcendence - China Small-Scale Oil Painting Exhibition", organized by the China Oil Painting Society. In 2002, the work "Traces Series" was selected for the "International Exchange Exhibition" of Vermont Art Center, USA, and won the "Full Award". In 2003, the work "Traces 20" was selected for the "3rd National Oil Painting Exhibition" and won the "Excellence" award, organized by the China Artists Association, the Art Department of the Ministry of Culture and the China Oil Painting Association. In 2005, his work "Traces 22" was selected in "Nature and Man - The Second Contemporary Chinese Landscape Painting Exhibition", organized by: China Oil Painting Association, Chinese Painting Institute. August 12, 2011, Sanmu Gallery hosted the "sketch along the way - Wang Youjiang oil painting sketching works exhibition", organizer: Gansu Provincial Artists Association. 2012 "Sketchwork" participated in the Taiwan Painting Exchange Exhibition. June 2013 "Wang Youjiang Painting Exhibition - Zero Boundary" held in Beijing 798 Exclamation Point Gallery. December 2014 " China-France Ink painting Exchange Exhibition" in 798 Exclamation Gallery, Beijing. 2016 works in "Chinese Impressions - Group Exhibition of Contemporary Artists" at the Museum of Fine Arts, Houston, USA. 2017 works participated in "Echoes of a Long Farewell - The Ninth Workshop Exhibition of the Oil Painting Department of the Central Academy of Fine Arts" organized by the Oil Painting Department of the Central Academy of Fine Arts; 2019 works participated in "The Glory of the Times" 2019 Invitational Exhibition of Oil Painters in Tianjin and Beijing, held at the Western Art Museum. In October 2021 the work "Illusion and Dislocation" participated in the "36° North Latitude Art Exhibition" held in Lanzhou. Works Collection: China, USA, Indonesia, China Taiwan, Denmark In 2022, he will participate in the International Contemporary Art Exchange Exhibition (online) of "All Scenarios and Facing Each Other", sponsored by Beishangbei Art, Beijing 王友江 / Wang Youjiang 虛幻與錯位-2月24日夢中驚醒 / Illusion and dislocation - February 24th 200x142cm 布面油畫 / Oil painting on canvas 2022 王友江 / Wang Youjiang 虛幻與錯位-桌子上的擺件 / Illusion and dislocation - table ornaments 200x142cm 布面油畫 / Oil painting on canvas 2022 藝術(shù)思考： 我的繪畫采用象征性藝術(shù)手法來表達內(nèi)心意愿,，不是直接面對現(xiàn)實場景的描繪，是以感受到現(xiàn)實的虛幻與錯位,，以荒誕的表達方式指向主題的實質(zhì),，讓觀眾自己體會作品象征的含義，來啟示對人性善惡,、愛恨,、欲望、真誠,、虛偽的思考,，去喚醒人性中的理想。作品對美好事物的贊頌,，對理想境界的追求,，或?qū)εf惡事物的諷刺，抨擊不合理的現(xiàn)象,，還有對生存狀態(tài)以及對個體意志尊重的思考,。我們往往感知到的事物不一定是真實的，人們往往用鮮花來粉飾不堪的現(xiàn)實,，用美麗的外表裝扮不堪的靈魂,，迷茫的人生分裂的人格，如同變色龍一般隨著環(huán)境事態(tài)的變化而改變自己的意志,，不考慮自己的靈魂應該在哪里,。人性中的欲望與無奈，自私與貪婪,、仇恨與卑劣,，如果沒有堅定的信仰或不去干預控制，人性就會墮落到野蠻,。人性除了自我修道,，還有環(huán)境的影響，環(huán)境的狀態(tài)會造就人性特征,，人性特征又反映社會特征,，所以我們對人性的思考一定會影射對社會的思考。 Artistic thinking: My painting uses symbolic artistic techniques to express the inner will. Instead of directly facing the description of realistic scenes, it is to feel the illusion and dislocation of reality and point to the essence of the theme in an absurd way of expression, so that the audience can understand the meaning of the symbol of the work, to inspire the thinking of human nature's good and evil, love and hate, desire, sincerity and hypocrisy, and to awaken the ideal in human nature. The work praises the beautiful things, pursues the ideal realm, satirizes the old and evil things, attacks the unreasonable phenomena, and thinks about the living state and respect for individual will. The things we often perceive are not necessarily true. People often use flowers to whitewash the unbearable reality, beautiful appearance to dress up the unbearable soul, and confused life split personality. Like a chameleon, they change their will with the changes of environmental events, regardless of where their soul should be. The desire and helplessness, selfishness and greed, hatred and meanness in human nature will degenerate into barbarism if there is no firm belief or no intervention and control. In addition to self-cultivation, human nature also has the influence of the environment. The state of the environment will create human characteristics, and human characteristics reflect social characteristics. Therefore, our thinking about human nature must reflect our thinking about society. 王友江 / Wang Youjiang 虛幻與錯位-塑料模特的質(zhì)疑 / Illusion and dislocation - Query on plastic models 200x142cm 布面油畫 / Oil painting on canvas 2019 王友江 / Wang Youjiang 虛幻與錯位-倒立 / Illusion and dislocation - handstand 200x142cm 布面油畫 / Oil painting on canvas 2022 王友江 / Wang Youjiang 虛幻與錯位-想要飛翔 / Illusion and dislocation - Want to fly 200x142cm 布面油畫 / Oil painting on canvas 2022 藝術(shù)家 / Artist 侯 偉 Hou Wei 中國藝術(shù)家 侯 偉,，教授,，畫家。是當代具象寫實畫派主義的領(lǐng)軍人物,。精湛的坦培拉技法在中國獨樹一幟,?！皦m埃系列”作為侯偉教授獨有的繪畫語言,，斬獲國內(nèi)外數(shù)項大獎,。系享譽國內(nèi)外著名的畫家。 現(xiàn)任上海師范大學美術(shù)學院教授,，碩士研究生導師,，研究生專業(yè)學科帶頭人，中國美術(shù)家協(xié)會會員,，上海美術(shù)家協(xié)會水彩協(xié)會藝委會委員,，IMWA國際水彩大師協(xié)會會員。 Chinese artists Hou Wei, Professor, painter. He is the leading figure of contemporary representational realism. The superb Tampere technique is unique in China. As Professor Hou Wei's unique painting language, "Dust Series" has won several awards at home and abroad. He is a famous painter at home and abroad. He is currently a professor of the School of Fine Arts of Shanghai Normal University, a master's supervisor, a leader of the postgraduate discipline, a member of China Artists Association, a member of the Art Committee of Shanghai Artists Association Watercolor Association, and a member of IMWA International Watercolor Masters Association. 侯 偉 / Hou Wei 塵埃系列 / Dust series 60x90 紙本坦培拉,、色粉 / Paper Tampere, toner 2017 侯 偉 / Hou Wei 塵埃系列 / Dust series 45x60 紙本坦培拉,、色粉 / Paper Tampere, toner 2015 藝術(shù)思考： 藝術(shù)創(chuàng)作離不開技術(shù)、技巧,，同樣的技術(shù)到底是藝術(shù)性的,，抑或是純技術(shù)性的，在其精神與效用上頗有分別,?！暗弥谑郑瑧谛?，口不能言,，有數(shù)存焉于其間?！笔聦嵣显谒囆g(shù)創(chuàng)作過程中,，隱藏于作品背后的精神、境界難以言說,，除了自覺自證,，別無坦途?！笆帧钡募记墒欠衲軌蜻m應“心”所把握的內(nèi)容,，而將作品創(chuàng)作出來，對作者本人藝術(shù)修養(yǎng)的總和是一種試煉,，有“技近乎道”的要求,。若技巧的修養(yǎng)不是以審美和趣味為依據(jù)，則其技巧亦將被局限于實用目的范圍之內(nèi),，而難以由技以進乎道,，即難進入于藝術(shù)的領(lǐng)域。 繪畫不是對自然的簡單復制,，而是畫家的價值體系和心靈感受以及技術(shù)要素的統(tǒng)一,，在繪畫中，我試圖表達對佛學和老莊思想的感悟——畫者何為,？繪事何為,？這些作品來自一個“塵?！毕盗械膭?chuàng)作構(gòu)想?！督饎偨?jīng)》中有云：“一切有為法,，如夢幻泡影，如露亦如電,，應作如是觀”,，又云：“凡所有相，皆是虛妄,?！薄读鎵?jīng)》中慧能偈云：“菩提本無樹，明鏡亦非臺,，本來無一物,，何處惹塵埃？”《法華經(jīng)》中提到,，一微塵中有三千大千世界,。 Artistic thinking: Art creation can not be separated from technology and skills. The same technology is artistic or purely technical, which is quite different in its spirit and effectiveness. "You should get it from the hand, but you can't say it, and there is something in it." In fact, in the process of artistic creation, the spirit and realm hidden behind the works are hard to say, and there is no smooth way except to consciously prove themselves. Whether the skill of "hand" can adapt to the content grasped by "heart", and creating works is a test of the total artistic accomplishment of the author, with the requirement that "skill is close to Tao". If the cultivation of skills is not based on aesthetics and interest, the skills will also be limited to the scope of practical purposes, and it is difficult to enter the realm of art from technology to Tao. Painting is not a simple copy of nature, but the unity of the painter's value system, spiritual feelings and technical elements. In painting, I try to express my understanding of Buddhism and Lao Zhuang's thoughts - what is the painter? What is a picture? These works come from the creative idea of a "dust" series. In the Vajra Sutra, it is said that "all actions are like illusions, bubbles and shadows, as well as dew and electricity, and should be observed as they are", and it is also said that "all appearances are illusory." Huineng said in the Six Ancestors' Jar Sutra: "Bodhi is not a tree, and a mirror is not a platform. There is nothing, so where can it cause dust?" It was mentioned in the Fahua Sutra that there are three thousand worlds in a tiny dust. 侯 偉 / Hou Wei 塵埃系列 / Dust series 60x45 紙本坦培拉、色粉 / Paper Tampere, toner 2021 侯 偉 / Hou Wei 塵埃系列 / Dust series 40x55 紙本坦培拉,、色粉 / Paper Tampere, toner 2021 侯 偉 / Hou Wei 塵埃系列 / Dust series 45x60 紙本坦培拉,、色粉 / Paper Tampere, toner 2021 藝術(shù)家 / Artist 丁一軍 Ding Yijun 中國藝術(shù)家 1984年畢業(yè)于西安美術(shù)學院版畫系，目前工作生活于上海,、湖州兩地,。 主要展覽： 1998年丁一軍現(xiàn)代油畫作品展，青海師范大學,，西寧,； 2000年丁一軍油畫作品展，浙江湖州師范學院,，湖州,； 2006年入境中國美學雙年展，上海當代藝術(shù)博物館,，上海,； 2009年生化虛實之間動漫展，今日美術(shù)館,，北京,； 2013年尋常夢丁一軍個展，翎藝館,，上海,；2014年表情丁一軍個展，M50,，上海,； 2015年任性丁一軍個展,，木田畫廊，大理,； 2016年姿態(tài)丁一軍個展，湖州,； 2016年重繪畫博弈當代藝術(shù)困境群展,，798白盒子，北京,； 2019年樂園丁一軍個展,，湖州； 2019年并非叢林丁一軍同城兩地個展大浦當代藝術(shù)館,，成都,；X空間，成都,； 2020年202020 丁一軍個展,，西寧。 Chinese Artists He graduated from the printmaking department of Xi'an Academy of Fine Arts in 1984 and currently lives in Shanghai and Huzhou. Major works： 1998,，DingYijun modern oil painting exhibition, Qinghai Normal University, Xining,； 2000，Ding Yijun oil painting exhibition, Huzhou Normal University, Huzhou,； 2006,，China aesthetics Biennale, Shanghai Museum of contemporary art,Shanghai； 2009,，Animation Exhibition between the real and the real, Today ArtMuseum, Beijing,； 2013，Ordinary dream Ding Yijun solo exhibition, Lingyi Museum, Shanghai,； 2014,，Emoticon Ding Yijun solo exhibition, M50, Shanghai； 2015,，Willful Ding Yijun solo exhibition, mudian Gallery, Dali,； 2016，Posture Ding Yijun solo exhibition, Huzhou,； 2016,，Groupexhibition of contemporary art dilemma with emphasis on painting game, 798white box, Beijing； 2019,，Individualexhibition of the first army of paradise, Huzhou,； 2019,No jungle, Ding Yijun, two exhibitions in the same city, TaffContemporary Art Museum, Chengdu; X space, Chengdu； 2020,， 202020 Ding Yijun Solo Show,， Xining 丁一軍 / Ding Yijun 一星期的表情 / A week's expression 布面丙烯 / Cloth faced propylene 150X150cm 2020 丁一軍 / Ding Yijun 樂園 / RIZ-ZOAWD 裝置 繪畫 木質(zhì) 丙烯 / Installation Painting Wood Propylene 500X500cm 2019 藝術(shù)思考： 在生活中尋找和發(fā)現(xiàn)一些非繪畫材料進行再創(chuàng)作賦予材料新的意義是件有趣味的工作,，也是我一直試圖拓展藝術(shù)表達的方式，非繪畫材料的繪畫和裝置的結(jié)合,，呈現(xiàn)出了新的語言空間,，尋找和選擇適合創(chuàng)作的材料花去了很多時間和心思，木質(zhì)材料的應用是一個階段的愛好,，發(fā)現(xiàn)不同材料的自然造型加以利用或組裝成裝置繪畫形式,，繪畫不在受制于平面，我重視藝術(shù)語言和手法的多樣性,、開放性,，意味單純隨性的幽默感是我作品的面貌，看似隨意的組合實則是精心之處,，作品表達出的意境隱含著我對這個世界的認知和態(tài)度,。 Artistic thinking: It is an interesting job to find and re create some non painting materials in life and give them new meaning. It is also a way that I have been trying to expand artistic expression. The combination of painting and installation of non painting materials presents a new language space. It takes a lot of time and thought to find and select materials suitable for creation. The application of wood materials is a hobby at a stage, It is found that the natural shapes of different materials are used or assembled into the form of installation painting. Painting is no longer restricted by the plane. I attach importance to the diversity and openness of artistic language and techniques, which means that the simple and casual sense of humor is the face of my work. The seemingly random combination is actually elaborate. The artistic conception expressed in the work implies my understanding and attitude towards the world. 丁一軍 / Ding Yijun 組合關(guān)系 /synthetic relation 木質(zhì) 丙烯 / Wood propylene 60x8cm 2020 丁一軍 / Ding Yijun 向陽花 / Sunflower 裝置 繪畫 木質(zhì) 丙烯 / Installation Painting Wood Propylene 100X100cm 2019 丁一軍 / Ding Yijun 表情 / expression 木質(zhì) 繪畫 丙烯 / Wood painting propylene 28X24cm 2020 藝術(shù)家 / Artist 于祖培 Yu Zupei 中國藝術(shù)家 1963年生，遼寧省葫蘆島人,，先后畢業(yè)于遼寧省教育學院,、中國藝術(shù)研究院油畫研究生課程班。多次參加省,、市全國大展并獲獎,。作品被炎黃藝術(shù)館、北京中原文化公司畫廊等多家機構(gòu)和個人收藏,。并在中國油畫,、中國藝術(shù)、藝術(shù)市場,、中國當代藝術(shù)年鑒,、中國當代藝術(shù)交流、鑒寶等多家刊物發(fā)表出版,。 部分展覽： 2005《穿越與融合》新年特展（北京） 2006年中國當代繪畫交流展（北京） 2007年《散點的聚焦》中國當代油畫作品展（北京紅鼎畫廊） 2010年《融合·同行》北京當代名家十人邀請展（上海） 2010年中國當代藝術(shù)年鑒展（北京上上美術(shù)館) 2012年《如影隨形》于祖培油畫作品個人展（北京798熙豐藝術(shù)空間） 2013年《相約藝術(shù)》中國,、西班牙藝術(shù)家聯(lián)展（北京異述坊油畫館） 2013年 獨立的品格——2013潛質(zhì)藝術(shù)家年度提名展（北京大河灣美術(shù)館) 2014年 中國當代油畫家學術(shù)推介展（新疆烏魯木齊美術(shù)館） 2015年《時光的肖像》當代藝術(shù)展（北京松美術(shù)館） 2015年 異述坊油畫沙龍2015年度油畫精品展（北京上上國際美術(shù)館） 2016年《獨立的品格——2016第二屆提名展》（北京大河灣美術(shù)館） 2017年《百年詩歌藝術(shù)大展》（北京） 2018年 《多彩中國藝術(shù)展》（意大利威尼斯） 2018年《坐標重置》上海當代藝術(shù)展（上海） 2019年 第三屆《獨立的品格提名展》（北京) 2019年 《精神肉體與生存的交織》于祖培個展（北京大河灣美術(shù)館2019年 《精神肉體與生存的交織》于祖培個展（深圳招商創(chuàng)庫） 2019年《涂鴉：自由的抒寫》宋莊涂鴉隊第八回展(北京中捷當代美術(shù)館) 2020年《動物兇猛》于祖培當代藝術(shù)作品展（萊陽市具象1973畫廊 2021年 人的生存狀態(tài)——于祖培個展 柳州城市客廳 Chinese artists He was born in Huludao, Liaoning Province, in 1963. He graduated from Liaoning Education Institute and China Academy of Arts Oil Painting Postgraduate Course. He has participated in provincial and municipal national exhibitions for many times and won prizes. His works have been collected by Yanhuang Art Museum, Beijing Zhongyuan Culture Company Gallery and other institutions and individuals. It has been published in Chinese oil painting, Chinese art, art market, Chinese contemporary art yearbook, Chinese contemporary art exchange, treasure appreciation and other publications. Some exhibitions: 1995 Northeast Contemporary Oil Painting Exhibition (Hong Kong) 2000 Oil Painting Exchange Exhibition (South Korea) The 3rd Oil Painting Exhibition in Beijing (Beijing Central Academy of Fine Arts Museum) 2003 Creative Exhibition of Oil Painting Advanced Research Class of China Academy of Arts (Beijing Yanhuang Art Museum) August 2003 Nine People Painting Exhibition (Beijing Yanhuang Art Museum) 2005 New Year Special Exhibition of Crossing and Integration (Beijing) 2006 China Contemporary Painting Exchange Exhibition (Beijing) 2007 Focus of Scattered Points, China Contemporary Oil Painting Exhibition (Beijing Hongding Gallery) 2010 "Integration · Peer" Beijing Ten Contemporary Masters Invitational Exhibition (Shanghai) 2010 China Contemporary Art Yearbook Exhibition (Beijing Shangshang Art Museum) 2012 Personal Exhibition of Yu Zupei's Oil Painting Works, Like a Shadow (Beijing 798 Xifeng Art Space) The Art of Meeting, a joint exhibition of Chinese and Spanish artists in 2013 (Beijing Yishufang Oil Painting Museum) 2013 Independent Character - 2013 Annual Nomination Exhibition of Potential Artists (Beijing Dahewan Art Museum) 2014 Academic Promotion Exhibition of Chinese Contemporary Oil Painters (Xinjiang Urumqi Art Museum) 2015 Portrait of Time Contemporary Art Exhibition (Beijing Song Art Museum) 2015 Yishufang Oil Painting Salon 2015 Fine Oil Painting Exhibition (Beijing Shangshang International Art Museum) 2016 Independent Character - 2016 Second Nomination Exhibition (Beijing Dahewan Art Museum) 2017 Centennial Poetry Art Exhibition (Beijing) 2018 Colorful Chinese Art Exhibition (Venice, Italy) 2018 Coordinate Reset Shanghai Contemporary Art Exhibition (Shanghai) 2019 The Third Independent Character Nomination Exhibition (Beijing) 2019 Spiritual Body and Survival Interwoven Exhibition in Zupei (2019 Spiritual Body and Survival Interwoven Exhibition in Dahewan Art Museum in Beijing) 2019 Graffiti: Free Expression, the 8th exhibition of Songzhuang Graffiti Team (Beijing Zoje Contemporary Art Museum) In 2020, "Fierce Animals" in Zupei Contemporary Art Exhibition (Laiyang Juxiang 1973 Gallery People's Living Conditions in 2021 -- Yu Zupei's Personal Exhibition Liuzhou City Living Room 于祖培 / Yu Zupei 表達力提升 / Improved expressiveness 布面油彩 / Cloth paint 60×120cm 2022 于祖培 / Yu Zupei 要有光 / Have light 紙本丙烯 / Paper propylene 44×60cm 2021 藝術(shù)思考： 我的作品離生活較遠，離生命,、生存較近,。如何對眼前的世界、事俗的世界,、習以為常的世界再度審視,，把表面的變成內(nèi)在的，把熟視的變成陌生的,，消除不必要的信息,，將整個圖像重新整理成我希望人們看到的部分，需要對眼前的現(xiàn)實重新定位，這才是當代藝術(shù)的思維,。我以偶發(fā)的下意識直覺開啟繪畫,，其間力求溶入觀念與情感、人性與神性,、戲謔與悲情,、理性與荒誕，用這些元素去修改世界可見的顯象,，以便能夠解脫自己進入更加自由的境界,，一個思緒飛揚無拘無束的想象空間。 Artistic thinking: My works are far away from life and close to life and survival. How to re-examine the world in front of us, the secular world, and the world we are used to, change the surface into the inside, change the familiar into the unfamiliar, eliminate unnecessary information, and reorganize the whole image into the part I hope people can see. It is necessary to reposition the reality in front of us, which is the dimension of contemporary art. I started painting with occasional subconscious intuition, and tried to integrate ideas and feelings, human nature and divinity, banter and sadness, reason and absurdity. I used these elements to modify the visible images of the world, so that I could get rid of myself and enter a more free realm, a space of unrestrained imagination. 于祖培 / Yu Zupei 無序排列 / Unordered arrangement 紙本丙烯 / Paper propylene 60×60cm 2021 于祖培 / Yu Zupei 光中思緒 / Thoughts in light 紙本丙烯 / Paper propylene 60×60Cm 2022 于祖培 / Yu Zupei 遇見 / meet 布面油彩 / Cloth paint 120×110cm 2020 藝術(shù)家 / Artist 樸雄珪 Park,Woongkyu 韓國藝術(shù)家 1970 生于韓國 1996 韓國全南大學藝術(shù)學院美術(shù)系西洋畫專業(yè)畢業(yè) 2001 中國北京中央美術(shù)學院油畵系硏究生畢業(yè) 現(xiàn)為定居北京,，光州市立美術(shù)館北京創(chuàng)作中心負責人,，藝術(shù)家 個人展覽 2015 一念,，798韻畫廊,，北京，中國 2012 一念 · 一即多,，多即一,，一單元畫廊，北京,，中國 2004 畫出心境 - 蛋彩畫展,，炎黃藝術(shù)館，北京,，中國 主要聯(lián)展 2022 語言與言語 - 一個基于語言結(jié)構(gòu)系統(tǒng)的展覽實驗,，宋莊當代藝術(shù)文獻館，北京,，中國 2020 地方 - 國際 515藝術(shù)創(chuàng)窟藝術(shù)季,，515創(chuàng)窟美術(shù)館，四川,，中國 2019 東方冥想指南 - 中韓當代藝術(shù)交流展,，遠洋樂堤港空中美術(shù)館，杭州,，中國 2018 滾動中的雪球 - 南京,，南京藝術(shù)學院美術(shù)館，南京,，中國 2018 第三屆江西當代藝術(shù)展,，景觀 2018 國際藝術(shù)交流展，699文化創(chuàng)意園藝術(shù)中心,，南昌,，中國 2016 第三屆南京國際美術(shù)展主題展 - HISTORICODE 蕭條與供給，百家湖美術(shù)館，南京,，中國 2016 調(diào)和樂也 - 國際當代藝術(shù)展, 天津美術(shù)館, 天津, 中國 2016 藝術(shù)巴黎 2016,，巴黎大皇宮，巴黎,，法國 2015 首屆內(nèi)蒙古當代國際藝術(shù)交流雙年展,，內(nèi)蒙古大學南校區(qū)藝術(shù)學院展廳，呼和浩特,，中國 2015 藝術(shù)家的辦法 - 韓國當代藝術(shù)展,，萬營藝術(shù)空間，石家莊,，中國 2013 方法之外,，大象藝術(shù)空間館 / 花蓮文化創(chuàng)意產(chǎn)業(yè)園區(qū)展覽館 / 臺北藝術(shù)博覽會，臺中 /花蓮 / 臺北,，臺灣 2012 桌子是桌子 - 光州雙年展紀念展,，光州市立美術(shù)館常綠分館，光州,，韓國 2011 手頭上的創(chuàng)造 - 第三屆國際當代藝術(shù)光州藝術(shù)前途展,，光州雙年展展覽館，光州,，韓國 2011 自然與現(xiàn)代形式,，明園文化藝術(shù)中心，上海,，中國 2007 第3屆中國宋莊文化藝術(shù)節(jié)國際展,，宋莊藝術(shù)區(qū)，北京,，中國 2005 海外靑年藝術(shù)家展 2005,，藝術(shù)的殿堂 - Hangaram美術(shù)館，首爾,，韓國 2004 韓國美術(shù)的辦法及表現(xiàn),，中央美術(shù)學院美術(shù)館，北京,，中國 1999 十月談 - 十人畵展,，國際藝苑美術(shù)館，北京,，中國 Korean artist 1970 Born in Jindo, Chonnam, Korea 1996 B.F.A in Painting, Chonnam National University, Gwangju, Korea 2001 M.F.A in Oil Painting, Central Academy of Fine Art, Beijing, China Present; Manager of Beijing Residency Gwangju Museum of Art & Artist in Beijing, China Solo exhibitions 2015 One thought, Yun Gallery, Beijing, China 2012 One thought - One is all, All is on, Unit One Art Space, Beijing, China 2004 Draw the state of mind - Tempera Exhibition, YanHuang Art Museum, Beijing, China Selected Group Exhibitions 2022 Language and Speech – An Exhibition Experiment Rooted in Linguistic Structure, Songzhuang Contemporary Art Archive,Beijing, China 2020 Local - International 515 Creative Art Village Art Fair Opening Ceremony, 515 Art Museum, Sichuan, China 2019 Soul Meditation from the East - Contemporary Art Communicative Exhibition between China and Korea, Sky Line Museum, Hangzhou, China 2018 Rolling Snowball - Nanjing, AMNUA, Nanjing, China 2018 Spectacle 2018 International Art Exhibition, 699 Art Center, Nanchang, China 2016 The 3rd Nanjing International Art Festival - HISTORICODE: Scarcity & Supply, Baijia Lake Museum, Nanjing, China 2016 Harmony - International Contemporary Art Exhibition, Tianjin Art Museum, Tianjin, China 2016 Art Paris 2016, Grand Palals Paris, Paris, France 2015 Recombination and Motation of Gene – The 1st International Biennial of Contemporary Art of Inner Mongolia, Hohhot, Inner Mongolia, China 2015 Methods of Artists, Wanying Art Museum, Shijiazhuang, China 2013 Outside Method, Da Xiang Art Space/ Hualien Cultural Creative Industries Park/ Art Taipei2013, Taichung City/ / Hualien City/ Taipei, Taiwan 2012 A Table is a Table - An Anniversary Exhibition of 2012 Gwangju Biennale, Gwangju Museum of Art, Gwangju, Korea 2011 The 3rd International Contemporary Art Gwangju Art vision Exhibition, Gwangju, Korea 2011 Nature and Its Modern Forms, Mingyuan Art Center, Shanghai, China 2007 The 3rd China Songzhuang Culture & Art Festival, Songzhuang, Beijing, China 2005 The Young Korean Overseas Artists Exhibition 2005, Seoul Arts Center Hangaram Art Museum, Seoul, Korea 2004 Method and Expression of Korean Art, CAFA Gallery, Beijing, China 1999 Dialogue in October - Ten Men’s Exhibition, International Art Palace, Beijing, China 樸雄珪/ Park Woongkyu 一念20161115 / One thought20161115 100x100cm 布面丙烯,， LED / LED, Acrylic on Canvas 2016 樸雄珪 / Park Woongkyu 一念·一即多，多即一201321 / One thought – One is All, All is One 201321 116.8x91cm 布面丙烯,，香/ Incense, Acrylic on Canvas 2013 藝術(shù)思考： '一念’ 系列試圖表達我對'一即一切,，一切即一’的體會或感受,。作品，通過在香上著色,、裁斷,、焚燒、粘貼的簡單的反復勞動過程而成,，這種重復,，因它的單調(diào)性使得我腦海空出,，反而能夠?qū)δ呈挛镞M行深思和冥想,。原初我認為世上的一切，它的開端都有某'一’,，這'一’會是固定不變的,。但后來這'一即一切'變?yōu)椤患纯?#39;了。然后藝術(shù)就是我們?nèi)粘Ｉ钪袩o法歸納的那部分東西,，即空白部分了,。 Artistic thinking: The 'One Thought' series tries to express my experience or feeling of 'One is everything, everything is one'. The work, made through the simple repetitive labor process of coloring, cutting, burning, and pasting incense, is a repetition that, because of its monotonous nature, makes my mind empty and allows me to ponder and meditate on something. Originally, I thought that everything in the world has a certain 'one' at its beginning, and this 'one' will be fixed. But then this 'one is everything' becomes 'one is empty'. Then art is the part of our daily life that cannot be summarized, that is, the blank part. 樸雄珪 / Park Woongkyu 一念201683 / One thought201683 90.9x72.7cm 布面丙烯，香/ Incense, Acrylic on Canvas 2016 樸雄珪 / Park Woongkyu 一念2017810 / One thought2017810 56x76cm 布面丙烯,，香/ Incense, Acrylic on Canvas 2017 樸雄珪 / Park Woongkyu 一念201842/ One thought201842 布面丙烯,，香,，LED /LED, Incense, Acrylic on Canvas 60x60cm 2018 藝術(shù)家 / Artist 艾 倫 Alan Skalaskl 美國藝術(shù)家 教育背景 2023年春季藝術(shù)展中國藝術(shù)學院研究生 訪問獎學金2016年秋季-2020年春季中央美術(shù)學院訪問學者 2016年春季BFA芝加哥藝術(shù)學院本科生 精選展覽 2022年12月芝加哥文化中心芝加哥邂逅 2022年9月獨立形象重慶抽象新媒體 2022年8月奧弗萊厄蒂的紐約愛國者 2022年6月新澤西州特倫頓州立博物館 2021 7月TopBidder Artbyss Cryptovoxels互聯(lián)網(wǎng)后矩陣 2021 3月赤金博物館密碼體不在這里不在那里 2020年12月濟南雙年展在線家園 2019年12月VO美術(shù)館北京教師展 2019年9月Buraby展覽中心哈薩克斯坦Buraby傳奇 2019年8月Visible Gallery北京出租車計劃 2019年8月維度藝術(shù)中心重慶個展 2019年6月上海一諾美術(shù)館上海夏季展 2019年3月奧地利大使館北京馬斯洛的夢想 2018年7月威尼斯自動售貨機利物浦泰特利物浦 2018年5月北京炎黃美術(shù)館《合法外國人》 2018年5月北京韓國文化中心 2017年10月RVCC畫廊Branchberg校友展 2017年6月中國美術(shù)學院畫廊杭州體驗中國 2017年4月北京炎黃美術(shù)館 2016年9月查理·詹姆斯畫廊洛杉磯第四墻 2016年5月新日鐵芝加哥評委會展覽 American artist Education MFA Spring 2023 China Academy of Art(CAA) Visiting ScholarFall 2016 - Spring 2020 Central Academy of Fine Arts(CAFA) BFA Spring 2016 The School of the Art Institiute Of Chicago(SAIC) Selected Exhibitions December2022 Chicago Cultural Center Chicago Encounter September 2022 Independant Image Chongqing Abstract New Media August 2022 O’Flaherty’s New York The Patriot June 2022 NJ State Museum Trenton Re Emergence July 2021 TopBidder Artbyss Cryptovoxels Post-internet Matrix March 2021 Chi Jin Museum Cryptovoxels Not Here Not There December 2020 Jinan Biennial Online Home Realm of He December 2019 VO Art Museum Beijing Teacher’s Exhibition September 2019 Buraby Exhibition Center Kazakhstan Legends of Buraby August 2019 Visible Gallery Beijing Taxi Scheme August 2019 Dimensions Art Center Chongqing Solo Exhibition June 2019 Shanghai Yinuo Art Museum Shanghai Summer Show March 2019 Austrian Embassy Beijing Maslow’s Dream July 2018 Venice Vending Machine Liverpool Tate Liverpool May 2018 Yanhuang Art Museum Beijing Legal Aliens May 2018 Korean Cultural Center Beijing Se October 2017 RVCC Gallery Branchberg Alumni Exhibition June 2017 China Academy of Art Gallery Hangzhou Experience China April 2017 Yanhuang Art Museum Beijing Alienation September 2016 Charlie James Gallery Los Angeles The Fourth Wall May 2016 Nippon Steel Chicago Juried Exhibition 艾 倫 / Alan Skalaskl 嚎叫俱樂部 / Scream Club 焦油紙上的丙烯酸和蠟標記 / Acrylic and wax marker on tar paper 19 x 19.5cm 2022 艾 倫 / Alan Skalaskl 盧加別墅 / Luga’s Villa 焦油紙上的丙烯酸和蠟標記 / Acrylic and wax marker on tar paper 36.25 x 57cm 2022 藝術(shù)思考： 我在焦油紙上制作藝術(shù)品,，這種紙通常用在屋頂瓦下面。我用丙烯酸顏料和蠟標記在這個黑色表面上形成一層發(fā)光的顏色,。通過在黑暗中雕刻空間,，我使用了與空白空間，空黑空間. 這些作品充滿了對藝術(shù)史,、電影和其他媒體的參考,。我的工作受到支持這些空間的社會結(jié)構(gòu)和建筑機構(gòu)的影響。在西方繪畫的傳統(tǒng)層次中,，我的作品屬于歷史繪畫流派,，但它是一種近現(xiàn)代的文化人類學文獻。我最近的工作是研究北京的搖滾樂住宅,，以及經(jīng)常出現(xiàn)的社區(qū),。自從新冠肺炎大流行以來，許多場館不再為社區(qū)服務,。在與一大群人聚集在一起觀看現(xiàn)場音樂是一種冒險行為的時候,，應該慶祝這些幸存的機構(gòu)。 Artistic thinking: I am making art on tar paper, which is typically used underneath roofing shingles. I use acrylic paint and wax markers to build up layers of luminous color on top of this black surface. By carving spaces from the darkness, I am using something like the opposite of 空白空間,，空黑空間. These compositions are filled with references to art history, film and other media. My work is informed by social structures and the architectural institutions which support these spaces. In the traditional hierarchy of western painting my work exists within the history painting genre, however it serves as a kind of near contemporary documentation of cultural anthropology. My latest work is a study of the rock live houses in Beijing, and the communities which frequent them. Since the Covid pandemic, many of these venues are no longer serving their communities. In a time when gathering together with a large group of people to see live music is something of a risky act, these surviving institutions should be celebrated. 艾 倫 / Alan Skalaskl 愚公移山 / Yu Gong Yi Shan 焦油紙上的丙烯酸和蠟標記 / Acrylic and wax marker on tar paper 27 x 36.25cm 2022 艾 倫 / Alan Skalaskl 北新橋街道 / The street of bei xin qiao 焦油紙上的丙烯酸和蠟標記 / Acrylic and wax marker on tar paper 25.25 x 36.25cm 2022 艾 倫 / Alan Skalaskl Seb和學校代碼 / Seb and Code at School 焦油紙上的丙烯酸和蠟標記 / Acrylic and wax marker on tar paper 40.75 x 36.25cm 2022 聯(lián)系我們 /contact us E-mail : [email protected] |
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來自： 北上北藝術(shù) > 《待分類》
