清代乾隆 青花朵花龍鳳紋雙螭耳抱月瓶【香港皇室貴族拍賣】

英國皇室貴族拍賣有限公司

香港皇室貴族拍賣有限公司

(Hong Kong royal aristocrats auction co., LTD ),，於公元1942年12月在香港九龍創(chuàng)立,。當(dāng)時處於二戰(zhàn)爆發(fā)期間，香港經(jīng)濟(jì)和社會迅速發(fā)展,，香港皇室貴族拍賣源於英國皇室貴族嫡親創(chuàng)立,。拍賣目前是世界著名藝術(shù)品拍賣行之一,，拍品匯集來自全球各地的珍罕藝術(shù)品、奢侈品,、名表,、珠寶首飾、汽車和名酒等精品,。公司業(yè)務(wù)發(fā)展需求,，在馬紹爾群島共和國注冊英國皇室貴族拍賣有限公司(British Royal aristocrat auctioneer Co., LTD ),當(dāng)?shù)孛馐斩愂諆?yōu)惠政策，對公司業(yè)務(wù)長遠(yuǎn)發(fā)展起重要作用,。

清代乾隆 青花朵花龍鳳紋雙螭耳抱月瓶

Qing Dynasty Qianlong Blue Flowers, Dragons and Phoenixes with Ears and Moon Vases

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

此瓶直口,，粗頸，扁圓腹,，下置橢圓形圈足,。頸肩飾雙耳，又稱云耳腹部兩面中心有圓狀凸起,。通體青花裝飾,，口沿處為回紋，頸部為纏枝花,，

The bottle has straight mouth, thick neck, flat belly and oval ring foot. Neck shoulder ornament ears, also known as cloud ear abdomen on both sides of the center of a round protrusion. The whole body is decorated with blue and white flowers, with palindromes along the mouth and twisted flowers around the neck.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

腹部兩面繪青花線條一周,，中心為朵花紋，外環(huán)為龍鳳紋,。左右所繪花紋,。

Blue and white lines are painted on both sides of the abdomen for a week, with flower patterns in the center and dragon and phoenix patterns in the outer ring. The left and right patterns.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

外底青花書“大清乾隆年制”六字三行篆書款。

Outer blue and white book 'Qing Qianlong Annual System' six-character three-line seal book paragraph.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

抱月瓶腹部呈圓月形凸起,，又稱“寶月瓶”,。始燒于清雍正，流行于乾隆一朝,。除青花外,，尚有黃地青花、顏色釉等品種,。乾隆時期瓷器,，瓶尊等琢器頸肩部，常附加裝飾性雙耳,，其實(shí)用之外,，更重要的是使器物獲得視覺平衡與完美的裝飾。所見有鳩耳,、螭耳,，戟耳、象耳,、如意耳,、夔龍耳,、鋪方耳、犧耳,、貫耳,、蝙蝠耳等。此種雙螭耳造型為乾隆御窯首創(chuàng),，耿寶昌《明清瓷器鑒定》所附“乾隆器型示意圖之三”見有此種器形（參見《明清瓷器鑒定》,，頁262，圖449）,。

The abdomen of the moon-holding bottle is protruded in the shape of a full moon, also known as the 'treasure moon bottle'. It was first burned in Yongzheng of Qing Dynasty and was popular in Qianlong Dynasty. In addition to blue and white, there are also yellow Di blue and white, color glaze and other varieties. In Qianlong period, the neck and shoulder of chisels such as porcelain and bottle adornment were often attached with decorative ears. In addition to their practical use, the most important thing is to make the objects obtain visual balance and perfect decoration. There are dove ear, stinging ear, halberd ear, elephant ear, Ruyi ear, dragon ear, square ear, piercing ear, bat ear and so on. This double-ear model was first created by Qianlong Imperial Kiln. It is found in the third sketch map of Qianlong ware type attached to Geng Baochang's Ming and Qing Porcelain Appraisal (see Ming and Qing Porcelain Appraisal, P. 262, Fig. 449).

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

右面畫龍,，左面畫鳳，二靈皆有升天翔云之勢,，矣畫樣尤奇而色澤麗美，真是希世之珍也哉

Dragon painted on the right, Phoenix painted on the left, and two spirits all have the potential to ascend into the sky and soar into the clouds. The pictures are unique and beautiful in color, which is a rare treasure of the world.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

所繪翔龍矯猛,、騰云馭浪,，顯彰帝王天威。滿清帝王為扭轉(zhuǎn)其異族形象,，證其政權(quán)正統(tǒng)性,，勤于深耕中原文化，運(yùn)用各類工藝品強(qiáng)調(diào)皇權(quán)天授,、順應(yīng)天命,。景德鎮(zhèn)御窯廠瓷匠受命依前朝名瓷為本，承舊創(chuàng)新,，精益求精,，官窯御瓷更得至美臻善。

The dragon painted is vigorous, clouds and waves, showing the power of the emperor. The emperors of the Manchu and Qing Dynasties were diligent in cultivating the culture of the Central Plains in order to reverse their alien image and prove the legitimacy of their regime. They used various kinds of handicrafts to emphasize the emperor's empowerment by heaven and to conform to the destiny of heaven. Jingdezhen Imperial Kiln Factory pottery craftsmen were ordered to take the former dynasty's famous porcelain as the foundation, inherit the old and innovate, strive for excellence, the imperial kiln pottery is even more beautiful.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

云龍戲珠紋威武攝人,，取材早明雛本,，畫藝越見精妙。干窯之前,，罕有龍紋抱月瓶,，惟有少數(shù)十五世紀(jì)初作例存世，例如一件宣窯三爪龍紋扁壺,，刊于《故宮博物院藏明初青花瓷》,，卷1，北京,，2002年,，圖版89。

The pearl pattern of Yunlong Opera is powerful and inviting. It draws materials from the early morning prototype, and the art of painting becomes more and more exquisite. Before the dry kiln, there were few dragon-shaped moon-holding bottles, but only a few examples survived in the early fifteenth century. For example, a Xuanyao three-claw dragon-shaped flat pot was published in Qinghua Porcelain of the Early Ming Dynasty in the Palace Museum, Volume 1, Beijing, 2002, Plate 89.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

繪鳳技巧頗得翎羽纖柔之態(tài),，與龍鱗相反相成,，鳳凰紋是中國傳統(tǒng)吉祥紋樣,。在中國古代被尊為鳥中之王，是祥瑞的象征,，歷代均有,，并各具特色。在獨(dú)特的帝皇文化之中,，龍鳳相配,，龍是皇帝的象征，鳳代表著皇后,?？v觀清宮歷代皇后朝服畫像，每位皇后的寶座上扶手,、靠背均雕琢裝飾著對鳳紋,，地上的錦毯亦然，以昭示身份之尊貴,。

The Phoenix painting technique is quite feminine, contrary to the Dragon scale. The phoenix pattern is the traditional auspicious pattern in China. In ancient China, it was respected as the king of birds, a symbol of auspiciousness, which has been found in all dynasties and has its own characteristics. In the unique imperial culture, dragon and Phoenix match, dragon is the symbol of the emperor, Phoenix represents the queen. Throughout the Qing Dynasty, the portraits of empresses'court clothes in successive dynasties were carved and decorated with phoenix patterns on the armrests and backs of each empress's throne, and the carpets on the ground were also carved to show the dignity of their identity.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

腹部中心前后繪飾“龍鳳爭珠圖”,，圖中祥云迤邐，漫天飄飛,，但見蒼龍騰空而起,，叱咤風(fēng)云，虬軀矯健兇猛,，大有氣奪千里之勢,。正反兩面主體紋飾繪龍鳳相對，龍鳳圖案是封建皇權(quán)的象征,，同時在瓷器中亦是重要的裝飾紋樣,。龍鳳，一個是眾獸之君,，一個是百鳥之王,；一個變化飛騰而靈異，一個高雅美善而祥瑞,；兩者之間互助合作,，便有了“龍鳳呈祥”之寓意。瑞鳳華羽彩衣,，展翅回首,，與蒼龍深情對望。其畫筆生動精美,，所見祥云雖多,，卻形態(tài)各異，深得迤邐之姿，福海之中波濤洶涌之象,，是以線描之功不厭其煩地繪就,，細(xì)膩而嫻熟，展示御窯畫工一絲不茍的敬業(yè)精神,。

The center of the abdomen is decorated with a picture of dragons and phoenixes competing for pearls. In the picture, the auspicious clouds are waving and flying all over the sky, but the Dragon rises in the air, beats the wind and clouds, stamps the body vigorously and fiercely, and has the momentum to win thousands of miles. The main decorative patterns on both sides are the opposite of dragon and phoenix. The dragon and phoenix pattern is the symbol of feudal imperial power, and it is also an important decorative pattern in porcelain. Dragon and phoenix, one is the king of beasts, the other is the king of birds; the other is the changeable and spiritual, one is elegant, beautiful and auspicious; the mutual assistance and cooperation between the two have the meaning of 'dragon and Phoenix show auspiciousness'. Ruifeng Huayu colorful clothes, look back with wings, and look at Canglong affectionately. His brushes are vivid and exquisite. Although he sees many auspicious clouds, they have different shapes. They are deep and wavy. In the midst of the Fuhai Sea, the image of turbulent waves is drawn with the skill of line drawing tirelessly. They are exquisite and skillful, displaying the meticulous and dedicated spirit of the imperial kiln painters.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

龍鳳神形俱佳,，栩栩如生，相顧之際,，更得以妙筆傳示出濃濃的殷切之情,。青花發(fā)色刻意模仿永宣青花流淌暈散的效果，借鑒了國畫的筆墨意韻,，線條粗細(xì)并用,，青料濃淡兼施，蒼翠欲滴,，凝重雄渾,。整體紋飾層次分明，運(yùn)筆流暢,，布局疏朗有致,，制作工藝極其精湛考究，青花呈色濃艷,，筆意間尚存永宣豪放渾厚之感，通體滿飾發(fā)色純正,、凝重,，構(gòu)圖清晰明快，繪畫嚴(yán)謹(jǐn)縝密,，造型清逸,。妍麗清雅的青藍(lán)彩，瑩潤皙白的胎釉,，相益彰顯,，閃現(xiàn)出乾隆上品御瓷的非凡麗質(zhì)。

Dragon and Phoenix are both beautiful and lifelike. When they look at each other, they are able to express their deep and sincere feelings with ingenious brushwork. Blue and white hair color deliberately imitates the effect of Yongxuan Blue and White flowing dizziness, drawing lessons from the Chinese painting's brush and ink charm, the lines are thick and fine, the green material is rich and shallow, green to drip, dignified and vigorous. The overall decorative level is clear, the brush is smooth, the layout is clear and delicate, the production process is extremely exquisite and exquisite, the blue and white color is bright, there is still a sense of boldness and boldness between the brushwork, the body is full of pure and dignified hair color, the composition is clear and clear, the painting is rigorous and meticulous, and the shape is elegant. Beautiful and elegant blue and blue color, bright and moist white tire glaze, highlight each other, showing the extraordinary quality of Qianlong top-grade imperial porcelain.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

乾隆一朝六十年,，是清代封建社會發(fā)展的鼎盛時期,，瓷器生產(chǎn)空前的繁榮?！豆陪~器考》稱贊乾隆制瓷業(yè)是“有陶以來,，未有今日之美備”。藍(lán)浦所著《景德鎮(zhèn)陶錄》記載：“陶至今日器則美備,，工則良巧,，色則精全；仿古法先,，花樣品式,、咸月異歲不同矣,。而御窯監(jiān)造，尤為超越前古,?！鄙巯U民撰《增補(bǔ)古今瓷器源流考》評價乾隆制瓷業(yè)有“其制作之巧妙，彩色之艷麗,，可謂前無古人,，后無來者”。許之衡《飲流齋說瓷》贊嘆有“至乾隆則華縟極矣,，精巧之至,，幾于鬼斧神工”。

Sixty years of Qianlong Dynasty was the heyday of feudal social development in Qing Dynasty, and the production of porcelain was unprecedented prosperity. 'Ancient Bronze Textual Research' praised Qianlong's porcelain industry as 'since pottery, there is no today's perfect'. Lanpu's 'Jingdezhen Taolu' records: 'Today's pottery is beautiful, exquisite workmanship, color is perfect; ancient imitation, flower sample type, Xianyue different age. And the imperial kiln supervision, especially beyond the ancient times. Shao Zhemin wrote 'Supplementing the Origin and Origin of Ancient and Modern Porcelain' to evaluate the Qianlong Porcelain Industry as 'ingenious in making and brilliant in colour, which is unprecedented before, and no one coming after'. Xu Zhiheng's 'Drinking Liuzhai and Talking about Porcelain' praised the saying that 'till Qianlong, Huaying was extremely beautiful, and exquisite, it was almost as good as ghost axe and supernatural workmanship'.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

莊重典雅的造型,，色澤雅麗的青花,，工整清新的圖案結(jié)合在一起，達(dá)到了藝術(shù)上的完美與和諧,。

The solemn and elegant shape, the blue and white with elegant color and the neat and fresh pattern are combined to achieve the perfection and harmony in art.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

此形制的“寶月瓶”異常珍罕,，高達(dá)三十公六分左右。國家博物館,、首都博物館均未藏有,。

This form of 'treasure moon bottle' is extremely rare, up to about thirty-six centimeters. Neither the National Museum nor the Capital Museum exists.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

故鳳凰云龍紋飾承天子青睞之余，更添此瓶帝王之氣,。

Therefore, the Fenghuang Yunlong decoration, while favored by the Son of Heaven, adds to this bottle of emperor's spirit.

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works

六月中國頂級古代藝術(shù)品推薦China's Top Ancient Art Works