羅薩爾巴·卡列拉(rosalba carriera 1675-1757) self-portrait-holding-a-portrait-of-her-sister-1709 羅薩爾巴·卡列拉(rosalba carriera)是18世紀(jì)意大利著名的女肖像畫(huà)家,。她出生在威尼斯,,并在這里修業(yè)和從事肖像畫(huà)創(chuàng)作。羅薩爾巴·卡列拉曾應(yīng)邀去巴黎等地作畫(huà),,接觸到當(dāng)時(shí)歐洲盛行的洛可可式的肖像藝術(shù),,并受到一定的影響。她的作品幾乎限于半身胸像,,而全身像或群像創(chuàng)作從未涉及,。 a-gentleman-in-a-gold-patterned-coat-and-violet-brown-cape-1727 羅薩爾巴·卡列拉似乎喜歡表現(xiàn)人物的一種理想的美,而不注重個(gè)性的刻畫(huà),。羅薩爾巴·卡列拉熟練地掌握了油畫(huà)技法,,并用女性般的細(xì)膩和柔和使作品具有一定的魅力。 young-child-of-the-le-blond-family-1740 據(jù)說(shuō)當(dāng)時(shí)各國(guó)顯貴對(duì)她的作品頗感興趣,。從她的一幅《少年像》中可以看出她的肖像藝術(shù)的一些特點(diǎn)來(lái),,金色的頭發(fā)柔軟地披在肩上,兩只大大的眼睛充滿(mǎn)著稚氣,,任何人都會(huì)被這個(gè)可愛(ài)的形象所迷戀,,盡管他的脖子有點(diǎn)生硬的轉(zhuǎn)動(dòng),但卻為杰出的油畫(huà)技巧所掩飾了,。其實(shí),,在這幅作品中我們已經(jīng)很少能感受到意大利文藝復(fù)興時(shí)期所形成的肖像畫(huà)傳統(tǒng)了,羅薩爾巴·卡列拉幾乎很接近洛可可藝術(shù),??梢哉f(shuō),她是18世紀(jì)意大利繪畫(huà)中洛可可藝術(shù)的代表人物,。 africa allegory-of-music-1712 a-tyrolean-innkeeper-1728 autumn-1725 a-venetian-lady-from-the-house-of-barbarigo-caterina-sagredo-barbarigo-1735 cardinal-melchior-de-polignac-1732 crown-prince-friedrich-christian-of-saxony-1739 elector-clemens-augustus-of-cologne-1727 female-portrait-with-mask flora-1730 lady-in-a-turkish-costume-felicita-sartori-1728 maria-theresa-archduchess-of-habsburg-1730 portrait-of-a-gentleman-in-red-1739 portrait-of-antoine-watteau-1721 portrait-of-a-young-girl-1708 portrait-of-caterina-sagredo-barbarigo portrait-of-fran-oise-marie-de-bourbon-duchess-of-orl-ans-and-wife-of-the-regent-of-france-as portrait-of-gustavus-hamilton-2nd-viscount-boyne-in-masquerade-costume-1731 portrait-of-louis-xv-as-dauphin-1715 portrait-of-philip-wharton-1st-duke-of-wharton-1720 portrait-of-sister-maria-caterina-1734 portrait-of-the-french-consul-jean-le-blond-1727 self-portrait self-portrait-1746 self-portrait-as-winter-1731 sidney-beauclerk-1723 sir-james-gray-second-baronet-1744 spring-1725 summer-1725 the-singer-faustina-bordoni-with-a-musical-score-1724 winter-1725 young-cavalier-1730 young-girl-holding-a-monkey-1721 |
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來(lái)自: 紅旗飄飄軍號(hào)響 > 《繪畫(huà)》