在陶瓷歷史上,，各朝青花瓷上不同的藍(lán)釉色調(diào),，皆有其獨(dú)特之處,。人類的意識(shí)形態(tài),、價(jià)值取向,、審美標(biāo)準(zhǔn)在藝術(shù)上有著淋漓盡致的表現(xiàn),，比如唐代的磅礴大氣,，宋代的精致婉約，元代的剽悍粗獷,，明代的簡(jiǎn)約端莊,，清代的富麗堂皇，都與當(dāng)時(shí)的社會(huì)狀況和文化背景有著密不可分的聯(lián)系,。In the history of ceramics, different blue glaze tones on each blue and white porcelain have their own unique features. The ideology, value orientation, and aesthetic standards of human beings have full expression in art, such as the magnificent atmosphere of the Tang Dynasty, the exquisite and graceful contract of the Song Dynasty, the rough and rough of the Yuan Dynasty, the simple and dignified of the Ming Dynasty, and the magnificent and magnificent of the Qing Dynasty. They are inextricably linked to the social situation and cultural background at that time.

圖案,、紋飾，作為可視覺藝術(shù)的其中一個(gè)表現(xiàn)形式,，也或多或少映襯著朝代更替而帶來(lái)的文化流變,。燒制于元末明初的青花瓷器，是中國(guó)工藝美術(shù)史上的一枝奇花異卉,。其產(chǎn)品除日常生活用具外,，還燒制出專門用于隨葬的青花罐、瓶,、爐,、雕塑等冥器小件，這些造型古拙典雅,、玲瓏可愛的青花冥器,，紋飾粗獷，散發(fā)著神秘的魅力,，可謂是青花精華,，掌中至寶。As one of the forms of visual art, patterns and decorations reflect more or less the cultural changes brought about by the change of dynasties. The blue and white porcelain made by Yuyuan is a strange flower in the history of Chinese arts and crafts. In addition to daily living utensils, its products also burn small pieces of green flower pots, bottles, furnaces, sculptures, and other artifacts that are specially used for burial. These ancient and elegant, exquisite and lovely green flowers are decorated with rough decorations and mysterious charms. Can be described as the essence of blue flowers, Palm in the treasure.

此件“青花纏枝花卉紋蓋碗”碗口外敞露胎,，罐身內(nèi)外及底足滿釉,，足端內(nèi)外斜削較尖,，整件器形十分規(guī)整，體形碩大,，造型渾厚敦實(shí),，胎體厚重，手感沉重,，致密堅(jiān)硬,，從器口到底足均裝飾有典型的青花纏枝花卉，主次有序,，層次分明,，繁而不亂。整罐釉色滋潤(rùn),，青花沉著,，白地偏青，主紋飾為纏枝蓮花卉紋,，器形高大俊朗,，胎體堅(jiān)實(shí),，全器布局豐滿,，繁而不雜，繪畫大氣磅礴,，線條瀟灑自如,，極具裝飾優(yōu)美，青花妍麗明快,，品相保存良好,，造型挺拔向上，氣魄宏偉,。極具歷史價(jià)值,，且目前收藏投資空間巨大。This piece of "Green Flower Twisted Flower Cover Bowl" has an open tire outside the bowl. The inside and outside of the tank body and the bottom foot are covered with glaze. The inside and outside of the foot are slanted and pointed. The whole device is very regular and has a large body. The shape is thick and solid. The fetal body is heavy, the hand feels heavy, dense and hard. From the mouth of the device, there are typical green flowers and twigs. The main order is orderly, the hierarchy is clear, and the complexity is not chaotic. The whole pot of glaze is moist, green and calm, and Baidi is green. The main decoration is wrapped in Lotus flower patterns. The device is tall and handsome, the fetal body is solid, the layout of the whole device is full, complex and uncomplicated, and the painting is magnificent. The lines are elegant and elegant. Beautiful, The green flowers are beautiful and fast, the quality is well preserved, the shape is upright and upward, and the spirit is magnificent. It has great historical value, and the current collection investment space is huge.