郭亞冠｜方舟獵人

頤源書屋 2021-09-30

展開全文

2021年9月11日下午三點《方舟獵人——郭亞冠作品展》在北京觀唐美術(shù)館隆重開幕,。此次展覽展出的是郭亞冠2015-2018年的兩組游走系列作品.2015-2016郭亞冠在中國云南邊境以及老撾等地創(chuàng)作的系列作品《你的方舟停在我某個不知名的夢里》,，2017-2018在柬埔寨西哈努克，金邊，暹粒等地創(chuàng)作的系列作品《The lastpoint》。兩組作品都是一種超越在地性所形成的想象,，從而呈現(xiàn)出具有強烈迷幻色彩的畫面,。郭亞冠個展的是以《方舟獵人》為主題,。整場展覽以架上繪畫為主線,影像紀錄片、生態(tài)裝置為脈絡(luò)的藝術(shù)語言,。

展覽現(xiàn)場

習慣的影響；流行的偏見,；毫無價值的權(quán)威；往往與我們傲慢的認識帶來潛在無知的預判或發(fā)生的本可避免的事情,。當代藝術(shù)早已是一種無邊界的存在形式,，藝術(shù)家更應(yīng)該用獵人的視角關(guān)注社會一些現(xiàn)象和未來發(fā)展,，駛向彼岸的此岸,。

郭亞冠的“方舟”并不是駛向孤島。而是不停地游走在不同環(huán)境中,，通過視覺,、通覺、判別和記憶,，外部對象的刺激的參與與理智映象傳遞新的精神層次,，激發(fā)藝術(shù)家本人對藝術(shù)更多的共相表達。靈魂與肉體,、欲望與需求,、平靜與幸福都以不同的角色輪回扮演在自然、社會現(xiàn)實中,，映像出事物平凡,、奇跡、綻放,、凋謝等狀態(tài)符號,。獵人般地認知，自由游舸在真實視界中,。

希望藝術(shù)家在生命之河中,，開足馬力激發(fā)潛能，自由游弋,。

——王席寫于上海,，2021年9月

The influence ofhabit; the prejudice of trend; the worthlessness of power; oftentimes thehubris that comes with our knowledge and cognition can unsheathe judgements andpredictions of ignorance, or that which could have beenprevented. Contemporary art has long existed without borders and leash,therefore as an artist, one must observe the various phenomenons, therelentless pursuit of growth and development found in the society, with thementality not dissimilar to that of a hunter, voyaging from one shore toanother.

展覽現(xiàn)場

Guo Yaguan’s “Ark” sails not towards solitude, but roamsamongst the environments. Through visual, synesthesia, prudence and memory,through involvements of external stimuli and new layers of psyche triggered byprojections of reason, the artist themselves are inspired to explore moreuniversal forms of expression. Spirit and flesh, desire and needs, tranquilityand happiness, they take the form of a plethora of roles, circulating innature, in the reality of our society. The status of banality, of beingremarkable, of blooming and wilting within objects, within ideals are thusaccentuated. With the knowledge of a hunter, drifting in an optical reality,free from limitation.

May the artist ofgreat potential travel far and wide in the stream of life.

WangXi, 2021.09

展覽現(xiàn)場

前些年之所以喜歡到處游走，是因為我對不同的環(huán)境產(chǎn)生的頻率變化很敏感,，在應(yīng)對每個能量體所釋放的不同屬性的節(jié)奏,，能夠打開我感官深處的種子，所以我的作品每個時期或每個系列在形式上都會有較大區(qū)別,。

我希望它是一種全新的體驗,，或者說是在面對不同事物時以一種更為敏銳的觸覺來撫摸它的真實，從而擺脫固有經(jīng)驗的裹挾,。

我喜歡在平凡事物中發(fā)現(xiàn)“奇跡”和“沖突”,，在場每個元素都會震顫出不同的頻率，時而交叉碰撞,，時而順勢凝結(jié),，平凡之物也不再平凡，“物”的屬性被漸漸消解掉,，生成一種化不開的迷幻 ,。

——郭亞冠寫于北京,，2021年9月

展覽現(xiàn)場

During these past fewyears, I have found myself possessing the soul of a wanderer. This isattributed to my keen sense of the changes in vibes and frequencies in eachunique environment that enveloped me. The sprouts deep seeded within my senseswere nurtured by the rhythm of various properties, unleashed by theentanglement with every energy being. Thus, it is not hard to understand thatmy work from different periods of time or from different collections are asvaried as night and day.

展覽現(xiàn)場

I hope to create abrand-new experience, or in other words, perceiving reality through asharpened, tactile form of sensibility when faced with subjects of multiplefacets, thus becoming unchained from the bounds and limitations of preconceivednotions.

I like to find “miracles” and “conflicts”within ordinary things. When each element quakes, vibrating at variousfrequencies, when they clash or consolidate, even the most unnoteworthy objectbecomes extraordinary. The property of “objectivity” fades away, while inexplicable wonders and mysteries arise.

GuoYaguan,2021.09

展品賞析

Artworks

《你的方舟停在我某個不知名的夢里，我也如此》

三聯(lián)幅布面油畫|150×70cm×3｜2017

《你的方舟停在我某個不知名的夢里系列10》

布面丙烯|120×150cm|2016

《The Last Point 黃昏》

布面丙烯|280×180cm| 2018

《The Last Point 龍血樹》

布面丙烯|200×200cm| 2018

《The Last Point 植物2》