2022年 9月24日 后現(xiàn)代主義書法 Postmodernist calligraphy 背離與顛覆 引 領 新 風 尚 背離并非錯誤 顛覆并非倒退 在背離與顛覆中 探索后現(xiàn)代主義書法 Birth background 誕生背景 后現(xiàn)代主義書法從西方后現(xiàn)代理論中學會了顛覆性,、平面化、無深度,、非主體等概念,又汲取西方后現(xiàn)代藝術挪用裝置藝術,、行為藝術,、觀念藝術的元素,加上非漢字體系和反內容反闡釋的拼接游戲,,最后形成反書法的抽象化的視覺效果和丑化的視覺沖擊力,。 Postmodernist calligraphy has learned the concepts of subversion, planarity, no depth, and non-subjectivity from western postmodern theories, and has absorbed the elements of installation art, performance art, and concept art from western postmodern art, together with the splicing game of non-Chinese character system and anti-content and anti-interpretation, and finally formed the abstract visual effect and ugly visual impact of anti-calligraphy. Stage of development 發(fā)展階段 它以文辭作為抒泄媒介物, 傾注以創(chuàng)作者的心緒與意趣, 側重表現(xiàn)文字的象形特征。它經(jīng)歷了兩個階段: It takes words as a medium of expression, pours into the mood and interest of creators, and focuses on the pictographic features of words.It has gone through two stages: 1 返祖階段 此時期的后現(xiàn)代主義書法刻意夸大漢字的具象特性, 將書法與繪畫混為一體, 釋為“書畫同源”,。其結果導致了書法特性的喪失, 貌似前衛(wèi), 實則回歸到史前書法的渾沌狀態(tài), 是一種倒退,。 The postmodern calligraphy of this period deliberately exaggerated the concrete characteristics of Chinese characters, mixing calligraphy and painting, and interpreted it as 'the same origin of painting and calligraphy'. As a result, calligraphy lost its characteristics, which seemed avant-garde, but in fact it returned to the chaotic state of prehistoric calligraphy, which was a retrogression. 2 紛呈階段 這一階段以1988年“新書法大展”為標志, 它以西方現(xiàn)代藝術抽象理論為依據(jù), 把各種抽象語匯進行多元嘗試, 從前期的具象走向純粹的抽象, 以迎合所謂的“現(xiàn)代”口味。后現(xiàn)代主義書法在書寫工具,、書寫素材,、書寫形式、書寫語匯等方面與傳統(tǒng)書法大相徑庭, 大異其趣, 雖然名噪一時, 但是, 由于它嚴重背離了書法的本位, 終究無法贏得人們的稱許,。 The second one is the various stages. This stage was marked by the 'New Book Exhibition' in 1988. Based on the abstract theory of western modern art, it tried various abstract vocabularies in multiple ways, from the early concrete to the pure abstract, in order to cater to the so-called 'modern' taste. Post-modernism calligraphy in writing tools, writing materials, writing forms, books. 作品賞析 END 文字| 談芷涵 郭淑雅 圖文編輯|徐明君 如有侵權,,請聯(lián)系刪除 |
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