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前 言 Essence of Spirit Expression:Dialogue Between Art and Soul By Wu Weishan, Director of NAMOC Spirit Expression(Xieyi), as the inner aesthetic spirit and external writing form at the core of Chinese art, has been inherited and innovated for nearly 1,000 years. In a brief analysis, its characteristics can be summarized from two aspects. First, “expression”. As the main painting tool, brush is also used in Chinese calligraphy. During the long-term historical interaction, calligraphy and painting formed an isomorphic relationship, and evolved into a set of formal language system with Chinese cultural connotation and personality symbol. In free writing, we grasp the general representation of objective images and convey the cultural personality and temperament of the creation subjects. Subject and object are neither too familiar nor too distant with each other. In the process of writing, meaning unites images to create a realm where emotion fits the context. Second, the “spirit”. Where does “spirit” originate from? On the one hand, it originates from the overall view of nature and outlook on life formed by integrating Confucianism, Taoism and Buddhism, which condenses into the unique cultural centripetal force of the Chinese nation. On the other hand, it comes from the innate temperament and unique life experiences of individual artists. Through the echo and harmony between individuals’ “spirit” and the overall cultural tradition, the style of an era based on the context comes into shape, stretches long and remains unbroken. That’s what we call “essence inherited, and expression innovated.” Since modern times, new vitality of “spirit expression” of Chinese art has been inspired in the collision with western art. On the one hand, based on modern life and realistic needs, it focuses on exploring renewable resources from deeper and broader cultural traditions. On the other hand, in the dialogue between Eastern and Western arts, it broadens horizon, sticks to the roots of local culture, learns from others to offset its own weaknesses, thus initiating the transformation from its own tradition to modern reconstruction. Qi Baishi was a master in this regard. The exhibition is designed around Qi to inherit Chinese“spirit expression” and inspire later generation of artists. “Likeness and Unlikeness” are known as a pair of aesthetic categories in Chinese art, which can be traced back to the concept of “spirit by form” from the “theory on form and spirit” put forward by Gu Kaizhi in the Period of Wei, Jin and Southern and Northern Dynasties. In the long-term historical development, several specific rules about modeling methods were derived. Its fundamentals read that: when extracting artistic images from objects, the inner charm of objects and the feeling of the creation subject shall be highly compatible; while pursuing artistic reality, the typical characteristics of objects shall not be neglected, so as to shape the image of both similarity and dissimilarity in an appropriate manner. This core category defines the basic form of Chinese art for thousands of years and grants it with long-lasting vitality. The best example of such vitality is the art of Qi, a modern traditional Chinese painter and leading role of this dialogue. He clearly declared “Likeness and Unlikeness” as his artistic manifesto. His artistic creation inherited the traditional concept of “spirit expression”, and the writing style passed down from the Ming and Qing Dynasties. The combination of poetry,calligraphy, painting and seal-carving, as well as the integration of elaborate and bold styles, enriched and developed the formal language and visual tension of tradition Chinese painting. On the other hand, he expressed his nature and spirit independently, and injected new cultural meaning and aesthetic interest into the modern transformation of traditional Chinese painting with a innocent mind. The visible natural world was transformed by his thoughts and feelings into an art realm, where the subtlety of objects and images can be described and the vast mind can be expressed, which can be described as “seeking to carry it out to its breadth and greatness, so as to omit none of the more exquisite and minute points which it embraces”. This exhibition gathers 41 pieces (sets) of Qi’s masterpieces carefully selected from the collection of NAMOC, which houses over 400 works by Qi. They involve various typical themes of his Chinese painting, ranging from the concise summary of figures, to metaphors full of wit and humor; from repeated sketching on natural images to the expression of their variants alike in spirit; from living flowers, plants and insects to the free transformation of elaborate and freehand style; from the wonderful ideas of traveling in mountains and rivers to the longing for seclusion in Shangri-La…I believe that the audience will feel the eternal “beauty of life” in the artistic world “between likness and unlikeness”. At the sametime, based on Master Qi’s works, we trace the dialogue of “Likeness and Unlikeness” upstream and downstream respectively. How did Master Qi learn from his predecessors? How did he have dialogues with Zhu Da and Wu Changshuo? What is his similarity or “dissimilarity” with them? Therefore, we specially select Qi’s works inscribed of “imitating Zhu Da’s works” and compare them with similar works of Zhu, as well as select Qi’s works sharing the same theme with Wu to make comparison. The “spirit expression” of traditional Chinese painting has been inherited and passed down in such a way of “understanding the ancient people by insight”. How can we talk to Master Qi, who had a huge impact both in life and after death? To this end, we selected several excellent portraits of Qi from the collection of NAMOC. They reflect the humanistic spirit appeal of Chinese contemporary art in the overall exploration of style nationalization and context inheritance, and reveal artists’ inner feeling and communication with each other as shaping the unity of form and spirit. “Likeness and Unlikeness” are the soul of Qi’s art, and the root of the image modeling of the whole Chinese art. This exhibition presents the inner clue of continuation of “spirit expression” through multiple dialogues beyond time, space and materials. It demonstrates the artistic style of masters, and unveils the expansion and creative logic of Chinese art forms of “understanding the ancient people by insight, exploring methods by heart.” Dialogue is an inevitable way of human communication. It can be found everywhere in words, writing or even a meaningful smile. I hope this exhibition will provide a spiritual field for each visitor to open their hearts and communicate with each other. 作品欣賞 齊白石像 吳作人 油畫 116×89cm 1954年 中國美術(shù)館藏 Qi Baishi Wu Zuoren Oil painting 116×89cm 1954 Collection of NAMOC 齊白石像 靳尚誼 油畫 120×90cm 2014年 私人藏 Qi Baishi Jin Shangyi Oil painting 120×90cm 2014 Private collection 齊白石像 李斛 中國畫 70×115cm 1963年 中國美術(shù)館藏 Qi Baishi Li Hu Traditional Chinese painting 70×115cm 1963 Collection of NAMOC 西城三怪圖 齊白石 中國畫 60.9×45.1cm 1926年 中國美術(shù)館藏 My Friend, My Disciple and I Qi Baishi Traditional Chinese painting 60.9×45.1cm 1926 Collection of NAMOC 似與不似之魂：齊白石像 吳為山 青銅雕塑 30×30×190cm 2003年 中國美術(shù)館藏 Soul of Likness and Unlikeness: Qi Baishi Wu Weishan Bronze 30×30×190cm 2003 Collection of NAMOC 齊白石頭像 吳為山 青銅雕塑 52×43×80cm 2004年 中國雕塑研究院藏 Head Statue of Qi Baishi Wu Weishan Bronze 52×43×80cm 2004 Collection of China Sculpture Research Institute 畫家齊白石 吳為山 青銅雕塑 142×19×28cm 2012年 中國雕塑研究院藏 Painter Qi Baishi Wu Weishan Bronze 28×19×142cm 2012 Collection of China Sculpture Research Institute
畫家齊白石 吳為山 泥塑小稿 17×8×44cm 2012年 中國雕塑研究院藏 Painter Qi Baishi Wu Weishan Clay 17×8×44cm 2012 Collection of China Sculpture Research Institute
畫家齊白石 吳為山 中國畫 137×69cm 2012年 中國雕塑研究院藏 Painter Qi Baishi Wu Weishan Traditional Chinese painting 137×69cm 2012 Collection of China Sculpture Research Institute
八大山人 靳尚誼 油畫 132×100cm 2006年 中國美術(shù)館藏 Zhu Da, a Famous Painter of Ming Dynasty Jin Shangyi Oil painting 132×100cm 2006 Collection of NAMOC
荷花 朱耷 中國畫 120×50cm 甲戌（1694年） 中國美術(shù)館藏 Lotus Zhu Da Traditional Chinese painting 120×50cm Year of Jiaxu (1694) Collection of NAMOC
竹石靈芝圖 朱耷 中國畫 159×634cm 年代不詳 中國美術(shù)館藏 Bamboo, Rock and Lucid Ganoderma Zhu Da Ink on paper 159×64cm Dateless Collection of NAMOC
吳昌碩頭像 吳為山 青銅雕塑 高80cm 2006年 Head Statue of Wu Changshuo Wu Weishan Bronze 48×55×84cm 2006 Collection of NAMOC
鳥 吳昌碩 中國畫 30.4×35.5cm 1927年 中國美術(shù)館藏 Bird Wu Changshuo Traditional Chinese painting 30.4×35.5cm 1927 Collection of NAMOC
墨鷗 吳昌碩 中國畫 30.8×36.3cm 1927年 中國美術(shù)館藏 Ink Gull Wu Changshuo Traditional Chinese painting 30.8×36.3cm 1927 Collection of NAMOC
葫蘆 吳昌碩 中國畫 187×47.8㎝ 年代不詳 中國美術(shù)館藏 Calabash Wu Changshuo Traditional Chinese painting 187×47.8cm Dateless Collection of NAMOC
桃石 吳昌碩 中國畫 151×69.5cm 1924年 中國美術(shù)館藏 Peaches and Rock Wu Changshuo Traditional Chinese painting 151×69.5cm 1924 Collection of NAMOC
紫藤·石鼓文 吳昌碩 中國畫 68×36.9cm 1917年 中國美術(shù)館藏 Chinese Wistaria & Inscription in Pre-Qin Style Wu Changshuo Traditional Chinese painting 68×36.9cm 1917 Collection of NAMOC
茶花·石鼓文 吳昌碩 中國畫 68×36.9cm 1917年 中國美術(shù)館藏 Camellia & Inscription in Pre-Qin Style Wu Changshuo Traditional Chinese painting 68×36.9cm 1917 Collection of NAMOC
蘭花月影 吳昌碩 中國畫 132.3×65cm 1899年 中國美術(shù)館藏 Orchid in Moonlight Wu Changshuo Traditional Chinese painting 132.3×65cm 1899 Collection of NAMOC
墨荷 齊白石 中國畫 51×43.5cm 1948年 中國美術(shù)館藏 Ink Lotus Qi Baishi Traditional Chinese painting 51×43.5cm 1948 Collection of NAMOC
墨荷花 齊白石 中國畫 85.7×45.3cm 1917年 中國美術(shù)館藏 Ink Lotus Qi Baishi Traditional Chinese painting 85.7×45.3cm 1917 Collection of NAMOC
群魚 齊白石 中國畫 136.2×47.1cm 1917年 中國美術(shù)館藏 A School of Fish Qi Baishi Traditional Chinese painting 136.2×47.1cm 1917 Collection of NAMOC
仿八大山人 齊白石 中國畫 80.5×24.7cm 1936年 中國美術(shù)館藏 Imitation of One of Zhu Da’s Works Qi Baishi Traditional Chinese painting 80.5×24.7cm 1936 Collection of NAMOC 齊白石衰泥爪花卉冊十五開 Flower Album (15 pages)
題跋 Postscript
墨蘭(1／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Ink Orchid Flower Album (1 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
墨菊(2／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Ink Chrysanthemum Flower Album (2 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
藤籮(3／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Wisteri Flower Album (3 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
竹筍(4／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Bamboo Sprout Flower Album (4 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
蟈蟈葫蘆（葫蘆）(5／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Cricket and Calabash (Calabash) Flower Album (5 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
瓶花(6／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Vase of Flower Flower Album (6 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
蓮蓬翠鳥(7／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Lotus Seedpod and Kingfisher Flower Album (7 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
松果(8／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Pinecone Flower Album (8 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
枇杷(9／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Loquats Flower Album (9 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
三余（三魚）(10／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Three Fish Flower Album (10 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
蘿卜(11／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Turnip Flower Album (11 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
梅花(12／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Wintersweet Flower Album (12 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
蜀葵(13／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Hollyhock Flower Album (13 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
梨(14／14冊頁) 齊白石 中國畫 24.9×33.8cm 1945年 中國美術(shù)館藏 Pear Flower Album (14 of 14 pages) Qi Baishi Traditional Chinese painting Each page: 24.9×33.8cm 1945 Collection of NAMOC
多壽 齊白石 中國畫 134.2×33.9cm 1950年 中國美術(shù)館藏 Longevity Qi Baishi Traditional Chinese painting 134.2×33.9cm 1950 Collection of NAMOC
葫蘆草蟲 齊白石 中國畫 133.6×33.5cm 年代不詳 中國美術(shù)館藏 Calabash and Insects Qi Baishi Traditional Chinese painting 133.6×33.5cm Dateless Collection of NAMOC
墨蘭 齊白石 中國畫 74×34.5cm 年代不詳 中國美術(shù)館藏 Ink Orchid Qi Baishi Traditional Chinese painting 74×34.5cm Dateless Collection of NAMOC
老農(nóng) 齊白石 中國畫 68×34.6cm 1929年 中國美術(shù)館藏 An Old Peasant Qi Baishi Traditional Chinese painting 68×34.6cm 1929 Collection of NAMOC
拈花微笑 齊白石 中國畫 124.9×33.9cm 年代不詳 中國美術(shù)館藏 A Meaningful Smile Qi Baishi Traditional Chinese painting 124.9×33.9cm Dateless Collection of NAMOC
得財 齊白石 中國畫 92×43cm 1947年 中國美術(shù)館藏 Boy Gathering Firewood Qi Baishi Traditional Chinese painting 92×43cm 1947 Collection of NAMOC
大年 齊白石 中國畫 137.4×32.9cm 年代不詳 中國美術(shù)館藏 Large Qi Baishi Traditional Chinese painting 137.4×32.9cm Dateless Collection of NAMOC
螃蟹 齊白石 中國畫 133.2×32.7cm 1932年 中國美術(shù)館藏 Crabs Qi Baishi Traditional Chinese painting 133.2×32.7cm 1932 Collection of NAMOC
群蝦 齊白石 中國畫 124.4×32.6cm 1937年 中國美術(shù)館藏 Shrimps Qi Baishi Traditional Chinese painting 124.4×32.6cm 1937 Collection of NAMOC 齊白石活色生香花卉草蟲冊頁 Album of Flowers and Insects (15 pages)
封皮 Front Cover
跋文1 Postscript Ⅰ
跋文2 Postscript Ⅱ
蜻蜓(1／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Dragonfly Album of Flowers and Insects (1 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
絲瓜螞蚱(2／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Sponge Gourd and Grasshopper Album of Flowers and Insects (2 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
谷子螞蚱(3／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Millet and Grasshopper Album of Flowers and Insects (3 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
紅草飛蛾(4／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Red Grass and Flying Moth Album of Flowers and Insects (4 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
綠柳鳴蟬(5／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Green Willow and Singing Cicada Album of Flowers and Insects (5 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
紅蓼螻蛄（6／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Smartweed and Mole Cricket Album of Flowers and Insects (6 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
老少年墨蝶(7／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Plant (Lao Lai Hong) and Ink Butterfly Album of Flowers and Insects (7 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
扁豆螞蚱(8／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Beans and Grasshopper Album of Flowers and Insects (8 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
紅花蒼蠅(9／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Red Flower and Fly Album of Flowers and Insects (9 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
稻谷螳螂(10／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Rice and Mantis Album of Flowers and Insects (10 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
葫蘆蟈蟈(11／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Calabash and Cricket Album of Flowers and Insects (11 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC
水草小蝦(12／12冊頁) 齊白石 中國畫 26.4×19.9 1937年 中國美術(shù)館藏 Waterweeds and Shrimp Album of Flowers and Insects (12 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 26.4×19.9cm 1937 Collection of NAMOC 齊白石花卉草蟲冊12頁選六 Album of Flowers and Insects (6 of 12 pages)
蕉葉秋蟬(1／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Banana Leaves and Autumn Cicada Album of Flowers and Insects (1 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1920 Collection of NAMOC
鳶尾墨蝶(3／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Irises and Black Butterfly Album of Flowers and Insects (3 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1920 Collection of NAMOC
芙蓉蜜蜂(4／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Cotton Rose and Bee Album of Flowers and Insects (4 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1920 Collection of NAMOC
殘葉螞蚱(5／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Withered Leaves and Grasshopper Album of Flowers and Insects (5 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1920 Collection of NAMOC
瓜藤螳螂(8／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Melon Vine and Mantis Album of Flowers and Insects (8 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1921 Collection of NAMOC
落花甲蟲(2／12冊頁) 齊白石 中國畫 25.3×18.4 1920年 中國美術(shù)館藏 Fallen Flowers and Beetle Album of Flowers and Insects (2 of 12 pages) Qi Baishi Traditional Chinese painting Each page: 25.3×18.4cm 1920 Collection of NAMOC 齊白石花卉草蟲冊8開選4 Album of Flowers and Insects (4 of 8 pages)
葫蘆天牛(5／8冊頁) 齊白石 中國畫 23.2×29.6cm 1945年 中國美術(shù)館藏 Calabash and Long-horned Beetle Album of Flowers and Insects (4 of 8 pages) Qi Baishi Traditional Chinese painting Each page: 23.2×29.6cm 1945 Collection of NAMOC
紅葉秋蟬(6／8冊頁) 齊白石 中國畫 23.2×29.6cm 1945年 中國美術(shù)館藏 Red Leaves and Autumn Cicada Album of Flowers and Insects (6 of 8 pages) Qi Baishi Traditional Chinese painting Each page: 23.2×29.6cm 1945 Collection of NAMOC
蓮蓬蜻蜓(7／8冊頁) 齊白石 中國畫 23.2×29.6cm 1945年 中國美術(shù)館藏 Lotus Seed Pods and Dragonfly Album of Flowers and Insects (7 of 8 pages) Qi Baishi Traditional Chinese painting Each page: 23.2×29.6cm 1945 Collection of NAMOC
油燈飛蛾(8／8冊頁) 齊白石 中國畫 23.2×29.6cm 1945年 中國美術(shù)館藏 Oil Lamp and Moth Album of Flowers and Insects (8 of 8 pages) Qi Baishi Traditional Chinese painting Each page: 23.2×29.6cm 1945 Collection of NAMOC
牡丹 齊白石 中國畫 68×33.8cm 1957年 中國美術(shù)館藏 Peony Qi Baishi Traditional Chinese painting 68×33.8cm 1957 Collection of NAMOC
窄道漫步 齊白石 中國畫 103.5×45.2cm 1929年 中國美術(shù)館藏 Ramble on Narrow Path Qi Baishi Traditional Chinese painting 103.5×45.2cm 1929 Collection of NAMOC
順風(fēng)破浪 齊白石 中國畫 136.4×39.5cm 1934年 中國美術(shù)館藏 Sail Through Winds and Waves Qi Baishi Traditional Chinese painting 136.4×39.5cm 1934 Collection of NAMOC
教子圖 齊白石 中國畫 136.8×33.4cm 1934年 中國美術(shù)館藏 Teach Son Qi Baishi Traditional Chinese painting 136.8×33.4cm 1934 Collection of NAMOC
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