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本文轉(zhuǎn)自 山財藝術(shù)派 公眾號 高校書法學(xué)專業(yè) 2022屆畢業(yè)展系列 1,、廣西藝術(shù)學(xué)院（碩士）
2、廈門大學(xué)（碩士）
3,、陜西師范大學(xué)（碩士）
4,、湖北美術(shù)學(xué)院（本科） 5、云南師范大學(xué)（碩士） 6,、曲靖師范學(xué)院（本科） 7,、山東大學(xué)（碩士） 8,、贛州師范高等?？茖W(xué)校 9,、瓊臺師范學(xué)院（本科） 10、河北傳媒學(xué)院（本科） 11,、廣西藝術(shù)學(xué)院（本科） 12,、景德鎮(zhèn)陶瓷大學(xué)（本科） 13、福建師范大學(xué)（碩士） 14,、南京藝術(shù)學(xué)院（碩士） 15、南京藝術(shù)學(xué)院（本科） 16、重慶大學(xué)（碩士） 17,、安陽師范學(xué)院（本科） 18,、中南大學(xué)（碩士） 19、天津美術(shù)學(xué)院（本科） 20,、湖北美術(shù)學(xué)院（碩士） 21,、江蘇師范大學(xué)（碩士） 
在山東財經(jīng)大學(xué)建校70周年暨合并建校10周年之際,，2022屆美術(shù)學(xué)（藝術(shù)品投資與鑒定、藝術(shù)金融）,、設(shè)計學(xué)（視覺傳達(dá)設(shè)計,、廣告學(xué)）兩個專業(yè)（四個專業(yè)方向）的近120名同學(xué)也行將完成本科四年的學(xué)習(xí)，迎來畢業(yè)的日子,。在經(jīng)歷了新一波疫情的考驗(yàn)后,，藝術(shù)學(xué)院師生還是克服困難，順利完成了畢業(yè)論文答辯,、畢業(yè)創(chuàng)作（設(shè)計）等常規(guī)工作,，并與往年一樣，在線下舉辦藝術(shù)學(xué)院畢業(yè)生作品展,，出版畢業(yè)生作品集,。 近年來，在學(xué)校領(lǐng)導(dǎo)和相關(guān)部門的大力支持下,，在學(xué)院班子,、師生的共同努力下，藝術(shù)學(xué)院實(shí)現(xiàn)了較大發(fā)展：三個專業(yè)全部獲評為省級一流本科專業(yè),，成功獲批藝術(shù)專業(yè)碩士點(diǎn),，新的院址基本建成并投入使用。應(yīng)該說,，學(xué)院的平臺建設(shè),、硬件設(shè)施、軟實(shí)力等方面都得到較好的改善,、提升,，并且擁有了一流的美術(shù)館,。以上的變化、發(fā)展,，也賦予了今年的畢業(yè)展覽幾個特別之處：其一,，這是藝術(shù)學(xué)院搬遷新址以來的第一個畢業(yè)作品展；其二,，這是山東財經(jīng)大學(xué)海岱美術(shù)館開館以來的第一個畢業(yè)作品展,。 本屆展覽是我校第一次聯(lián)合國外大學(xué)共同舉辦藝術(shù)專業(yè)畢業(yè)生作品展。近年來,，在學(xué)校國際交流與合作處的支持下,，藝術(shù)學(xué)院與美國拿撒勒大學(xué)藝術(shù)學(xué)科在學(xué)生深造、學(xué)術(shù)講座,、授課等領(lǐng)域建立了多元化的合作模式,。2021年，雙方開啟了以“共生”作為主題的藝術(shù)展覽及學(xué)術(shù)研討活動,。今年,，我們繼續(xù)延續(xù)這一主題，將此次活動定名為“共生·2022山東財經(jīng)大學(xué)與美國拿撒勒大學(xué)藝術(shù)專業(yè)畢業(yè)作品展”,，并進(jìn)行線上學(xué)術(shù)研討會,。同時，我們也會將所有畢業(yè)生的展覽作品結(jié)集成冊,。這些系列活動的舉辦,，標(biāo)志著我院國際合作辦學(xué)又邁出了堅實(shí)的一步。也許,，這些畢業(yè)生的作品并不十分成熟,，但卻凝結(jié)了兩校130余位藝術(shù)專業(yè)本科畢業(yè)生在不同社會、文化背景下對于自身專業(yè)學(xué)習(xí)的審慎思考,。從這個角度上來說,，這些具有探索性的作品是殊為可貴的。 美好的大學(xué)四年行將結(jié)束,，同學(xué)們也即將走向新的工作,、學(xué)習(xí)環(huán)境，并開啟嶄新的人生旅途,。愿各位同學(xué)此去前程似錦,，再相逢時我們初心如故！展覽地點(diǎn)：山東財經(jīng)大學(xué)海岱美術(shù)館作品名稱：楷書滿江紅 | A poem from Yue Fei創(chuàng)作時間：2022 年 4 月 20 日 April 20,，2022 滿江紅·寫懷 北宋 岳飛 怒發(fā)沖冠,，憑欄處，瀟瀟雨歇,。抬望眼,，仰天長嘯,，壯懷激烈。三十功名塵與土,，八千里路云和月,。莫等閑，白了少年頭,，空悲切,！靖康恥，猶未雪,；臣子恨，何時滅,。駕長車,，踏破賀蘭山缺。壯志饑餐胡虜肉,，笑談渴飲匈奴血,。待從頭，收拾舊山河,，朝天闕,！Hair on end and shoving my hat,In wrath I lean on th’ balustrade,While th’ rain leaves off its pitter-pat.Eyes fixed skyward, I sign long and loud.A hero’s fury fills my breast.At thirsty, nothing achieved, unknown,—but these to me are light as dust—I’ve fought through eight-thousand li.Holding the field, under cloud and moon.What I do mind, is not to let.My young head turn white in vain,And be gnawed by empty sorrow then.With the Jingkang Humiliation yet Unavenged, unredressed,How can a subject’s grievance be Ever effaced from memory ? I’ll send war-chariots rough-shod Through the gorges of Mt. Helan ; To quench my thirst, I’d drink the blood Of Huns, while laugh and chat I can; Heroic minded, to satiate hunger,I would make Tartars'flesh my fare.’Til our lost land is all retrieved,Then to the Imperial Palace, there I’ll make obeisance, relieved!作品名稱：沁園春·雪 | Qinyuanchun - Snow 《沁園春·雪》是毛澤東的詩詞名篇，這首詞境界博大開闊,、氣勢恢宏,、摧山撼岳。作品書體歐楷,，布局規(guī)整,，線條富于變化，運(yùn)筆暢達(dá),、精致,，于灑脫之中見靈秀之氣，展現(xiàn)給人的是一種自然與率真,，清暢溫雅的風(fēng)格,。“Qinyuanchun - Snow” is a famous poem by Mao Zedong. The style of the work is regular script, with a regular layout, varied lines, and a smooth and delicate brushwork, which is a natural and honest style, clear and elegant.作品名稱：梁甫行 | Cao Zhi《Liang Fuxing》指導(dǎo)教師：王志勇 Wang Zhiyong創(chuàng)作時間：2022 年 3 月 March , 2022 這副作品是篆書創(chuàng)作，內(nèi)容選自曹植詩一首—《梁甫行》,，尺幅采用六尺對開,，章法上多追求鐵線篆，用鐵線篆的筆法和結(jié)構(gòu)融合創(chuàng)作,，在其基礎(chǔ)上稍加圓轉(zhuǎn)提按,，畫面整體結(jié)構(gòu)平整，用筆典雅婉轉(zhuǎn),，線條粗細(xì)勻稱,，運(yùn)筆舒暢自然,。This work is in seal script. The content is selected from “Liang Fuxing”, a poem by Cao Zhi. The scale is six feet apart. In terms of composition, it pursues “iron line seal script”. It is created with the combination of brush strokes and structures of iron line seal script. The strokes of characters are slightly rounded and pressed, representing a kind of symmetrical lines, and created an atmosphere of elegant and gentle.作品名稱：將進(jìn)酒 | A poem fom Li Bai指導(dǎo)教師：高遠(yuǎn) Gao Yuan創(chuàng)作時間：2022 年 4 月 April ,2022 此作品是由傳統(tǒng)字體隸書創(chuàng)作而成，內(nèi)容節(jié)選自唐代詩人李白的七言歌行《將進(jìn)酒》,，此詩思想內(nèi)容深沉,，藝術(shù)表現(xiàn)非常成熟，詩人豪飲高歌,，借酒消愁,，抒發(fā)了憂憤深廣的人生感慨。This work is in chancery script, excerpted from one of the famous work of Tang poet Li Bai. This poem has deep ideological content and very mature art is tic performance. The poet drinks heavily and sings loudly with his friends, using wine to relieve his worries, and expresses his deep feelings of life.作品名稱：篆書·新絳貼·節(jié)選 | Seal script ·New Jiangtie· Excerpt創(chuàng)作時間：2022 年 3 月 1 日 March 1,2022 本作品為篆書書體,，書寫內(nèi)容為《篆書·新絳帖·節(jié)選》：皇帝臨立作制明山周從思跡,，原德治道運(yùn)行者產(chǎn)得宜而于，后嗣躬既平天夜寐建設(shè)長經(jīng),，宣達(dá)遠(yuǎn)畢貴賤分男順禮隔內(nèi),，外靡不清無窮稱成斯去刻書。The work is of seal script, and the content is Seal script · New Jiangtie · Excerpt.指導(dǎo)教師：王志勇 Wang Zhiyong創(chuàng)作時間：2022 年 4 月 10 日 April 10, 2022 這首詩通過描繪泰山雄偉磅礴的景象,，熱情贊美了泰山高大巍峨的氣勢和神奇秀麗的景色,，流露出了對祖國山河的熱愛之情，表達(dá)了詩人不怕困難,、敢攀頂峰,、俯視一切的雄心和氣概，以及卓然獨(dú)立,、兼濟(jì)天下的豪情壯志,。一二句寫泰山山脈綿延遼闊；三四句寫泰山雄峻磅礴,；五六句寫仔細(xì)遠(yuǎn)望,，見群峰云生，仿佛有歸鳥入谷,。七八句想象將來登山所見景象,，同時抒發(fā)自己的抱負(fù)。By depicting the majestic scene of Mount Tai, the poet warmly praises the towering momentum and magical and beautiful scenery of Mount Tai, reveals his love for the mountains and rivers of the motherland, and expresses his ambition and spirit of facing difficulties, reaching the peak and overlooking everything. The first two sentences describe the vast of mountain range; then the magnificent view of Mountain Tai with the peaks and clouds.指導(dǎo)教師：高遠(yuǎn) Gao Yuan創(chuàng)作時間：2022 年 4 月 10 日 April 10,2022 本幅書法書體取法于李陽冰,，內(nèi)容主要描寫了關(guān)于城隍神祀,，當(dāng)?shù)氐倪@種風(fēng)俗習(xí)慣歷來都有傳承，祭祀求雨的內(nèi)容,。The style of characters derived from Li Yangbing who was one of the greatest calligraphers in Tang dynasty. The content mainly describes the sacrificial rites of city Gods “Chenghuang”. This ancient local custom has been inherited till now, and usually be used to pray for rains.作品名稱：陋室銘 | An Eulogium On A Humble Cell指導(dǎo)教師：宋述林 Song Shulin創(chuàng)作時間：2022 年 4 月 April ,，2022 這是一幅篆書作品《陋室銘》是唐代詩人劉禹錫所創(chuàng)作的一篇托物言志駢體銘文。作者借贊美陋室抒寫自己志行高潔,，安貧樂道,，不與世俗同流合污的意趣。An ancient article in seal script. The author who wrote it expressed his spirits of dwelling in modest lifestyle and being secluded from the busy world.作品名稱：滿江紅 | Man Jiang Hong指導(dǎo)教師：周瑋佳 Zhou Weijia創(chuàng)作時間：2022 年 3 月 15 日 March 15, 2022 本作品為篆書書體，內(nèi)容為岳飛《滿江紅》此詞是作者貶居黃州期間寄給時任鄂州太守的友人朱守昌的,。詞中既景中寓情,，關(guān)照有我雙方，又開懷傾訴,；談?wù)摴沤?。作者用直抒胸臆的方式表達(dá)情意，既表現(xiàn)出朋友間的深厚情誼,，又在發(fā)自肺腑的議論中表現(xiàn)自己的內(nèi)心世界,。詞中寓情于景，寓情于事,，言直意紆,，表達(dá)出蒼涼悲慨、郁勃難平的激情,。Calligraphy in seal script refers to a poem of Yue Fei who lived in South Song Dynasty. He wrote a letter to a friend with this poem in it and commented historical events and contemporary issues. The whole poem represents their deep friendship and the author’s frustration towards the reality作品名稱：陋室銘 | An Epigraph in Praise of My Humble Home創(chuàng)作時間：2022 年 4 月 April,，2022 小篆書 《陋室銘》釋文:山不在高，有仙則名:水不在深,，有龍則靈。斯是陋室,，唯吾德馨,。苔痕上階綠，草色入簾青,。談笑有鴻儒,，往來無白丁?？梢哉{(diào)素琴,，閱金經(jīng)。無絲竹之亂耳,，無案牘之勞形,。南陽諸葛廬，西蜀子云亭,?？鬃釉?“何陋之有? ”The calligraphy is in seal script and derived from an article of Tang literatus Liu Yuxi.The author who wrote it expressed his spirits of dwelling in modest lifestyle and being secluded from the busy world.作品名稱：定風(fēng)波 | Staedy Storm創(chuàng)作時間：2022 年 4 月 12 日 April 12,2022 篆書；內(nèi)容是蘇軾的《定風(fēng)波·莫聽穿林打葉聲》,；莫聽穿林打葉聲,，何妨吟嘯且徐行。竹杖芒鞋輕勝馬,，誰怕,？一蓑煙雨任平生。料峭春風(fēng)吹酒醒，微冷,，山頭斜照卻相迎,，回首向來蕭瑟處，歸去,，也無風(fēng)雨也無晴,。The content is Su Shi's ' Calming the Waves '; Listen not to the rain beating against the trees.Why don’t you slowly walk and chant at ease?Better than saddled horse I like sandals and cane.O I would fainSpend a straw-cloaked life in mist and rain.Drunken, I’m sobered by vernal wind shrillAnd rather chill.In front I see the slanting sun atop the hill;Turning my head, I see the dreary beaten track.Let me go back!Impervious to wind, rain or shine, I’ll have my will.作品名稱：古唐詩三首 | Three ancient Tang poems創(chuàng)作時間：2022 年 3 月 March 3,2022 書法為楷書。內(nèi)容按順序分別為唐代現(xiàn)實(shí)主義詩人杜甫所作《客至》,、唐代杰出詩人杜牧所作《秋夕》,，及杜甫詩作《水檻遣心(其一)》。The calligraphy is regular script. The contents are, in order, 'Guest Arrival' by the Tang Dynasty realist poet Du Fu, 'Autumn Evening' by the outstanding Tang Dynasty poet Du Mu, and Du Fu's poem ' Relaxation at the Water Threshold (Part 1)'.作品名稱：小窗幽記節(jié)選 | Seal script Sketches by the Little Window指導(dǎo)教師：高遠(yuǎn) Gao Yuan創(chuàng)作時間：2022 年 3 月 March,，2022 風(fēng)笙龍管,，蜀錦齊紈。木香盛開,，把杯獨(dú)坐其下,，遙令青奴吹笛，止留一小奚侍酒,，才少斟酌便退,，立迎春架后?；窗腴_,，酒飲微醉。夜來月下臥醒,，花影零亂,，滿人襟袖，疑如濯魄于冰壺,?？椿ú侥凶赢?dāng)作女人。When the wood fragrance is in full bloom, he sits alone under the cup and orders the green slave to play the flute. He stops waiting for a attendant to serve the wine. Only after less consideration, he retreats and stands behind the spring greeting frame. The flowers are half open, and the person is slightly drunk. When I wake up at night under the moon, the shadow of flowers is messy and full of people's sleeves. I doubt it is like washing my soul in a curler. Look at a man as a woman.作品名稱：山居秋暝 | An Autumn Evening In The Mountains創(chuàng)作時間：2022 年 3 月 March,，2022 書法為楷書偏魏碑,。書寫內(nèi)容為：空山新雨后，天氣晚來秋,。明月松間照,，清泉石上流。竹喧歸浣女,，蓮動下漁舟,。隨意春芳歇，王孫自可留,。AN AUTUMN EVENING IN THE MOUNTAINS After rain the empty mountainStands autumnal in the evening,Moonlight in its groves of pine,Stones of crystal in its brooks.Bamboos whisper of washer-girls bound home,Lotus-leaves yield before a fisher-boat --And what does it matter that springtime has gone,While you are here,O Prince of Friends?作品名稱：篆書 晏殊 浣溪沙 | Seal script Yan Shu Huan Xi Sha指導(dǎo)教師：王志勇 Wang Zhiyong創(chuàng)作時間：2022 年 4 月 April,，2022 書法為篆體,。書寫內(nèi)容為：一曲新詞酒一杯，去年天氣舊亭臺,。夕陽西下幾時回,？無可奈何花落去，似曾相識燕歸來,。小園香徑獨(dú)徘徊,。The calligraphy is in seal script and referred to a poem of Yan Shu who was a famous official and poet in Song dynasty. The poem describes a scenery of beautiful garden in where the poet was drinking alone and missing his old friends.作品名稱：再見了青春 | Goodbye Youth指導(dǎo)教師：宋述林 Song Shulin創(chuàng)作時間：2022 年 4 月 April，2022 大字出自顏真卿《多寶塔碑》中的楷書,，內(nèi)容為唐代王維的《送元二使安西》,。小字出自智永《行草千字文》中的行書，內(nèi)容為當(dāng)代歌手曹軒賓《別君嘆》的歌詞與本人的題跋,。本作品想表達(dá)對過往之“友”和“曾經(jīng)單純的自己”的送別之情,。The larger character’s style refers to Tang calligrapher Yan Zhenqing’s regular script work “Inscription of Duobao tower”, and the content comes from 'Bidding Farewell to Yuan Er on Diplomatic Mission to Anxi “ which written by Tang poet Wang Wei. The Smaller character’s style refers to Tang calligrapher Zhi Yong’s work, and the content comes from the lyric of “Sigh for seeing you off” which composed by contemporary singer Cao Xuanbin, with my postscript added on. I willing to express an emotion of bidding farewell to my past 'friends' and the 'ever naive me'.
作品名稱：《篆書非草書》 | Critique of the cursive script指導(dǎo)教師：高遠(yuǎn) Gao Yuan創(chuàng)作時間：2022 年 4 月 April，2022 余郡士有梁孔達(dá),。姜孟穎,，皆當(dāng)世之彥哲也，然慕張生之草書過于?？?、顏焉?？走_(dá)寫書以示孟穎,，皆口誦其文，手楷其篇,，無怠倦焉。于是后學(xué)之徒競慕二賢,，中令作局,，人撰一卷。以為秘玩,。余懼其背經(jīng)而趨俗The calligraphy is in seal script and excerpted from the article 'Critique of the cursive script' of Zhao Yi who lived in Han dynasty and was good at writing poems and criticizing contemporary issues.作品名稱：隸書·杜甫聞官軍收河南河北 | Recapture of the Regions North and South of the Yellow River指導(dǎo)教師：高遠(yuǎn) Gao Yuan創(chuàng)作時間：2022 年 4 月 April,，2022 書法為隸書。書寫內(nèi)容為：劍外忽傳收薊北,，初聞涕淚滿衣裳,。卻看妻子愁何在，漫卷詩書喜欲狂,。白首放歌須縱酒,，青春作伴好還鄉(xiāng)。即從巴峽穿巫峽,，便下襄陽向洛陽,。The calligraphy is in chancery script. The translation of this poem as follow:Tis said that the Northern Gate is recaptured of late;When the news reached my ears, my gown was wet with tears.Staring at my wife’s face, of grief I find no trace;Rolling up my verse books, my joy like madness looks.Though I am white-haired, still I’d sing and drink my fill.With verdure spring’s aglow, it’s time we homeward go.We shall sail all the way through Three Gorges in a day.Going down to Xiangyang, we’ll come up to Luoyang.作品名稱：前赤壁賦 | The First Ode for the Red Cliff 整幅十二塊小品，以米芾行書筆意，書蘇軾《前赤壁賦》,。此賦記敘了作者與友人泛舟游赤壁的所見所感,，以作者的主觀感受為線索，通過主客問答的形式,，反映了作者由月夜泛舟的舒暢,，到懷古傷今的悲咽，再到精神解脫的達(dá)觀,。 The whole piece is a twelve-piece miniature of Su Shi’s “The First Ode for the Red Cliff” in Mi Fu’s cursive style. The fugue recounts what the author and his friends saw and felt during a boat trip to the Red Cliff. Taking the author’s subjective feelings as a clue and by the question-and-answer format, it reflects the author’s relaxation boating in the moonlit night his sorrowful sorrow for the past and the present, and his spiritual liberation.作品名稱：卜算子.詠梅 | Song of Divination Ode to the Plum Blossom指導(dǎo)教師：王志勇 Wang Zhiyong 《卜算子·詠梅》是毛澤東反用陸游同調(diào)同題詞意而創(chuàng)作的一首詞,。此詞塑造了梅花俊美而堅韌不拔的形象，鼓勵人們要有威武不屈的精神和革命到底的樂觀主義精神,。上闋主要寫梅花傲寒開放的美好身姿,，描繪梅花的美麗、積極與堅貞,；下闋主要寫梅花的精神風(fēng)貌,，表現(xiàn)了梅花堅強(qiáng)不屈、不畏寒冷,，對春天充滿信心和謙虛的風(fēng)格,。' Song of Divination Ode to the Plum Blossom' is a poem created by Mao Zedong by using Lu You's homology and the same meaning. This work depicts the beautiful and tenacious image of plum blossom and encourages people to have the powerful and unyielding spirit of optimism after the revolution. The first part mainly writes the beautiful posture of plum blossom, which opens in the cold and is proud of cold. It depicts the beauty, enthusiasm and perseverance of plum blossom. The second part mainly writes about the spirit of plum blossom, which shows its strong and unyielding spirit. It is not afraid of cold, full of confidence and humility to spring Name：Anna Castellani 安娜·卡斯特拉尼Area of Study: Painting 繪畫Creative Idea Behind the Project (Artist Statement):My work is meant to encourage self awareness . How do the choices we make impact urgent and worldwide issues ? For me , art goes beyond attractiveness , it is a tool and can be used to make positive change . The materials used as well as the concept portrayed has the power to impact an individual and simulate empathy . It is a form of activism that can help create a better version of ourselves , teach others to do better and shape a better world in which we all live Art can inspire viewers and creators alike to work towards a more compassionate existence involving animals , humans and the environment we all occupy . 我的作品是為了鼓勵自我意識。我們做出的選擇是如何影響緊迫的世界性問題的,？對我來說,，藝術(shù)超越了外部吸引，它是一種工具,，可以用于創(chuàng)造積極的改變,。藝術(shù)中所用的材料以及所描繪的概念有能力影響一個人，并與之產(chǎn)生共鳴,。它是一種行動主義形式,，可以幫助創(chuàng)造更好的自我，教會他人做得更好,，塑造一個我們都生活在其中的更美好的世界,。藝術(shù)可以激勵觀眾和創(chuàng)作者，努力實(shí)現(xiàn)一種更富有同情心的生存模式,，這包括動物,、人類和我們所處的環(huán)境。Title: New Fish in the Sea | 海底的新魚Name：Anna Castellani 安娜·卡斯特拉尼Medium: Needle Felting 針狀氈縮Date of Completion: Fall 2021Area of Study: Fibers 纖維織物Creative Idea Behind the Project (Artist Statement):My work explores concepts of life cycles, growth and development, and stability versus mutability, which can be applied to the universals of the human experience. I find it useful to express these themes in juxtaposition with basic, even mundane elements of the natural world in order to highlight their pervasiveness in our lives. By portraying human and natural forms morphing together as they exist parallel to one another, a transfiguration occurs wherein they can be understood as one and the same. Through this work, I highlight the trials, both of nature and of the human experience, an individual must master in order to thrive during their lifetime. 我的工作探索了生命周期,、增長和發(fā)展以及穩(wěn)定性與易變性的概念,，這些概念可以應(yīng)用于人類經(jīng)驗(yàn)的普遍性。我發(fā)現(xiàn),，將這些主題與自然世界的基本,、甚至平凡的元素并置,，以突出它們在我們生活中的普遍性，是很有用的,。通過描繪人類和自然形態(tài)在彼此平行的情況下一起變形,，一種變形發(fā)生了，它們可以被理解為同一個,。通過這項(xiàng)工作,，我強(qiáng)調(diào)了自然和人類經(jīng)驗(yàn)的考驗(yàn)，一個人要想在一生中茁壯成長必須掌握這些考驗(yàn),。Title: Rock Fries | 現(xiàn)在巡回演出Date of Completion: February 10th 2022Creative Idea Behind the Project (Artist Statement):As part of a group project, I worked with two other design students to create a brand identity and ad campaign for Roc Fries, a fictitious food truck company based in Rochester, NY. Inspired by rock and punk music, our brand focused on gathering to enjoy good food, loud music, and celebrate the alt community. Our goal was to communicate to the target market that Roc Fries not only sells food, but alsoan experience that brings people together. 作為一個小組項(xiàng)目的一部分,，我和另外兩個設(shè)計學(xué)生一起為Roc Fries 創(chuàng)造品牌形象和廣告活動，這是一個位于紐約州羅切斯特的虛構(gòu)的食品卡車公司,。受搖滾和朋克音樂的啟發(fā),，我們的品牌專注于聚集在一起享受美食、喧鬧的音樂,，并慶祝 alt 區(qū),。我們的目標(biāo)是向目標(biāo)市場傳達(dá)，Roc Fries 不僅銷售食物,，而且提供人們歡聚一堂的體驗(yàn),。Title: Park Avenue Summer Art Festival | 公園大道夏季藝術(shù)節(jié)Date of Completion: March 2021Area of Study: Illustration 插畫Creative Idea Behind the Project (Artist Statement):This poster is speculative work for Park Avenue's Summer Art Festival in Rochester, NY. If you take a stroll along Park Avenue, one of the things you'll notice is the unique architecture of the houses,which is what became the main feature of the poster. 這張海報是為紐約州羅切斯特的公園大道夏季藝術(shù)節(jié)所做的測性作品。如果你沿著公園大道散步,，你會注意到的一件事房屋的獨(dú)特建筑,，這也是海報的閃光點(diǎn)。Title: Webster Park | 韋伯斯特公園Medium: Acrylic on canvas board 帆布板,，亞克力Date of Completion: May 2020Area of Study: Plein Air/ traveling painting 外光派畫法 / 旅行畫Creative Idea Behind the Project (Artist Statement):I really wanted to paint from my perspective on the ground. I also really wanted to get the curve of the path with the bench. 我從我在地上的視角作畫,。并且表達(dá)小路和長椅的曲線Title: Digital Art | 數(shù)字藝術(shù)Name：Leah-Maria Gaskin 莉亞·瑪麗亞·加斯金Date of Completion: Nov 13th 2022Area of Study: Digital Illustration 數(shù)字插畫Creative Idea Behind the Project (Artist Statement):This project is a punk/alternative beer can design solution. I wanted to capture a unique feeling of wonder and allow the consumer to enjoy not only the drink but the entire design of the can. Two-thirds of the 1 pint can label space is dedicated to the label imagery and free branding. I imagine this brewery to have an art style and a free-hand type logo. 該項(xiàng)目是朋克 / 另類的啤酒罐的設(shè)計解決方案。我想捕捉一種獨(dú)特的驚奇感,，讓消費(fèi)者不僅享受飲料,，而且享受整個罐子的設(shè)計。1 品脫罐的三分之二標(biāo)簽空間用于標(biāo)簽圖像和自由的品牌推廣,。我想為這個啤酒廠賦予藝術(shù)風(fēng)格的自由手勢標(biāo)志。Name：Katherina Chance 凱瑟琳·錢斯Medium: Digital Photography 數(shù)字?jǐn)z影Date of Completion: 11 / 5 / 2021Area of Study: Photography 攝影Creative Idea Behind the Project (Artist Statement):I was inspired by the soft aesthetic of the rain drops as they fell onto the train window. As they began to fill the surface, a painterly effect was formed abstracting the most magical place in Orlando, FL. I was interested in transforming a place so energetic and magical into a softer, more emotional experience. 我的靈感來自雨滴落在火車車窗上的柔和美感,。當(dāng)它們開始填滿表面時,，一種繪畫效果形成了，抽象出佛羅里達(dá)州奧蘭多最神奇的地方,。我沉浸于把一個如此有活力和神奇的地方轉(zhuǎn)化為一種更柔和,、更感性的體驗(yàn)。Title: The Natural Way | 自然的方式Name：Katherina Chance 凱瑟琳·錢斯Medium: Digital Photography 數(shù)字?jǐn)z影Date of Completion: 10 / 3 / 2021Area of Study: Photography 攝影Creative Idea Behind the Project (Artist Statement):I was inspired by the streetlights one rainy evening and the radiant glow they projected upon the wet pavement. When capturing this moment the water when mixed with the light formed cell like formations. The natural elements of water and light exposed the biology of nature in an abstract composition. 雨夜的街燈和它們投射在濕路面上的光芒激發(fā)了我的靈感,。當(dāng)捕捉到這一瞬間時,，水與光混合形成了細(xì)胞狀的結(jié)構(gòu),。水和光的自然元素抽象地揭示了自然界的生物學(xué)意義。
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